Alison & Michael Recap The New York City Dance Alliance Foundation's Destiny Rising Show
Last night, DS assistant/fashion editor Michael Anne Bailey and I got all decked out —I wore jeans, actually, but she was decked out and looked super cute — to attend the New York City Dance Alliance Foundation's Destiny Rising show at The Joyce Theater in NYC.
In honor of NYCDAF's first anniversary, last night's show boasted a star-studded roundup of choreographers and performers, many of whom are New York City Dance Alliance faculty and alumni (including New York City Ballet principals Tiler Peck and Robert Fairchild and Houston Ballet's Melissa Hough and Garrett Smith).
The people watching in the audience was, as with any NYCDA event, spectacular. But the real action happened onstage, and Michael and I are here to recap all the fun for you...
Alison: OK, so last night we went to the New York City Dance Alliance Foundation's Destiny Rising show at The Joyce. How would you describe the night in one word?
Michael: Progress. The foundation is really taking groundbreaking steps that will help young dancers get the training and education they need to be successful — not just in their 20s, but for the rest of their lives.
Alison: Totally. One of my favorite parts of the night was actually the video they played recapping some of the amazing scholarship opportunities NYCDAF has presented to dancers since its inception.
Michael: I loved that, too! I actually got emotional watching it — I know the scholarships will change lives. We talk about the importance of formal education in DS all the time, but to hear Susan Jaffe speak about how a lack of education initially held her back after an extremely successful dance career, really brought the issue home.
Alison: Yes! I love that she admitted that. And we got to hear from Corey Snide, who was the first-ever Astaire Award scholarship recipient. He's a freshman at The Juilliard School now, and he's flourishing there, thanks to NYCDAF.
Michael: Let's talk about the dancing. Did you have a favorite number?
Alison: Catherine Hurlin! I have always loved watching Catherine, and last night she performed a variation from Flames of Paris. She was just so sweet and easy to watch. That girl is a star, and I'm so glad she's getting awesome training at the Jacqueline Kennedy Onassis School at American Ballet Theatre.
Michael: She was my husband's favorite! He kept talking about her performance all the way home
Alison: Here's the thing: There were a ton of contemporary numbers last night. Lots of instrumental music. When Catherine came out in her bright-white tutu and flashed that giant smile of hers, it was just fun. It was a nice change of pace.
Michael: I couldn't agree more. I was blown away by Melissa Hough and Garrett Smith from Houston Ballet. And when I realized that Garrett had choreographed the piece, I couldn't believe it! Her technique, passion, and dedication to the piece were unmatched.
Alison: I absolutely agree. Melissa Hough is another one of my favorites — all of my favorite dancers right now are ballet dancers who grew up on the comp scene. Go figure.
Michael: And it's so fun to see a ballerina in bare feet every once in awhile. Melissa Hough is so versatile, which I definitely think comes from growing up on the comp scene.
Alison: Camille A. Brown's piece was fantastic, too. She's hilarious, and even my boyfriend got into her solo.
Michael: I loved loved loved Camille A. Brown's piece. I had never seen her perform and was absolutely wowed. She draws you in like a true entertainer.
Alison: What was particularly amazing about her performance was that we couldn't see her face the entire time, but she was still so expressive. Her hat was down over her eyes, but she didn't need to connect with the audience visually. Her movement spoke volumes. She's a really unique performer.
Michael: I've never seen anything like it. And I would die to see it again!
Michael: YES!!! It's so fun to see how much they've grown since attending Tisch (Ida) and Marymount Manhattan (Zoey). Zoey danced in a number with probably 30 other girls and I only watched her. Zoey has always been an outstanding performer, but now her movement quality and technique are becoming more and more flawless.
Alison: Zoey is gorgeous. Absolutely stunning. And Marymount is working for her. She's grown a ton since we saw her for the CMS. I didn't love the number Ida was in, sadly — it just wasn't my style, and I wanted the show to kick off with something a little more upbeat — but the choreography really played to Ida's strengths.
Michael: I agree. I'm a bit bored with most of the contemporary pieces I'm seeing lately. Everything is starting to look the same: the music, the choreography, the performance quality.
Alison: Absolutely. Dear choreographers: We get it. We see what you're doing. We're ready for large group jazz numbers now! Love, DS
Michael: Ha ha, just something new and innovative, please! I'm ready to be wowed again, and I know these choreographers are talented enough to do it! That said, I left last night with an even greater respect for the NYCDAF, Joe Lanteri and the dance community in general — young dancers are in good hands!
Alison: Yes, at each event Joe's passion for the arts truly comes through. He knows each NYCDA kid by name, and that blows my mind. He knows which studio they're from, what the name of their solo is and where they're thinking about going to college. He's so invested in their futures, and as an audience member, it's a total pleasure to witness.
Michael: I couldn't agree more. What a wonderful night it was.
Alison: Have I mentioned I have a huge dance crush on Joe Lanteri? No? It's clear though, right?
Michael: Ha ha, yes, Alison, we know. But I'm pretty sure it's a general Dance Spirit crush.
Alison: On that note, thank you, Joe, for a wonderful night, and thank you Michael for being a great show-seeing partner.
It's time to get your pirouette on! From September 5th to September 30th, we're hosting a contest to find out who's the best turner of them all.
Put together your most impressive turning combo. Post a video online. Share your turns with us and thousands of other dancers around the world. And if our editors think you're the top turner, you'll win a fabulous prize.
All of 18-year-old Kaylin Maggard's dreams—from scoring the title of National Senior Outstanding Dancer at New York City Dance Alliance Nationals to winning the 2017 Dance Spirit Cover Model Search—are coming true. And to anyone who knows the gorgeous contemporary dancer, that's no surprise.
From the moment the Dance Spirit staff met Kaylin, it was obvious her humility and talent would take her far. Not only did she go full-out during the photo shoot and class at Broadway Dance Center, but she was always cheering on, laughing with, and supporting her fellow CMS contestants Haley Hartsfield and Michelle Quiner. During the voting period, the social media world was abuzz with praise for her work ethic, positive attitude, and generosity.
Since her CMS trip to NYC, Kaylin's moved from her hometown of Columbia, MO, to the Big Apple for her freshman year at Juilliard, and is busy getting acquainted with the city. As for the future? She's taking it one opportunity at a time, but something tells us we'll be seeing this contemporary queen reach new heights every year.
New York City principal Lauren Lovette has become an icon thanks to her emotional maturity and exceptional musicality. The 26-year-old quickly rose through the ranks after joining the company as an apprentice in 2009, reaching principal status in 2015. A Thousand Oaks, CA, native, Lovette started studying ballet seriously at age 11, at the Cary Ballet Conservatory in Cary, NC. After attending two summer courses at the School of American Ballet, she enrolled as a full-time student in 2006. Last year, she made her choreographic debut with For Clara, her first piece for NYCB. Catch her latest work this month during the company's fall season. —Courtney Bowers
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org for a chance to be featured!
I know I'm not getting good enough dance training from any of my local studios. But I'm not sure I'm ready to move away to study at a big-name school, either. How do you know when you're ready to leave home to pursue your passion?
Instagram star Kylie Shea has built a following of nearly 170,000 with her playful workout videos, which combine traditional fitness activities, like jumping rope or running on the treadmill, with pointe shoes and sassy choreography. Shea's effortless cool-girl-next-door vibe and solid ballet technique make her vids totally irresistible.
Now Shea's using her platform to address the body image issues that tend to plague dancers. In a poignant video, she sheds her clothes and tugs at her skin. The caption explains her relationship with her body and the pressure she feels to maintain a certain aesthetic as a dancer.
Physical discomfort is inevitable when you're spending tons of hours in the studio every day, but some pain shouldn't be suffered through. "Dancing through pain can make an injury worse and lead to more time away from dance," says Dr. Joel Brenner, medical director of dance medicine at Children's Hospital of The King's Daughters in Norfolk, VA. "Failing to rest and recover when you're in serious pain could even lead to the point where you're unable to dance in the future."
That may sound scary, but there's good news: If you take precautions and listen to your body, many injuries can be stopped in their tracks. The first step? Knowing what's normal—and what's not.
Think about it: How often do you see a ballet pas de deux for two women? Almost never, right? Sometimes, choreographers will forgo the traditional danseur-ballerina pas to make a duet for two guys, since they can lift and partner each other easily. But a dance for two ballerinas is a rare thing.
That's part of what makes "Duet," a new video by director Andrew Margetson featuring Royal Ballet beauties Yasmin Naghdi and Beatriz Stix-Brunell, so compelling.