9 Amazing Tony Award Moments
Happy Tony Awards weekend, everyone! You've probably already feasted your ears on the Ultimate Broadway Playlist. But if you're like us, you can never get enough of the Great White Way. So here are a few more song-and-dance treats: 9 standout moments from the Tony Awards themselves. In reverse chronological order:
1. Last year's fantastic opening number. Neil Patrick Harris, backed by Broadway's finest dancers, tossing off laugh-out-loud lyrics—yes please. ("If you've seen a show, then you already know how magical theater can be; it's a two-hour, live-action, barely affordable, un-lip-synched version of 'Glee.'" Amazing.)
2. Billy Elliot stars Trent Kowalk, David Alvarez and Kiril Kulish accepting their joint award for Best Actor at the 2009 Tonys. So talented—and so, so adorable.
3. Lin-Manuel Miranda and the cast of In the Heights in "96,000" at the 2008 Tonys. I will never tire of this guy's crazy, and crazy smart, way with words.
4. Spring Awakening's medley at the 2007 Tonys. Before they were Gleeks, Lea Michele and Jonathan Groff absolutely nailed it in this show.
5. Bebe Neuwirth and Ann Reinking in "Nowadays/Hot Honey Rag" from Chicago at the 1997 Tonys. Two Fosse legends sharing a stage—need I say more?
6. The original cast of RENT performing "Seasons of Love" at the 1996 Tonys. Not only is this song incredibly powerful, but just look at all the soon-to-be-famous faces in this group (starting with Taye Diggs and Idina Menzel!).
7. Patti LuPone in the title song from Anything Goes at the 1988 Tonys. Yes, I loved Sutton Foster in the recent revival of this show, but Patti LuPone is pretty hard to top. (And check out the sailor girls' outfits! Scandalous.)
8. "I Hope I Get It" from A Chorus Line, at the opening of the 1975 Tonys. Now such a legendary number—and again, the original cast is mind-blowing. (Sorry about the poor quality.)
9. The cast of Hair performing at the 1969 Tonys. Harry Belafonte's introduction is unforgettable: "Theater...almost a last refuge, must commit itself to being a center of hope, where we can see the truth...where we can see what the glory of man is and what he aspires to be."
What are your favorite Tony memories? Share them in the comments, and tune in on Sunday to see what this year's standout moment will be!
Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
The dancers who take our breath away are the risk-takers, the ones who appear completely fearless onstage. "When you see somebody trying to travel more, go farther, push the limits of their physical abilities, that's always going to be inspiring," says Ballet BC dancer Alexis Fletcher.
But dance training can feel like it's in conflict with that idea. We spend thousands of hours in the studio trying to do steps perfectly, and that pursuit of perfection can make us anxious about taking risks. What if we fail? What if we fall?
Luckily, fearlessness is a mental skill that you can work on, just as you work on your technique. Here's how you can learn to push yourself past your limits.
When we think of a dancer who's broken barriers, American Ballet Theatre principal Misty Copeland tends to be the name that comes to mind. And though Copeland has been a crucial advocate for equality in the world of ballet, Raven Wilkinson—a mentor of Copeland's—is considered one of the original pioneers of the movement.
In 1955, Wilkinson became the first African American to dance with the renowned Ballet Russe de Monte Carlo. Her fortitude in the face of bigotry and hate cemented her legacy. Now, with the release of the new children's book Trailblazer: The Story of Ballerina Raven Wilkinson, a new generation of dancers will be inspired by her tale of overcoming obstacles to achieve a dream.
The book details Wilkinson's life, from her experience as a young dancer training in Harlem, to her run-ins with the Ku Klux Klan while on tour with Ballet Russe, to her later ballet career in Europe. "There were times where my heart really hurt because of the situations I had to deal with," she says. "But I always had faith that I was made to be a dancer and that I was gonna dance."
Dance Spirit spoke with Wilkinson to discuss the new book and get her take on racial equality within the ballet world.
Postmodern pioneer Trisha Brown redefined how dance is seen and felt. A founding member of Judson Dance Theater, Brown frequently collaborated with other experimental artists like Yvonne Rainer, Merce Cunningham, Twyla Tharp, and Steve Paxton.
She embraced pedestrian movement, pairing everyday gesture with rhythm and fluidity. "It's liquid," says Wendy Perron, who danced with Brown in the '60s and '70s. "Like a river with many tributaries, water coming out of a faucet, or being on a raft and seeing the water move away in different directions." Brown also pushed beyond stages with choreography in fields, museums—even on the sides of buildings.
There's a common misconception that a dancer's body has to be thin. But the truth is that talent knows no body type, and the number on the scale never determines an artist's capabilities. Here are some extraordinary dancers fighting the stereotype of what a dancer "should" look like.