10 Seasons Later: Where are America’s Favorite Dancers?
What can Amy and Fik-Shun expect now that they’re officially the winners of “So You Think You Can Dance” Season 10? We caught up with all 10 former champs to find out about their post-“SYTYCD” lives.
Eliana with Dmitry Chaplin on an episode of "Bones." (photo by Patrick McElhenney/Fox)
Eliana Girard, Season 9
Eliana started rehearsals for Taylor Swift’s Red Tour just a few months after her win. “The show made me more inspired to grow as an artist,” says the ballerina, who will spend this month performing with T-Swift in Australia.
(photo by Gilles Toucas)
Chehon Wespi-Tschopp, Season 9
Talk about branching out—this ballet boy-wonder has got acting (a guest-starring role on “Bones,” plus several commercials), clothing design (an upcoming “CheForce” line for dancers) and choreography projects (alongside Mia Michaels) in the works. He’s also launched his own dance convention, CheForce. “I couldn’t be more grateful that America gave me the chance to grow on the show,” he says. “The journey completely changed me.”
(photo by Jonathan Ressler)
Lauren Froderman, Season 7
Lauren had just graduated high school when she made it onto the show, and she put off college to tour as the “SYTYCD” champion. She then danced full-time for a while—teaching master classes and performing on “Glee” and at the Kids’ Choice Awards. But now she’s a full-fledged college girl! Lauren will graduate from Loyola Marymount University in 2015 with a BA in liberal studies. “Then I’ll get back into the grind of auditioning,” she says.
(courtesy Russell Ferguson)
Russell Ferguson, Season 6
Krumper Russell recently choreographed for Ukraine’s version of “SYTYCD,” started his own company called SideStreet and snagged a featured role (alongside Chehon) in the new dance flick East Side Story. Bostonians can catch him in Tony Williams’ Urban Nutcracker, December 6–22, at John Hancock Hall.
(photo by Josh Williams)
Jeanine Mason, Season 5
“SYTYCD” was the first of many TV appearances for Jeanine. In addition to her former recurring role on “Bunheads,” she’ll appear on TNT’s “Major Crimes” this month and recently shot pilots for MTV and Fox. She’s also been attending University of California—Los Angeles. “Graduating this year will be a proud moment!” she says.
(courtesy Joshua Allen)
Joshua Allen, Season 4
In addition to being a Season 10 All-Star, Joshua’s pursuing a career as a triple threat. He was featured in Step Up 3D and Footloose, appeared on “Community” and “American Horror Story” and plans to release his first album this year.
(photo by Quinn Baston)
Sabra Johnson, Season 3
Since her win, Sabra has been dancing all over the world. She spent a year with Cedar Lake Contemporary Ballet in NYC, danced in Mexico City and Germany and is now a member of dance theater company Staatstheater Darmstadt in Austria.
Benji Performing on "Dancing with the Stars" (photo by Adam Taylor/ABC)
Benji Schwimmer, Season 2
Benji’s been busy choreographing for the stars: He created and danced in Paula Abdul’s final “American Idol” performance. Staying true to his swing-dance roots, he’s also won the U.S. Open Swing Dance Championship the past four years in a row with partner Torri Smith.
Melanie and Nick performing at The Dance Awards (photo by Matthew Murphy)
Melanie Moore, Season 8
If it seems like Melanie’s all over your TV screen, that’s because she is. She burned up the dance floor as a Season 10 All-Star, danced at the Primetime Emmy Awards in September and played a New York Academy of the Dramatic Arts student on Season 4 of “Glee.” She’s also a member of contemporary company Shaping Sound.
Nick Lazzarini, Season 1
Besides his fame as the very first “SYTYCD” champ, Nick is probably best known as a founding member of Shaping Sound. He’s also a beloved faculty member at JUMP dance convention. How can future contestants achieve his level of success? “Make sure you’re open to anything and everything,” he says.
Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
When we think of a dancer who's broken barriers, American Ballet Theatre principal Misty Copeland tends to be the name that comes to mind. And though Copeland has been a crucial advocate for equality in the world of ballet, Raven Wilkinson—a mentor of Copeland's—is considered one of the original pioneers of the movement.
In 1955, Wilkinson became the first African American to dance with the renowned Ballet Russe de Monte Carlo. Her fortitude in the face of bigotry and hate cemented her legacy. Now, with the release of the new children's book Trailblazer: The Story of Ballerina Raven Wilkinson, a new generation of dancers will be inspired by her tale of overcoming obstacles to achieve a dream.
The book details Wilkinson's life, from her experience as a young dancer training in Harlem, to her run-ins with the Ku Klux Klan while on tour with Ballet Russe, to her later ballet career in Europe. "There were times where my heart really hurt because of the situations I had to deal with," she says. "But I always had faith that I was made to be a dancer and that I was gonna dance."
Dance Spirit spoke with Wilkinson to discuss the new book and get her take on racial equality within the ballet world.
Postmodern pioneer Trisha Brown redefined how dance is seen and felt. A founding member of Judson Dance Theater, Brown frequently collaborated with other experimental artists like Yvonne Rainer, Merce Cunningham, Twyla Tharp, and Steve Paxton.
She embraced pedestrian movement, pairing everyday gesture with rhythm and fluidity. "It's liquid," says Wendy Perron, who danced with Brown in the '60s and '70s. "Like a river with many tributaries, water coming out of a faucet, or being on a raft and seeing the water move away in different directions." Brown also pushed beyond stages with choreography in fields, museums—even on the sides of buildings.
There's a common misconception that a dancer's body has to be thin. But the truth is that talent knows no body type, and the number on the scale never determines an artist's capabilities. Here are some extraordinary dancers fighting the stereotype of what a dancer "should" look like.
We always love a good halftime performance. And we LIVE for halftime performances involving talented kids. (Fingers and toes crossed that Justin Timberlake follows Missy Elliott's lead and invites some fabulous littles to share his Super Bowl stage.)
So obviously, our hearts completely melted for 5-year-old Tavaris Jones. Tavaris may have just started kindergarten, but during Monday night's game between the Cleveland Cavaliers and Golden State Warriors, the Detroit native danced with the panache of a veteran pro at halftime.