Bending Reality

Bryan "Chibi" Gaynor (in gold) performing with Dragon House Crew on "So You Think You Can Dance" (photo by Adam Rose/FOX)

Bryan “Chibi” Gaynor (in gold) performing with Dragon House Crew on “So You Think You Can Dance” (photo by Adam Rose/FOX)

When Cyrus “Glitch” Spencer of Dragon House Crew auditioned for Season 9 of “So You Think You Can Dance,” fans were blown away by his “new” style: animation. The fascination continued in Season 10, when judges selected not one but two animators—Jade “Soul” Zuberi and Dorian “BluPrint” Hector—for the Top 20. And while we’re still waiting for an animator to be crowned America’s Favorite Dancer, one thing’s for sure: America’s caught the animation bug.

But what exactly is animation? Dance Spirit went to the pros to find out.

Where did animation come from?
This style isn’t new. Some sources say it originated in the late 1980s. Old-school animators, like Boppin Andre, drew inspiration from a form of stop-motion animation called dynamation, which brings inanimate models to life within a live-action film—think the early versions of King Kong and Godzilla. Most animators trace their history back to the 1958 dynamation movie The 7th Voyage of Sinbad (which is why Boppin Andre used to call the style “Sinbad dance”). Claymation films are also a source of inspiration for animation dance.

The resulting movement is almost human, but not quite. “When you’re animating, you’re pretending to be an inanimate model that’s trying to move like a human,” says Bryan “Chibi” Gaynor of Dragon House and RemoteKontrol crews.

“Animation is about bending reality,” adds Soul. “You want to make the audience question whether what they’re seeing is real.”

Cyrus "Glitch" Spencer (right) and Stephen "tWitch" Boss performing Like a Criminal on "SYTYCD" Season 9 (photo by Adam Rose/FOX)

Cyrus “Glitch” Spencer (left) and Stephen “tWitch” Boss performing Like a Criminal on “SYTYCD” Season 9 (photo by Adam Rose/FOX)

How Do You Become an Animator?
Anyone can pretend to be a robot on the dance floor, but becoming a master animator takes a lot of time and research. “As with any style, start by doing your homework,” says Soul. When Soul first began animating, he would spend hours on YouTube watching animation-dance videos to pin down the basics.

Glitch stresses that you need to master the fundamentals of popping—hard hits, stopping, isolations, etc.—before you can animate. “Then you can begin to experiment and find out what feels good on your body,” he says. “For example, you can add movement—waving, tutting, gliding—to the hard hits of popping to make it look less mechanical.”

While it’s essential to learn the fundamentals, it’s equally important to develop your unique way of moving. “It’s easy to mimic someone else’s style,” Chibi say. “It takes time to find you.”

Why Now?
If animation has been around since the late ’80s, why the sudden surge in popularity? Soul explains that animation, like any form of street dance, requires exposure to grow. “Now that we have YouTube and camera phones, we can record our stuff and put it out there—and it spreads like wildfire,” he says.

When Chibi auditioned for “SYTYCD” in 2007, he not only introduced America to animation, but also set the standard for what it’s supposed to look like. The animators who have followed him—on “SYTYCD” and “America’s Got Talent,” in the Step Up movies, on YouTube and on TV commercials—continue to raise the bar. “The young people coming up are gonna have something that really amazes us,” Chibi says.

Dorian "BluPrint" Hector (left) and Jade "Soul" Zuberi performing Trigger on "SYTYCD" Season 10 (photo by Adam Rose/Fox)

Dorian “BluPrint” Hector (left) and Jade “Soul” Zuberi performing Trigger on “SYTYCD” Season 10 (photo by Adam Rose/Fox)

A Note on Music
Jade “Soul” Zuberi of “So You Think You Can Dance” Season 10, Cyrus “Glitch” Spencer of Season 9 and Bryan “Chibi” Gaynor of Dragon House and RemoteKontrol crews all note the importance of music to style development. Because animation hit the commercial dance scene around the same time dubstep music exploded, many mistakenly call it dubstep dance. “Animation is not dubstep dance,” says Glitch.

Glitch’s music preference depends on his mood. When he wants to be expressive, he performs to slow music. Hip-hop helps him convey strength and power, and glitch-hop (a form of electronic music with deliberate “glitches” or malfunctions in the sound) is perfect for crisp, small movements.

Soul prefers dancing to classical, ambiance or glitch-hop music.

But just because animation isn’t dubstep dance doesn’t mean you can’t perform animation to dubstep music. Chibi likes using it because it offers a lot of sounds he can capture. “It can be a simple ‘tick, tick, tick’ or a big move that emphasizes the sound,” he says.

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