Aran Bell performing Don Quixote at Youth America Grand Prix. Photo by Nina Alovert, courtesy YAGP.
It’s not just that Aran Bell can nail a picture-perfect quintuple pirouette, with a sustained relevé to finish. Or that the 13-year-old can whip out split jumps effortlessly at the end of an exhausting variation. Despite his small stature (5’ 2’’), Aran shines with an impossibly huge presence. He has you hooked from the moment he appears onstage, where he looks completely at home. And, OK—he’s totally adorable.
At age 3, Aran (pronounced AR-an) hounded his mom for a year to let him take ballet like his older sister. After his dad, a Navy doctor, was posted to Washington, D.C., Aran commuted two hours each way to Central Pennsylvania Youth Ballet for two years. When his dad was transferred to Naples, Italy, three years ago, Aran began training under the tough Denys Ganio at Maison de La Danse in Rome, a two-hour drive from Naples.
Naturally very shy, Aran credits Ganio with pushing him to develop his stage presence. “At the beginning, the most I did was smile. Maybe,” he adds, with a grin.
Now a seasoned performer, Aran loves the thrill of competing—and he has wowed audiences all over the world, including spectators at the 2011 Youth America Grand Prix finals in NYC, where he won the overall prize in the Junior Division. After touring with YAGP for two weeks, he received coaching on his Basilio Act III variation from one of the best Basilios ever: former American Ballet Theatre principal Jose Manuel Carreño.
Carreño singled out Aran for his natural talent and singular focus and invited him to attend the Carreño Dance Festival summer intensive in Sarasota, FL, last August, for more coaching. “It’s so awesome,” says Aran, visibly humbled when talking about working with his idol. “He’s really, really good at teaching, especially Don Quixote. He knows everything.”
In addition to performing at competitions and galas across Europe, Aran may choose to attend a different school next year. He has standing offers from Paris Opéra Ballet School, The Royal Ballet School, Stuttgart Ballet School and ABT’s Jacqueline Kennedy Onassis School—all affiliated with companies that he says he would love to join someday. And his dream ballet? Now that he has the Basilio variation down, he wants to tackle the rest of Don Q.
Aran at the Carreño Dance Festival. Photo by Bill Wagy, courtesy Carreño Dance Festival.
Birthday: October 7, 1998
Most-played song on his iPod: Michael Jackson’s “Beat It”
Hidden obsession: His huge collection of Nerf guns. “When I’m done dancing, I’ll probably either design Nerf guns or fix them.”
Favorite movie: Rambo
Still gets starstruck when: Taking class with his other idols—ABT’s Ethan Stiefel and the Bolshoi’s Ivan Vasiliev (a fellow lefty who Aran beat in a pirouette competition backstage
Craziest prize: 7,000 euro (about $9,500) for winning a competition in Milan that he received special permission to enter (it was supposed to be for 16- to 25-year-olds)
Unwinds on the weekends by: Playing soccer, riding his bike, taking trips
Movie star moment: Aran is one of the six students profiled in the new Youth America Grand Prix documentary, First Position.
Dance Spirit is beyond excited to announce the first round of 2017 Future Star winners! Every year, DS partners with competitions to recognize dancers with exceptional presence and ability. The second round of winners will be featured in our January issue, so stay tuned!
You're obsessed with class videos. We're obsessed with class videos. The passion, energy, and talent showcased in these clips, which give us an insider-y peek at the commercial dance world's hottest classes, are totally irresistible.
But at what point does the phenomenon go from being a good thing to a bad thing for dancers and the dance world? Is the focus on filming distracting from the work dancers are supposed to be doing in class? Are overproduced videos presenting a dangerously misleading picture of the dance world? Is the pressure to be a class video star becoming too much for dancers to handle? These are some of the questions A-list dancer and choreographer Ian Eastwood—no stranger to the class video himself—has been asking on Twitter. And they've sparked a lively, important debate.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Our favorite drama-filled, dance reality show may have ended this past fall, but "Dance Moms" stars Chloe, Kalani, and Kendall aren't about to let that end their dance careers. In fact, these dancing kweens are taking their moves to a city near you with their Irreplaceables Tour! The girls are going all out for the three-week dance production, which is taking them across the country. And these dazzling dancers aren't just content with showing off their dance skillz—they want to pass along their tips and tricks in a dance workshop where they'll lead fans in stretches and dance routines from the show.
Dance Spirit caught up with Chloe, Kalani, and Kendall to find out what they love about tour life and where they see themselves five years from now.
When most of us think of The Nutcracker, we imagine a growing Christmas tree, dancing mice, and a little girl named Clara (or Marie) traveling to the Land of Sweets. But companies around the world have been reinventing the holiday classic, changing the storyline or adding their own spectacular sets and characters. To get in the Nutcracker spirit this season, check out these out-of-the-box productions.
Aspiring ballerina Katarina Jakimier, a Dallas, TX, native, was just 12 when Dance Spirit first featured her, highlighting the innovative pointe shoe recycling program she created in her community. Now 16, Jakimier is still studying ballet intensively—this past fall she started training at the John Cranko Schule in Stuttgart, Germany—and is still on a mission to make the world a better place. Recently, she founded the Silver Swans Ballet Program, which allows senior citizens in retirement homes to experience the magic of ballet, and to reap all of its health benefits. Here, she tells us how the initiative came to be. —Courtney Bowers