5 Reasons to Get Excited About Step Up Revolution
As we've discussed, the DS crew was lucky enough to get into a screening of Step Up Revolution last night (huge thank-you to Broadway Dance Center for the tickets!). And oh my gosh, you guys: It's amazing. We laughed, we screamed, we almost peed our pants multiple times. Here are just five of the many reasons you should get your bums to the theater this Friday:
1. tWitch! Mr. Boss is THE BOSS in this movie. Seriously, I think he was the highlight of the film for me. His dancing is fantastic, of course, but it's more that every time he appears onscreen you want to giggle and pinch his adorable cheeks.
2. There are more famous faces everywhere. Kathryn McCormick and Misha Gabriel and Mia Michaels (and tWitch, of course) have big old speaking parts, but you knew that already. What you might not have known is that you'll also see Phillip Chbeeb, Madd Chadd, Brandon Bryant, Chris Scott, Billy Bell and many more of the dance world's finest scattered throughout the film.
3. Peter Gallagher is typecast, in the best way possible. Are you making a dance movie? Do you need a slightly sinister, but ultimately sympathetic, authority figure to say things like, "Dance may not be the career for you"? Bring in Mr. Gallagher, aka Jonathan from Center Stage, who plays Kathryn's money-hungry, anti-dance dad in Step Up Revolution. (As usual, his eyebrows are mesmerizing.)
4. The acting is stellar. Just kidding! But let's be honest: You're not going to this movie for the acting. It doesn't matter that nobody in the cast is going to win an Oscar, because the dancing is just. that. good. Which leads us to...
5. THE DANCING. It's pretty spectacular. The "Mob" concept translates to big groups of fabulous dancers doing awesome things in unconventional locations—things which at various points involve trampolines, elaborate body paint, harnesses, hydraulic cars, glow-in-the-dark costumes, and dollar bills falling from the sky. YES.
Step Up Revolution opens this Friday, the 27th!
The groundwork for Erin Carpenter's company, Nude Barre, began when she was a teenager. At 16, she earned a spot in the residency program at The Kennedy Center in partnership with Dance Theatre of Harlem. "We were required to wear nude—as in, our actual skin tone—tights and shoes," she remembers. Carpenter brought her "sun tan" tights and a pair of pink ballet shoes with her, because that was all she could find. But she wasn't allowed in class because her dancewear didn't match her skin. "I was so embarrassed," she says. "I looked unprepared. I just didn't have the right nudes." Her teacher explained that the dancers dyed their tights and pancaked their shoes.
There are dancers and then there are DANCERS! Whitney Jensen, soloist at Norwegian National Ballet, is the latter. The former Boston Ballet principal can do it all. From contemporary to the classics this prima has the technical talent most bunheads dream about. Need proof? Look no further.
Luis Fonsi and Daddy Yankee's dance inducing hit, "Despacito," is so catchy it should probably come with a disclaimer that warns people of an uncontrollable itch to tap your feet or bob your head. Some might even feel inclined to go all out and break it down. Niana Guerrero is a prime example of "Despacito's" uncanny ability to unleash the red dressed emoji dancer within. 💃🏽 💃🏽
Guys, we all knew this was coming—"World of Dance" was eventually going to eliminate someone. But man, is it brutal to watch these talented dancers give their all, only to be sent home. It's the name of the game, though, and after last night's episode, only two dancers per division remain. (At least Misty Copeland guest-judging was a silver lining!) Here's what went down last night:
They've impressed the judges, now it's time for the Top 100 dancers to enroll at The Academy—and to impress the All-Stars. Welcome to So You Think You Can Dance Academy!
The 100 dancers who made it through auditions in NYC or L.A. are now at The Academy, which is basically a beautiful building with floor-to-ceiling windows. The show opens with that Mandy Moore-choreographed Academy routine which, even after watching it 12 times and trying to learn all the choreography at home, is still delightful.
This Nationals season, Dance Spirit followed four talented dancers from The Dance Awards, NYCDA, Showstopper, and Starpower for an inside look at everything that goes into the biggest competitions of the year. First up: Isabella Torres from Mid-Atlantic Center for the Performing Arts in Baltimore, MD, who competed at New York City Dance Alliance Nationals for the first time this year. (All photos courtesy Shannon Torres.)
Merritt Moore is a ballerina who just so happens to be graduating from Oxford University with a PhD in quantum physics. Is she even human? The jury is still out on that - but the 29-year-old, who earned her undergrad degree from Harvard, has actually found dance to be a powerful tool that assists her in her studies.