10 Things You Never Knew About Cirque du Soleil
The cast of Mystère (by Matt Beard)
Cirque du Soleil isn’t your grandmother’s circus. It’s sleek, sophisticated and sometimes a little scary. Every scene is a production in itself, complete with radiant costumes, intricate choreography and, our favorite part, technically extraordinary dancers. Since the early 1980s, Cirque du Soleil has grown from a tiny crew of street performers in Canada to a huge organization that now puts on 20 shows across the globe—each with its own plot and zany cast. This year marks milestone anniversaries for several Cirque du Soleil productions, so DS asked four dancers—from four different Cirque du Soleil shows—to share 10 secrets only an insider would know.
1| “The audience response is stronger than in the traditional dance world. The crowd reacts to everything with excitement, amazement and disbelief. It was shocking at first—it took a while to get used to spontaneous outbursts within the theater.” —Natalya Bashkatova, La Nouba
* La Nouba at Walt Disney World Resort in Orlando, FL, is celebrating its 15th anniversary this year!
2| “The costumes are legendary and so detailed. The cast is measured from head to toe to the millimeter, and no two artists have the same outfit. They even laser scanned my head to get my wig size!” —Jarrett Kelly, The Beatles LOVE
* The Cirque du Soleil show with the most recognizable soundtrack, The Beatles LOVE, has been performed to Beatles classics at The Mirage in Las Vegas since 2006.
3| “Mystère’s stage is almost a full circle, so I have to be aware that I’m always being watched at many angles.” —Israel Lazo Gutierrez, Mystère
*It’s a big year for Mystère: 2013 marks the show’s 20th year at Treasure Island in Las Vegas.
4| “Unlike the ballet world I’m from, diversity and uniqueness are praised in Cirque du Soleil. Having an unusual body type or uncommon proportions is actually a huge plus. The dancers here never have to try to blend in.” —Agnès Roux, Zumanity
*Zumanity: The Sensual Side of Cirque du Soleil, at New York–New York Hotel and Casino in Las Vegas turns 10 years old this year.
5| “Our schedule is unlike any other. We work five days a week, two performances per night, and we often have to come in early for training, rehearsals or meetings.” —JK
6| “Doing 478 shows a year is hard on a dancer’s body. We have to be prepared physically and mentally, and we challenge ourselves to make every show passionate.” —NB
7| “We have great physical therapists, massage therapists and Pilates teachers. And they’re all on site!” —AR
8| “I always wondered what gymnasts do after they compete in the Olympics. Now I know—they join Cirque! Our cast has so many world-champion athletes.” —JK
9| “Each performer came to work for the company in a different way. I auditioned in Paris, but some friends have been spotted at competitions, on TV programs or during performances with other companies.” —AR
10| “The cast members have incredibly diverse backgrounds. You’d be surprised at how many disciplines each performer has studied—beyond what you see onstage.” —IG
It's time to get your pirouette on! From September 5th to September 30th, we're hosting a contest to find out who's the best turner of them all.
Put together your most impressive turning combo. Post a video online. Share your turns with us and thousands of other dancers around the world. And if our editors think you're the top turner, you'll win a fabulous prize.
All of 18-year-old Kaylin Maggard's dreams—from scoring the title of National Senior Outstanding Dancer at New York City Dance Alliance Nationals to winning the 2017 Dance Spirit Cover Model Search—are coming true. And to anyone who knows the gorgeous contemporary dancer, that's no surprise.
From the moment the Dance Spirit staff met Kaylin, it was obvious her humility and talent would take her far. Not only did she go full-out during the photo shoot and class at Broadway Dance Center, but she was always cheering on, laughing with, and supporting her fellow CMS contestants Haley Hartsfield and Michelle Quiner. During the voting period, the social media world was abuzz with praise for her work ethic, positive attitude, and generosity.
Since her CMS trip to NYC, Kaylin's moved from her hometown of Columbia, MO, to the Big Apple for her freshman year at Juilliard, and is busy getting acquainted with the city. As for the future? She's taking it one opportunity at a time, but something tells us we'll be seeing this contemporary queen reach new heights every year.
New York City principal Lauren Lovette has become an icon thanks to her emotional maturity and exceptional musicality. The 26-year-old quickly rose through the ranks after joining the company as an apprentice in 2009, reaching principal status in 2015. A Thousand Oaks, CA, native, Lovette started studying ballet seriously at age 11, at the Cary Ballet Conservatory in Cary, NC. After attending two summer courses at the School of American Ballet, she enrolled as a full-time student in 2006. Last year, she made her choreographic debut with For Clara, her first piece for NYCB. Catch her latest work this month during the company's fall season. —Courtney Bowers
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org for a chance to be featured!
I know I'm not getting good enough dance training from any of my local studios. But I'm not sure I'm ready to move away to study at a big-name school, either. How do you know when you're ready to leave home to pursue your passion?
Instagram star Kylie Shea has built a following of nearly 170,000 with her playful workout videos, which combine traditional fitness activities, like jumping rope or running on the treadmill, with pointe shoes and sassy choreography. Shea's effortless cool-girl-next-door vibe and solid ballet technique make her vids totally irresistible.
Now Shea's using her platform to address the body image issues that tend to plague dancers. In a poignant video, she sheds her clothes and tugs at her skin. The caption explains her relationship with her body and the pressure she feels to maintain a certain aesthetic as a dancer.
Physical discomfort is inevitable when you're spending tons of hours in the studio every day, but some pain shouldn't be suffered through. "Dancing through pain can make an injury worse and lead to more time away from dance," says Dr. Joel Brenner, medical director of dance medicine at Children's Hospital of The King's Daughters in Norfolk, VA. "Failing to rest and recover when you're in serious pain could even lead to the point where you're unable to dance in the future."
That may sound scary, but there's good news: If you take precautions and listen to your body, many injuries can be stopped in their tracks. The first step? Knowing what's normal—and what's not.
Think about it: How often do you see a ballet pas de deux for two women? Almost never, right? Sometimes, choreographers will forgo the traditional danseur-ballerina pas to make a duet for two guys, since they can lift and partner each other easily. But a dance for two ballerinas is a rare thing.
That's part of what makes "Duet," a new video by director Andrew Margetson featuring Royal Ballet beauties Yasmin Naghdi and Beatriz Stix-Brunell, so compelling.