Aran Bell performing Don Quixote at Youth America Grand Prix. Photo by Nina Alovert, courtesy YAGP.
It’s not just that Aran Bell can nail a picture-perfect quintuple pirouette, with a sustained relevé to finish. Or that the 13-year-old can whip out split jumps effortlessly at the end of an exhausting variation. Despite his small stature (5’ 2’’), Aran shines with an impossibly huge presence. He has you hooked from the moment he appears onstage, where he looks completely at home. And, OK—he’s totally adorable.
At age 3, Aran (pronounced AR-an) hounded his mom for a year to let him take ballet like his older sister. After his dad, a Navy doctor, was posted to Washington, D.C., Aran commuted two hours each way to Central Pennsylvania Youth Ballet for two years. When his dad was transferred to Naples, Italy, three years ago, Aran began training under the tough Denys Ganio at Maison de La Danse in Rome, a two-hour drive from Naples.
Naturally very shy, Aran credits Ganio with pushing him to develop his stage presence. “At the beginning, the most I did was smile. Maybe,” he adds, with a grin.
Now a seasoned performer, Aran loves the thrill of competing—and he has wowed audiences all over the world, including spectators at the 2011 Youth America Grand Prix finals in NYC, where he won the overall prize in the Junior Division. After touring with YAGP for two weeks, he received coaching on his Basilio Act III variation from one of the best Basilios ever: former American Ballet Theatre principal Jose Manuel Carreño.
Carreño singled out Aran for his natural talent and singular focus and invited him to attend the Carreño Dance Festival summer intensive in Sarasota, FL, last August, for more coaching. “It’s so awesome,” says Aran, visibly humbled when talking about working with his idol. “He’s really, really good at teaching, especially Don Quixote. He knows everything.”
In addition to performing at competitions and galas across Europe, Aran may choose to attend a different school next year. He has standing offers from Paris Opéra Ballet School, The Royal Ballet School, Stuttgart Ballet School and ABT’s Jacqueline Kennedy Onassis School—all affiliated with companies that he says he would love to join someday. And his dream ballet? Now that he has the Basilio variation down, he wants to tackle the rest of Don Q.
Aran at the Carreño Dance Festival. Photo by Bill Wagy, courtesy Carreño Dance Festival.
Birthday: October 7, 1998
Most-played song on his iPod: Michael Jackson’s “Beat It”
Hidden obsession: His huge collection of Nerf guns. “When I’m done dancing, I’ll probably either design Nerf guns or fix them.”
Favorite movie: Rambo
Still gets starstruck when: Taking class with his other idols—ABT’s Ethan Stiefel and the Bolshoi’s Ivan Vasiliev (a fellow lefty who Aran beat in a pirouette competition backstage
Craziest prize: 7,000 euro (about $9,500) for winning a competition in Milan that he received special permission to enter (it was supposed to be for 16- to 25-year-olds)
Unwinds on the weekends by: Playing soccer, riding his bike, taking trips
Movie star moment: Aran is one of the six students profiled in the new Youth America Grand Prix documentary, First Position.
It's time to get your pirouette on! From September 5th to September 30th, we're hosting a contest to find out who's the best turner of them all.
Put together your most impressive turning combo. Post a video online. Share your turns with us and thousands of other dancers around the world. And if our editors think you're the top turner, you'll win a fabulous prize.
All of 18-year-old Kaylin Maggard's dreams—from scoring the title of National Senior Outstanding Dancer at New York City Dance Alliance Nationals to winning the 2017 Dance Spirit Cover Model Search—are coming true. And to anyone who knows the gorgeous contemporary dancer, that's no surprise.
From the moment the Dance Spirit staff met Kaylin, it was obvious her humility and talent would take her far. Not only did she go full-out during the photo shoot and class at Broadway Dance Center, but she was always cheering on, laughing with, and supporting her fellow CMS contestants Haley Hartsfield and Michelle Quiner. During the voting period, the social media world was abuzz with praise for her work ethic, positive attitude, and generosity.
Since her CMS trip to NYC, Kaylin's moved from her hometown of Columbia, MO, to the Big Apple for her freshman year at Juilliard, and is busy getting acquainted with the city. As for the future? She's taking it one opportunity at a time, but something tells us we'll be seeing this contemporary queen reach new heights every year.
New York City principal Lauren Lovette has become an icon thanks to her emotional maturity and exceptional musicality. The 26-year-old quickly rose through the ranks after joining the company as an apprentice in 2009, reaching principal status in 2015. A Thousand Oaks, CA, native, Lovette started studying ballet seriously at age 11, at the Cary Ballet Conservatory in Cary, NC. After attending two summer courses at the School of American Ballet, she enrolled as a full-time student in 2006. Last year, she made her choreographic debut with For Clara, her first piece for NYCB. Catch her latest work this month during the company's fall season. —Courtney Bowers
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com for a chance to be featured!
I know I'm not getting good enough dance training from any of my local studios. But I'm not sure I'm ready to move away to study at a big-name school, either. How do you know when you're ready to leave home to pursue your passion?
Instagram star Kylie Shea has built a following of nearly 170,000 with her playful workout videos, which combine traditional fitness activities, like jumping rope or running on the treadmill, with pointe shoes and sassy choreography. Shea's effortless cool-girl-next-door vibe and solid ballet technique make her vids totally irresistible.
Now Shea's using her platform to address the body image issues that tend to plague dancers. In a poignant video, she sheds her clothes and tugs at her skin. The caption explains her relationship with her body and the pressure she feels to maintain a certain aesthetic as a dancer.
Physical discomfort is inevitable when you're spending tons of hours in the studio every day, but some pain shouldn't be suffered through. "Dancing through pain can make an injury worse and lead to more time away from dance," says Dr. Joel Brenner, medical director of dance medicine at Children's Hospital of The King's Daughters in Norfolk, VA. "Failing to rest and recover when you're in serious pain could even lead to the point where you're unable to dance in the future."
That may sound scary, but there's good news: If you take precautions and listen to your body, many injuries can be stopped in their tracks. The first step? Knowing what's normal—and what's not.
Think about it: How often do you see a ballet pas de deux for two women? Almost never, right? Sometimes, choreographers will forgo the traditional danseur-ballerina pas to make a duet for two guys, since they can lift and partner each other easily. But a dance for two ballerinas is a rare thing.
That's part of what makes "Duet," a new video by director Andrew Margetson featuring Royal Ballet beauties Yasmin Naghdi and Beatriz Stix-Brunell, so compelling.