Best friends April Giangeruso, Courtney Lavine and Katie Williams go way back—so far back, in fact, it’s a surprise they didn’t become close until they were all dancing together in the corps de ballet at American Ballet Theatre.
Their paths crossed repeatedly before ABT. All three grew up in the Washington, D.C., area—Courtney in Fairfax, VA, April in Ellicott City, MD, and Katie in Woodstock, MD—and they ran into each other occasionally on the competition circuit. (“We stood out at competitions: We were the tall, lanky girls with big feet!” April jokes.) Courtney and Katie went on to be suite mates at a School of American Ballet summer program when they were both 12, in 2001. Later, all three girls were high school students at NYC’s Professional Children’s School.
But it’s ABT that has turned these casual dance acquaintances into BFFs—and their friendship just keeps getting stronger.
Getting to ABT
Things started to fall into place when April and Courtney joined ABT II a month apart—April in December 2007, and Courtney in January 2008. They quickly began to bond.
Meanwhile, Katie had been promoted to the main company and was adjusting to the shift from the small company and competitive atmosphere of ABT II to being one of a multitude of dancers at ABT. “When I joined the company, most of the dancers were a lot older than me,” she says. “It’s a different vibe working with dancers who are your peers but aren’t at the same point in their lives.” So when Courtney and April were promoted into ABT in early 2010, Katie naturally gravitated toward them.
For April and Courtney, having a friend in Katie meant having someone who knew the ropes to guide them through the transition. “When I joined ABT, it was so daunting,” April says. “I felt like I didn’t know anything. But Katie was there to say, ‘Don’t worry, we’ve all been there.’ ” The girls got through their adjustment period by watching performance videos together to help each other learn choreography quickly. Katie pitched in when April and Courtney were learning ballets she’d already danced.
Katie also shared the lessons she’d learned since becoming a corps member. “I told them to stand back and watch—a lot of joining the company is figuring out what’s going on,” she says. “You have so much time when you’re in the background instead of in the thick of things, but you can’t let it get you down. It won’t always be like that.”
Friends Onstage and Off
April, Courtney and Katie took the stage together regularly during ABT’s 2010 spring season at the Metropolitan Opera House in NYC. Among their favorite memories from that season are dancing “Kingdom of the Shades” from La Bayadère—“That one’s a total community effort. Everyone’s in it together,” Katie says—and Act II of Swan Lake.
“Katie really helped me get through Swan Lake,” Courtney says. “Standing on the sides is hard on your feet! But Katie knew what was coming. She stood in front of me and hummed to remind me to breathe, so I’d forget about the pain.”
On tour, the three are each other’s extended family. “It can get lonely on the road,” Courtney says. “It’s nice to have someone to call for dinner.”
But their time together doesn’t only revolve around ballet. “We hang out with non-dancers,” April says. “We’re in dance mode from 10 am until 7 pm every day. It’s good to have a life outside of the studio.”
Though they aren’t roommates, the three girls spend a lot of time at each other’s apartments. They watch movies. They go shopping. They watch—and argue about—sports. Last summer, they all spent a week in Ocean City, MD, and they’re planning to visit Hawaii this year.
Support, Trust—and Fun
Though the girls are close, their dancing styles and tastes are very different. April has a fondness for adagio and turns, while Courtney loves grand allégro. Despite their differences, Katie points out that, “having similar body types and heights lends itself to our sharing some roles.”
You might think that vying for the same spots onstage would lead to a friendly rivalry, but that’s not the case.
“We’re nothing but supportive,” April says. “Ballet can get in your head, so it’s nice to know that people have your back. We’re completely honest with each other.” That policy covers everything from telling each other when a leotard is unflattering to offering advice about personal issues. “We have an underlying trust,” April says. “If we talk to each other, it’s only between us.”
That trust is the cornerstone of what takes April, Courtney and Katie from being colleagues who hang out together to being true best friends. They have fun together, both at work and in their free time, but they also genuinely care about each other, and each girl wants her friends to succeed. All of that support, plus top-notch technique and stunning stage presence? Sounds like a recipe for long careers spent dancing side by side.
On Common Ground
Ballet isn’t the only thing Katie, April and Courtney have in common. They also…
…are all Aries: Courtney’s birthday is March 22, April’s is April 12 and Katie’s is April 14.
…love sports: Courtney roots for the Washington Redskins, while Katie and April are die-hard Baltimore Ravens fans. Now that they’re New Yorkers, the girls enjoy Yankees games, too.
…have Maltese dogs: Courtney’s dog Oopsie lives with her in NYC, while April’s dog Pebbles and Katie’s dog Mo live with their respective parents.
What You Should Know About Katie
Training: Ballet Royale Institute of Maryland in Columbia, MD, and the Jacqueline Kennedy Onassis School at ABT. Joined ABT II in December 2006, and ABT in December 2007.
As a Dancer: “Katie has the most amazing petit allégro,” April says. “I admire that, because it’s one of the harder things for me. She has such a natural spring—it looks like she’s on a trampoline!”
Outside the Studio: “Katie’s a math whiz!” April says. Courtney adds, “She really is a genius. She even brought her Kindle to the beach.”
What You Should Know About April
Training: The Kirov Academy in Washington, D.C., and the Jacqueline Kennedy Onassis School at ABT. Joined ABT II in December 2007, and ABT in January 2010.
As a Dancer: “I enjoy April’s freedom onstage,” Courtney says. “She’s very honest with the audience, very real. It doesn’t look at all forced when she’s dancing, and that’s beautiful to watch.”
Outside the Studio: “April is only 19, but has 50 years of life experience!” Katie says. “I’ve always thought of her as much more mature than her age.”
April was the first winner of the Dance Spirit Cover Model Search contest! She appeared on the cover of the October 2006 issue.
What You Should Know About Courtney
Training: Washington School of Ballet in Washington, D.C., and the School of American Ballet in NYC. Joined ABT II in January 2008, and ABT in February 2010.
As a Dancer: “I love the way that Courtney uses her feet,” Katie says. “She has a really good wing that I’m jealous of, because I’m a sickler! Her feet are so articulate—maybe it’s her Balanchine training.”
Outside the Studio: “Courtney’s so outgoing,” April says. “She’s brought both me and Katie out of our shells. She has a nothing-to-lose personality.” Now that you’ve met April, Courtney and Katie, turn the page to meet 10 more dance best friends.
Taja Riley's bold, full-out presence and unique ability to mix hard-hitting hip hop with smooth, sensual choreography paved the way for her success in the commercial industry. She's danced with music icons like Chris Brown, Janet Jackson, Ne-Yo, Kanye West, 50 Cent, Pitbull, and Bruno Mars, and has assisted with choreography for Britney Spears' Femme Fatale tour, Demi Lovato's Skyscraper tour, and Beyoncé's Mrs. Carter tour. She also appeared in Beyoncé's groundbreaking visual album Lemonade. Raised in Virginia Beach, VA, Riley grew up training at Denise Wall's Dance Energy. Currently, she's on faculty at New York City Dance Alliance, where you can catch her touring the convention circuit. —Courtney Bowers
P!nk, known for her high-flying, acrobatic awards show sets, has literally raised the bar for pop stars everywhere. For her performance at last night's American Music Awards, P!nk decided to break out some flips and tricks ON THE SIDE OF A BUILDING. WHILE FLAWLESSLY SINGING HER FACE OFF. You know, just casually, like you do when you're a full-on goddess.
When you think of a dancer, a double leg amputee may not be the first thing that comes to mind. But Eric Graise, who's one of the stars of the upcoming "Step Up: High Water" YouTube Red series, hopes to change that. Graise, whose legs were amputated as a child due to missing fibula bones, will play a character named King in the new dance series, set to debut early next year.
We all suffer from Nutcracker fatigue sometimes. After a zillion performances, it's hard not to. But there's nothing to restore your little-kid sense of Nutcracker wonder like a look at the sheer scale of a world-class Nut.
New York City Ballet's iconic production of George Balanchine's The Nutcracker opens on Friday, and for the past week, the company has been Tweeting out some seriously eye-popping #NutcrackerNumbers. The stats cover everything from the number of jingle bells used on each Candy Cane costume (that'd be 144) to the watts of light used in the show's grand finale (ONE. MILLION. WATTS.).
Oh hey there, Hallmark Channel! The producer of all those sweet, homey movies best watched in your PJs with your mom has a super dance-y film on its holiday lineup this season: A Nutcracker Christmas. And the casting is—to use a very Hallmark-y pun—perfectly on pointe.
A Nutcracker Christmas tells the story of a talented professional dancer, Lilly, whose supportive sister dies just as Lilly is about to perform the role of Clara in The Nutcracker with New York City Ballet. (Nit-picky fact-checking: In New York City Ballet's Nutcracker, she's known as Marie and danced by a child, but OK.) Lilly's boyfriend and dance partner, Mark, keeps her from performing in the show, which makes Lilly declare she'll never dance again. Fast-forward a couple of decades, and Lilly's niece, Sadie, is about to dance Clara in a different company's Nutcracker—a company run by, of all people, Mark. And tons of drama ensues.
Yes, it's a whole lot of plot to wrap your head around. But the real story here is that Sadie is played by none other than the phenomenal Sophia Lucia, and the ever-dashing Sascha Radetsky is also involved in the project. (Radetsky's exact role is unclear from the press material, but he seems like a pretty natural fit for Mark, no?) The odds seem good that we'll get the gift of some very high-quality dancing. Merry Christmas to us!
Sophia Lucia showing off those banana feet (via @sophialucia5678)
You can catch A Nutcracker Christmas on December 10 at 8 pm. Get your slippers and hot cocoa ready.
Consistent turns are a must for aspiring professional dancers, but pretty much everyone struggles with pirouettes at some point. Luckily, since we're all beholden to the same rules of physics, there are concrete steps every dancer can take to reach his or her top turning potential. “Three is the new two when it comes to pirouettes, but the secret to turning is technique, not magic," says Bojan Spassoff, president and director of The Rock School for Dance Education in Philadelphia.
Falling out of your doubles? Aspiring to go revolution for revolution with your class's star turner? No matter where you lie on the turning spectrum, our 360-degree guide to pirouettes will help you improve.
One of the most beautiful things social media has brought us is the ability to feel like we're up close and personal behind-the-scenes with all our favorite dancers. And one of our favorite stars to Insta-stalk are actually two casts of 36 scintillatingly synchronized precision dancers. I'm talking, of course, about my mild obsession with the legendary Radio City Rockettes.
Have we mentioned lately how much we love dance dads? Especially ones who show up to their daughter's ballet class sporting a tutu, like Thanh Tran.
You've seen it a million times: A glamorous, toned dancer posts a perfectly styled shot of her colorful smoothie bowl. The caption gushes about how great you'll feel if you eat "clean"—but what does that actually mean? DS asked registered dietitian/nutritionist Rachel Fine and holistic health coach (and founder of The Whole Dancer) Jess Spinner for all of the dirt.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com a chance to be featured!
I'm being bullied by one of the girls at my studio, and it's awful. I've talked to my dance teacher and confronted the bully directly, but it hasn't made a difference. What should I do?