A Ballet Rebel's Next Move
It seems like the ballet world always has one or two James Dean-y bad boys, super-talented men who buck convention—not always the easiest thing to do in ballet—and do things their own way. Rudolf Nureyev, Mikhail Baryshnikov, Carlos Acosta, Rasta Thomas (who founded, fittingly, the Bad Boys of Dance): They're all amazing performers who, thanks to their skills and charisma, have been able to break away from the prince-in-tights stereotypes—or at least to play the princes they want, whenever they want.
Ballet fans have had their eyes on the newest member of the bunch, the phenomenal Sergei Polunin, ever since he left London's Royal Ballet earlier this year. (And if you're wondering whether he's a true bad boy: He not only has about a dozen tattoos, he also owns a share in a tattoo parlor. Legit!) The 23-year-old has been bouncing around from gala to gala and guest appearance to guest appearance since then, but he's made allusions to his big plans for the future.
Well, a few days ago, it was announced that he'll play the lead in the UK premiere of choreographer Peter Schaufuss' Midnight Express next April. It's definitely not your grandma's ballet: The work is based on the true-story book by Billy Hayes about an American stuck in Turkish prison after he's been convicted of drug smuggling. Marius Petipa would turn over in his grave—and I'm guessing that's exactly the kind of effect Polunin was hoping for.
Here's to Polunin and all of his fellow bad boys, for keeping the ballet world exciting!
Well, this brings class videos to a whole new level! Choreographer Phil Wright and dancer Ashley Liai have been together eight-plus years, but she was still in total shock when he proposed to her mid-dance at Millennium Dance Complex earlier this week. Why? Well, the whole thing was unbelievably perfect.
In the dance industry, dancers don't always have a say in what they wear on their bodies. This can get tricky if you're asked to wear something that compromises your own personal values. So what should you do if you find yourself in this sticky situation? We sat down for a Q&A with "Dancing with the Stars" alumn Ashly Costa to answer that very question. Here's what she had to say about the options dancers have surrounding questionable costumes.
The groundwork for Erin Carpenter's company, Nude Barre, began when she was a teenager. At 16, she earned a spot in the residency program at The Kennedy Center in partnership with Dance Theatre of Harlem. "We were required to wear nude—as in, our actual skin tone—tights and shoes," she remembers. Carpenter brought her "sun tan" tights and a pair of pink ballet shoes with her, because that was all she could find. But she wasn't allowed in class because her dancewear didn't match her skin. "I was so embarrassed," she says. "I looked unprepared. I just didn't have the right nudes." Her teacher explained that the dancers dyed their tights and pancaked their shoes.
There are dancers and then there are DANCERS! Whitney Jensen, soloist at Norwegian National Ballet, is the latter. The former Boston Ballet principal can do it all. From contemporary to the classics this prima has the technical talent most bunheads dream about. Need proof? Look no further.
Luis Fonsi and Daddy Yankee's dance inducing hit, "Despacito," is so catchy it should probably come with a disclaimer that warns people of an uncontrollable itch to tap your feet or bob your head. Some might even feel inclined to go all out and break it down. Niana Guerrero is a prime example of "Despacito's" uncanny ability to unleash the red dressed emoji dancer within. 💃🏽 💃🏽
Guys, we all knew this was coming—"World of Dance" was eventually going to eliminate someone. But man, is it brutal to watch these talented dancers give their all, only to be sent home. It's the name of the game, though, and after last night's episode, only two dancers per division remain. (At least Misty Copeland guest-judging was a silver lining!) Here's what went down last night: