A Night at The Dance Awards
On Friday night, the Dance Spirit editors got all gussied up to head to The Dance Awards! Always a fabulous event, this year’s evening didn't disappoint. It included tons of dance celebs and fantastic guest performances. (My favorite? A funny/sexy/super-cute tango number by Nick Lazzarini and Melanie Moore.)
The best parts by far, though, were the student performances. Comp kids we’ve been watching for years stood out in number after number, and these dancers are doing a great job growing up. Jayci Kalb was stronger than ever. Kayla Mak was radiant (and still oh-so-cute). And former Cover Model Search finalist Alyssa Ness was beaming, front and center in the opening number.
The big stars of the night were the Best Dancer winners. Can’t wait to see what these talented dancers do next:
Mini Male Best Dancer, Joey Britt
Mini Female Best Dancer, Tate McCrae:
Junior Male Best Dancer, Julian Lombardi
Junior Female Best Dancer, Kallani Hilliker:
Teen Male Best Dancer, Jhaleil Swaby
Teen Female Best Dancer, Christina Ricucci
Senior Male Best Dancer, Zelig Williams
Senior Female Best Dancer, Miriam Gittens
And the 2013 Studio of the Year: JCSOD
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.
Postmodern pioneer Trisha Brown redefined how dance is seen and felt. A founding member of Judson Dance Theater, Brown frequently collaborated with other experimental artists like Yvonne Rainer, Merce Cunningham, Twyla Tharp, and Steve Paxton.
She embraced pedestrian movement, pairing everyday gesture with rhythm and fluidity. "It's liquid," says Wendy Perron, who danced with Brown in the '60s and '70s. "Like a river with many tributaries, water coming out of a faucet, or being on a raft and seeing the water move away in different directions." Brown also pushed beyond stages with choreography in fields, museums—even on the sides of buildings.
There's a common misconception that a dancer's body has to be thin. But the truth is that talent knows no body type, and the number on the scale never determines an artist's capabilities. Here are some extraordinary dancers fighting the stereotype of what a dancer "should" look like.
We always love a good halftime performance. And we LIVE for halftime performances involving talented kids. (Fingers and toes crossed that Justin Timberlake follows Missy Elliott's lead and invites some fabulous littles to share his Super Bowl stage.)
So obviously, our hearts completely melted for 5-year-old Tavaris Jones. Tavaris may have just started kindergarten, but during Monday night's game between the Cleveland Cavaliers and Golden State Warriors, the Detroit native danced with the panache of a veteran pro at halftime.
The coolest place she's ever performed:
I'd have to say the Super Bowl. The field was so cool, and Katy Perry was right there. And there were so many eyes—definitely the most eyes I've ever performed for!
Something she's constantly working on:
My feet. I'm flat-footed, so I'm always hearing, 'Point your toes!' And I'm like, 'I am!'
My hair! That, and a pair of leggings with a T-shirt or tank top.