All Kinds of Promotions at ABT
Oh my goodness, yesterday was a MAJOR day for some of our favorite dancers at American Ballet Theatre! The company announced five promotions, which means five ABTers are going to be celebrating their way through the rest of the troupe's season at NYC's Metropolitan Opera House.
First up, the big one: Our friend Isabella Boylston (she was on the cover of DS back in 2006—do we know how to pick 'em, or what?) was made a principal dancer. This is huge, you guys! She's been dancing principal roles beautifully for a couple of years now, and we're thrilled she's getting the title that goes with her repertoire.
(Left) Boylston on our September 2006 cover, and (right) as Odette in Swan Lake with ABT recently. She's all grown up! (right photo © Gene Schiavone)
Four other deserving dancers were promoted to the soloist level: Joseph Gorak, Christine Shevchenko, Devon Teuscher and Roman Zhurbin. All of them have been serious standouts in the corps from the beginning. We're especially excited about Gorak, who is the most perfect prince–with the most perfect feet—this side of David Hallberg. (Hallberg, fittingly enough, happens to be one of his mentors.)
Congratulations, all of you! And here's hoping you get five minutes of downtime during the whirlwind Met season to celebrate.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
We always love a good halftime performance. And we LIVE for halftime performances involving talented kids. (Fingers and toes crossed that Justin Timberlake follows Missy Elliott's lead and invites some fabulous littles to share his Super Bowl stage.)
So obviously, our hearts completely melted for 5-year-old Tavaris Jones. Tavaris may have just started kindergarten, but during Monday night's game between the Cleveland Cavaliers and Golden State Warriors, the Detroit native danced with the panache of a veteran pro at halftime.
The coolest place she's ever performed:
I'd have to say the Super Bowl. The field was so cool, and Katy Perry was right there. And there were so many eyes—definitely the most eyes I've ever performed for!
Something she's constantly working on:
My feet. I'm flat-footed, so I'm always hearing, 'Point your toes!' And I'm like, 'I am!'
My hair! That, and a pair of leggings with a T-shirt or tank top.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org for a chance to be featured!
For a long time, I was the strongest dancer at my studio. But this year there's a new girl in my class who's very talented, and my teacher's attention has definitely shifted to her. I'm trying not to feel jealous or discouraged, but it seems like my whole dance world has changed. Help!
In the dance world, Mandy Moore has long been a go-to name, but in 2017, the success of her choreography for La La Land made the rest of the world stop and take notice. After whirlwind seasons as choreographer and producer on both "Dancing with the Stars" and "So You Think You Can Dance," she capped off the year with two Emmy Award nominations—and her first win. Dance Magazine caught up with her to find out how she's balancing all of her dance projects.
Marzia Memoli may be the Martha Graham Dance Company's newest dancer, but her classical lines and easy grace are already turning heads. Originally from Palermo, Italy, Memoli started studying at age 16 at the Academy of Teatro Carcano in Milan. Later, she attended the Rudra Béjart School in Lausanne, Switzerland, before heading to NYC in 2016 to join MGDC. This month, she'll perform The Rite of Spring in the Martha Graham Studio Series in NYC, and tour with the company in Florida. Read on for the dirt.