A Cedar Lake Announcement
When we met up with Cedar Lake Contemporary Ballet "new kids" Ida Saki, Billy Bell and Navarra Novy-Williams for our February cover shoot, the company was in a state of limbo. Artistic director Benoit-Swan Pouffer had resigned in May 2013, and both the dancers and long-time ballet master and rehearsal director Alexandra Damiani were anxiously awaiting the announcement of his replacement.
Yesterday, nearly a year after Pouffer's resignation, the company finally made the big announcement: Alexandra Damiani is the new artistic director of Cedar Lake! A long-time soloist with Complexions Contemporary Ballet, Damiani has worked with the company since 2005, and she served as interim artistic director over the course of the last year.
But that's not Cedar Lake's only big announcement; they also named Canadian choreographer Cyrstal Pite as associate choreographer, a new position for the company. Pite has already set two works on Cedar Lake: Ten Duets on a Theme of Rescue in 2007 and Grace Engine in 2012. As associate choreographer, she will contribute a minimum of two new works over the next three years.
Want a chance to see the "New Cedar Lake"? They're celebrating their 10th anniversary with a debut season at the BAM Howard Gilman Opera House from June 11–14. The company will perform Pite's Grace Engine, among other works by various choreographers. Click here to get your tickets.
And in the meantime, watch this excerpt of Grace Engine to whet your appetite. Enjoy!
Cedar Lake Contemporary Ballet performs Grace Engine at the Joyce Theater in NYC (Photo Andrea Mohin/The New York Times)
Well, this brings class videos to a whole new level! Choreographer Phil Wright and dancer Ashley Liai have been together eight-plus years, but she was still in total shock when he proposed to her mid-dance at Millennium Dance Complex earlier this week. Why? Well, the whole thing was unbelievably perfect.
In the dance industry, dancers don't always have a say in what they wear on their bodies. This can get tricky if you're asked to wear something that compromises your own personal values. So what should you do if you find yourself in this sticky situation? We sat down for a Q&A with "Dancing with the Stars" alumn Ashly Costa to answer that very question. Here's what she had to say about the options dancers have surrounding questionable costumes.
The groundwork for Erin Carpenter's company, Nude Barre, began when she was a teenager. At 16, she earned a spot in the residency program at The Kennedy Center in partnership with Dance Theatre of Harlem. "We were required to wear nude—as in, our actual skin tone—tights and shoes," she remembers. Carpenter brought her "sun tan" tights and a pair of pink ballet shoes with her, because that was all she could find. But she wasn't allowed in class because her dancewear didn't match her skin. "I was so embarrassed," she says. "I looked unprepared. I just didn't have the right nudes." Her teacher explained that the dancers dyed their tights and pancaked their shoes.
There are dancers and then there are DANCERS! Whitney Jensen, soloist at Norwegian National Ballet, is the latter. The former Boston Ballet principal can do it all. From contemporary to the classics this prima has the technical talent most bunheads dream about. Need proof? Look no further.
Luis Fonsi and Daddy Yankee's dance inducing hit, "Despacito," is so catchy it should probably come with a disclaimer that warns people of an uncontrollable itch to tap your feet or bob your head. Some might even feel inclined to go all out and break it down. Niana Guerrero is a prime example of "Despacito's" uncanny ability to unleash the red dressed emoji dancer within. 💃🏽 💃🏽