Last night, I was able to snag a ticket to Alvin Ailey American Dance Theater's "season preview" performance, a sampler of works from their upcoming New York City Center season. There was an excerpt from From Before, an earthy, polyrhythmic company premiere by legend Garth Fagan. There was the spankin' new Another Night by up-and-comer Kyle Abraham, set to Dizzy Gillespie's get-up-and-go jazz. Both pieces felt like classic AAADT fare: Vibrant, electric, seriously charismatic. Both, in other words, showed the audience a good time.
But when the company performed part of Jiří Kylián's Petite Mort, I almost lost my mind.
Are you already a Kylián fan? If not, it's time to get educated, and videos of Petite Mort are a fine place to start. (If you're a fan of "Breaking Pointe," it'll look familiar—the show included footage of Ballet West's recent performances of the piece.) Kylián, who was the director of Nederlands Dans Theater for decades, has a sleek, calligraphic style. He's especially gifted when it comes to partnering—his pas de deux are fantastically knotty and yet seamless strings of shapes. His path from point A to point B is never the obvious way, but eventually it feels like the only way.
Petite Mort is technically fiendish, and for that reason it's usually performed by top-notch ballet companies. Ailey dancers all have solid ballet training, but I wondered if this work might be a little out of their comfort zone.
How silly of me. The entire cast looked wonderful, with Jamar Roberts and Alicia Graf Mack shining especially bright. What a gorgeous, impossibly long-limbed, elegant dream team! Alicia used to be the star of Dance Theatre of Harlem, and Jamar has danced with Complexions Contemporary Ballet. Petite Mort showed off all their best classical qualities—those lines!—but they, and the rest of the Ailey cast, also brought a unique richness to the piece. These dancers weren't just taught how to move; they were born to move.
Ailey performs Petite Mort for the first time on December 7th. Get thee to New York City Center! (And for information about the rest of the season, click here.)
Since the NYC premiere of Alexei Ratmansky's Whipped Cream at American Ballet Theatre's spring gala Monday night, the DS editors haven't stopped talking about its creepy-cute sets and costumes, created by artist Mark Ryden. Well, the obsession is about to get even crazier, because we just heard that Ryden's artwork for the ballet is now on display in not one, but TWO locations in NYC.
Yes, yes, we know: Dancers are athletes as well as artists. But we haven't seen anything hammer home just HOW athletic dancers are quite as well as this video from Self magazine, which features American Ballet Theatre principal/fairy princess Isabella Boylston trying to teach top-level CrossFit enthusiasts ballet.
There's a reason Mia Michaels' nickname is "Mama Mia." The legendary choreographer invests deeply in her dancers, whether they're competitors on "So You Think You Can Dance," members of the Radio City Rockettes, or part of her own elite assistant squad. And now, Michaels is launching a project that aims to give more dancers access to her gifts as a teacher and mentor.
And that's a wrap on "Dancing with the Stars" Season 24, ladies and gents! It's certainly been one for the books. From injuries to shocking eliminations, let's just say Season 24 has had its emotional ups and downs. But despite all that, the season made for some seriously phenom dancing and some killer performances. And as usual, we've loved watching every second of those cha chas, foxtrots, and waltzes.
Let's get right to the exciting stuff, though: Last night's winning couple of "Dancing with the Stars" is...
Nearly 80,000 dance-loving Instagram followers can't be wrong: Quinn Starner is one to watch. And what's just as impressive as the 15-year-old's rabid online following is her ever-growing list of competition accolades. Quinn, who trains at Indiana Ballet Conservatory and Stars Dance Company, been named first runner-up at The Dance Awards for two years in a row (as a junior and a teen); was the 2016 West Coast Dance Explosion Teen National Champion; earned first place in contemporary and third place in the classical division at Youth America Grand Prix Regionals in Pittsburgh last year; has won the Grand Prix Award at ADC|IBC; and was a gold medalist at World Ballet Art Competition Grand Prix. Plus, she made it to the Academy round on last year's "So You Think You Can Dance: The Next Generation," and has performed as Clara in the Radio City Christmas Spectacular. Here's what Quinn has to say about her favorite songs, teachers, and career highlights.
Want a chance to get personally involved in the HOTLY anticipated TV show "World of Dance"? Of course you do. That's why J. Lo. and the rest of the "WOD" team have launched an interactive version of the upcoming NBC series that lets Snapchatters get in on the action.
On Saturday morning, Russell Horning—aka 15-year-old Instagram king @i_got_barzz—was already kind of famous. His admittedly bad but weirdly mesmerizing dance videos had earned him shoutouts from the likes of Rihanna (and dance tributes from the likes of Josh Killacky).
But by Sunday morning? By Sunday morning, Russell Got Barzz had reached an entirely different level of memedom. Because Katy Perry tapped the teen—signature backpack and all—to perform "Swish Swish" with her on "Saturday Night Live." And the internet lost its darn mind.
If, like me, you've ever wondered (and wondered) how that stunning opening scene in La La Land came together, do we have a treat for you.