2012 Cover Model Search Finalist: Alyssa Ness
“You’ll never dance again.” Those four small, terrifying words would change Alyssa Ness forever. She was 14 and dominating the competition scene, placing in the Top 10 at every Nationals she attended, even winning the mini and teen titles at West Coast Dance Explosion. But suddenly, she found herself with two torn ligaments in her ankle. She knew it was bad, but never dancing again? That was unfathomable. Luckily, a second doctor had a less ominous diagnosis: She’d need surgery, tons of physical therapy and a year without dance.
Now 17, Alyssa says that year away from the studio and the stage altered her outlook on dance. “Being out for so long made me appreciate dancing so much more,” Alyssa says. “Before my injury, I was caught up with winning titles and being the best, but now I dance because I truly love it.” And when you see her onstage, that’s more than apparent. With impeccable musicality and Gumby-like limbs—plus a drive and focus well beyond her years—Alyssa has all the ingredients for success.
Born and raised in Ramsey, MN, Alyssa began taking classes at Northland School of Dance when she was just 2 years old. “They were the only school that took dancers that young,” she says. But NSOD turned out to be—and is still—a great home for her. She started with tap and ballet, adding jazz, lyrical and ballroom classes later on. She credits NSOD studio owners Corrie Rolf Dunn and Teresa Rolf as her dance mentors: “They know me better than I know myself,” she says. In addition to taking classes at NSOD, Alyssa commutes more than an hour each way to high school at the prestigious Saint Paul Conservatory for Performing Artists.
Now, whether she’s taking class or tearing up the stage, Alyssa makes one thing clear: You will watch her. The hours spent honing her technique have clearly paid off. Her ability to highlight even the smallest nuances of the music guarantee you won’t take your eyes off her.
So what’s next for this captivating performer? While she plans to audition for the dance programs at The Juilliard School and Marymount Manhattan College in NYC, her injury and recovery process have inspired her to pursue a degree in physical therapy. But no matter what, Alyssa will keep dancing. “I love that I can inspire myself and others through dance,” she says. “It’s such a beautiful thing.”
Birthday: March 19, 1995
Most-played on her iPod: “Single Ladies (Put a Ring on It)” by Beyoncé
Something people don’t know about her: “I have a chin phobia. I don’t like when people touch my chin or their own chin. One time my ballet teacher adjusted my chin and
I flailed my arms, almost hitting her in the face.”
Favorite foods: Red velvet cake and cookies-and-cream ice cream
Dance crush: Travis Wall
Three words that describe her dancing: “Genuine, technical, captivating”
Favorite dance movies: Burlesque and Center Stage
Favorite actor: Jim Carrey
Favorite dancer of all time: Commercial and contemporary dancer Chaz Buzan
James Kinney, musical theater instructor at Broadway Dance Center: “She attacks choreography from such a pure place in her body and understands
it immediately. Alyssa is ferocious in her movement.”
Teresa Rolf, Alyssa’s teacher at Northland School of Dance: “Alyssa is a dance teacher’s dream. People describe Alyssa as talented, hard-working, exquisite, humble and an excellent role model. I appreciate her dedication and the wonderful example she sets for the younger students. She takes nothing for granted and proves over and over again that you can be a brilliant dancer and remain humble. Alyssa is not only a good dancer, she’s a good person.”
What a week in the "Dancing with the Stars" universe, amirite? After we bid farewell to Drew Scott and Emma Slater on Monday (in a surprise to pretty much nobody, despite the duo's strong performance in a super-fun freestyle that evening), it was time, last night, for Season 25's Grand Finale. And goodness, I don't know if we've ever seen quite so many perfect scores thrown around the ballroom. The final three—Frankie Muniz and Witney Carson, Jordan Fisher and Lindsay Arnold, and Lindsey Stirling and Mark Ballas—performed a total of six routines on Tuesday, and five of them earned straight 10s. Yes, those scores were well-deserved; the finalists danced their bedazzled behinds off. But it also felt like the judges were channeling Oprah. YOU get a 10, and YOU get a 10, and YOUUUU get a 10!
Turkey is great and all, but the best part of Thanksgiving? It's watching some truly fantastic dancing on television, courtesy the Macy's Thanksgiving Day Parade. On Thursday, when your arms are sore from mashing potatoes and/or you need to escape crazy Aunt Linda, head to the living room to catch these super-dancey parade highlights:
Taja Riley's bold, full-out presence and unique ability to mix hard-hitting hip hop with smooth, sensual choreography paved the way for her success in the commercial industry. She's danced with music icons like Chris Brown, Janet Jackson, Ne-Yo, Kanye West, 50 Cent, Pitbull, and Bruno Mars, and has assisted with choreography for Britney Spears' Femme Fatale tour, Demi Lovato's Skyscraper tour, and Beyoncé's Mrs. Carter tour. She also appeared in Beyoncé's groundbreaking visual album Lemonade. Raised in Virginia Beach, VA, Riley grew up training at Denise Wall's Dance Energy. Currently, she's on faculty at New York City Dance Alliance, where you can catch her touring the convention circuit. —Courtney Bowers
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com a chance to be featured!
I'm being bullied by one of the girls at my studio, and it's awful. I've talked to my dance teacher and confronted the bully directly, but it hasn't made a difference. What should I do?
Last week, we highlighted the deliberately, hysterically bad @biscuitballerina Instagram account, created by a then-mysterious dancer with a great sense of humor. This week, the artist behind @biscuitballerina—who turns out to be Royal Ballet of Flanders corps member Shelby Williams—got in touch with us to set the record straight about the intentions of those LOL-worthy posts.
Her photos and videos, with their exaggeratedly cringe-worthy technical flaws, are NOT meant to mock amateur dancers. Instead, Williams is actually hoping the account will help all dancers move past their shortcomings and accept themselves and their dancing.
P!nk, known for her high-flying, acrobatic awards show sets, has literally raised the bar for pop stars everywhere. For her performance at last night's American Music Awards, P!nk decided to break out some flips and tricks ON THE SIDE OF A BUILDING. WHILE FLAWLESSLY SINGING HER FACE OFF. You know, just casually, like you do when you're a full-on goddess.
When you think of a dancer, a double leg amputee may not be the first thing that comes to mind. But Eric Graise, who's one of the stars of the upcoming "Step Up: High Water" YouTube Red series, hopes to change that. Graise, whose legs were amputated as a child due to missing fibula bones, will play a character named King in the new dance series, set to debut early next year.
We all suffer from Nutcracker fatigue sometimes. After a zillion performances, it's hard not to. But there's nothing to restore your little-kid sense of Nutcracker wonder like a look at the sheer scale of a world-class Nut.
New York City Ballet's iconic production of George Balanchine's The Nutcracker opens on Friday, and for the past week, the company has been Tweeting out some seriously eye-popping #NutcrackerNumbers. The stats cover everything from the number of jingle bells used on each Candy Cane costume (that'd be 144) to the watts of light used in the show's grand finale (ONE. MILLION. WATTS.).
One of the most beautiful things social media has brought us is the ability to feel like we're up close and personal behind-the-scenes with all our favorite dancers. And one of our favorite stars to Insta-stalk are actually two casts of 36 scintillatingly synchronized precision dancers. I'm talking, of course, about my mild obsession with the legendary Radio City Rockettes.