A Valentine's Day Treat
Most people celebrate Valentine's Day with candy hearts and teddy bears and red roses. But much as I'm a total sap for all of that stuff, my favorite VDay tradition is watching this clip of Alessandra Ferri and Julio Bocca in the balcony pas de deux from Kenneth MacMillan's Romeo and Juliet. (It's from the 1998 video American Ballet Theatre Now: Variety and Virtuosity.)
I used to love this film for the wrong reasons. Pretty feet and legs were at the top of my bunhead checklist when I was 15, and Ferri's ridiculous arches were enough to keep me hitting rewind for days. But as I grew up a little, I began to understand the power of Ferri and Bocca's famous partnership—particularly in this, their signature ballet. In 1998, both dancers were in the autumns of their careers. But in this recording they're utterly believable as star-crossed teenagers, vulnerable and fragile and yet completely secure in the strength of their love. And they have sublime chemistry—it's like an intoxicating perfume.
Ferri and Bocca's R&J has been compared to that of another iconic duo, Margot Fonteyn and Rudolf Nureyev. I believe that Fonteyn and Nureyev were just as magical. But while I can appreciate their rendition of the pas de deux, I've never been able to feel its power through my computer screen. I think it's the kind of thing you had to have seen live to understand (if only I'd been able to!).
I never saw Ferri and Bocca dance R&J live either. But for some reason, their film alter-egos are enough to knock me out. It's a different kind of rush. And it's my favorite Valentine's Day treat.
Week 2 of Misty Copeland as guest judge, week 2 of merciless cuts...How can the final episodes of "World of Dance" possibly live up to the sheer dramaaaaaaaaa of last night's episode? Well, based on the nail-biting results dished out by Copeland and Co. last night, the competition is only going to get fiercer from here. Without further ado, last night's results, as told by Kween Misty.
Every ballet dancer knows the time, sweat, and occasional tears the art form demands. But many non-dancers are clueless about just how much work a ballet dancer puts into perfecting his or her dancing. So when the mainstream crowd recognizes our crazy work ethic, we'll accept the round of applause any way it comes—even if it comes via four men in tutus. Yep, we're talking about "The Try Guys Try Ballet" video.
We've said it before and we'll say it again: New York City Ballet principal Sara Mearns is some SERIOUS #goals. Her strength and power onstage borders on superhuman. But what's extra magical about Mearns is that she really puts in the fitness and cross-training work outside of the rehearsal studio. And she's overcome her fair share of injuries. Which is why she was the perfect source for Vogue's latest ballet fitness story.
Remember that fabulous old-school clip of dancers tapping in pointe shoes that Tabitha and Napoleon D'umo brought to our attention back in March? As we mentioned then, toe-tap dancing was actually super popular back in the 1920s and 30s—which means there are more videos where that one came from. And because #ToeTapTuesday has a nice ring to it, we thought we'd take this opportunity to introduce you to Dick and Edith Barstow, a toe-tapping brother and sister duo from that era who are nothing short of incredible: