Are You Guilty?
Let’s face it: Nobody’s perfect. Most dancers are guilty of some bad health habit, whether it’s late-night snacking or not taking the time to warm up properly. We asked you about your worst habits and sought easy-to-manage solutions from health professionals. See if your problem made our Top 10 list—and learn what you can do about it.
1. Eating too much sugar
When you’re really hungry and want something quick, it’s easy to reach for a bag of gummy bears or a bar of chocolate. “Sugar is highly addictive,” says Emily Cook Harrison, registered dietician at the Centre for Dance Nutrition in Atlanta. “It gives you a quick rush, but it’s not long-term energy.”
To avoid that 3 pm sugar craving, eat smaller, more frequent meals throughout the day, and don’t go for more than three hours without eating. Instead of candy, grab a piece of fruit. “The fiber will help slow down digestion and make you feel fuller longer,” Harrison says.
2. Not warming up
Dancing with cold muscles can increase your chance of injury. “Warming up increases blood flow to all muscles in the body, which makes them more pliable,” says Julie Green, physical therapist for Pennsylvania Ballet. “Walk, jog in place or do some leg swings to increase circulation.” Allow yourself at least 10 to 15 minutes to do warm-up exercises before class, and do an extra barre if you have a big break during the day.
3. Not cooling down
It might be tempting to just fall over after running a marathon routine, but you should keep moving at a slower pace to give your body time to regulate itself. Take a walk around the studio or in the hallway, mark through some choreography or gently jog in place. “Cooling down is safer for your heart after cardiovascular exercise, rather than drastically bringing your heart rate down and crashing,” Green says.
4. Not drinking enough water
The first sign of dehydration isn’t thirst but fatigue and poor balance. “Before you feel thirsty, you’ve already lost one to two liters of fluid,” Harrison says. “You see a difference in muscles’ ability to fire.” (Take note if you feel sluggish or are unable to attack your choreography.) To prevent muscle cramping, keep a water bottle in your dance bag and take a few sips during every break. Avoid drinking too many sports drinks in place of water, since you’ll get more calories and sugar than you may need. Caffeinated beverages also lead to fluid loss, so give up that afternoon Coke or cup of coffee.
5. Late-night snacking
Indulging late-night cravings can cause weight gain and water retention, especially if you munch on junk food. Try having a small bowl of cereal, soup, fruit salad or popcorn instead. Foods that are high in fiber and low in calories will make you feel full longer. “If you snack because you’re bored, you can distract yourself by writing in a journal or finding another activity,” Harrison says. “But if you need to refuel after a long day of dancing, go ahead and eat something healthy. Your metabolism doesn’t shut down at a certain hour. You’re burning calories even in your sleep.” Just try to make smart choices.
Leaving makeup on overnight can clog pores and cause breakouts. It can also irritate your eyes and make them look bloodshot in the morning. If you’re too tired to take your makeup off before bed, try doing it earlier in the night. Set your cleanser next to the sink so you’ll see it when you use the bathroom, or get into the habit of washing your face when you get into your pajamas or after you brush your teeth.
7. Not taking time off for an injury
It’s hard to take a break from dancing, even for an injury. But if you push through pain and ignore the warning signs, you’ll only make it worse. “The body is amazing at finding ways to compensate for pain,” Green says. “But you could develop poor technique or cause another injury.” Always see a doctor and follow his or her plan for recovery. You’ll feel better in the long run—and dance better, too.
8. Not getting enough sleep
Lack of sleep affects everything from mood to energy to food cravings. “People who don’t get adequate sleep—an hour or two fewer than what they really need—have a much harder time achieving a healthy body weight in the long term,” Harrison says. Being tired also makes you forgetful, easily distracted and impatient. Try to fall asleep at the same time each night. Establishing a routine will help set your internal clock and ensure you get the 8 to 10 hours you need.
You might think sitting in a split for an hour is a good idea, but it’s not. Too much stretching can actually cause injury. “Your muscles get longer when you stretch, and that means they get weaker,” Green says. “If you don’t incorporate strength training as well, you’ll set yourself up for an injury.” Go ahead and practice your splits, but follow them with some bridges (lie on your back with your feet flat on the ground and your knees bent, then use your hamstrings to lift your seat off the ground) or other exercises to strengthen your hamstrings.
10. Taking too many anti-inflammatories
When your body hurts, it’s easy to pop a few anti-inflammatories and forget about the pain. But you could be masking a serious problem and increasing your chance for injury. “Long-term anti-inflammatory use can also lead to stomach bleeding and stomach ulcers,” Green says. Talk to a doctor about how much you actually need. Try icing, taping, massage and acupuncture as alternative ways to reduce pain. You might find that a combination approach works best for you.
Misty Copeland. Her name is synonymous with exquisite artistry and outspoken advocacy. And her visibility has made a huge impact on the ballet world. Ballet's relationship with race has always been strained at best, hostile at worst. But Copeland's persistent message and star quality have finally forced the ballet industry to start talking about racial diversity, inclusivity, and representation. "The rarity of seeing ourselves represented is sad," Copeland says. "The more we see every hue and body shape represented on the stage, the more possibilities young dancers feel they have for themselves."
Last month, we asked why there wasn't a Best Choreography category at the Oscars—and discovered that many of you agreed with us: Choreographers should definitely be acknowledged for their work on the super-dancy movies we can't get enough of.
Now, we're taking matters into our own (jazz) hands.
We've decided to create a Dance Spirit award for the best cinematic choreography of 2017. With your input, we've narrowed the field to four choreographers whose moves lit up some of the best movies of the year. Check out our nominations for best choreography below—and vote for the choreographer you think deserves the honor. We'll announce the winner on Friday, March 2.
Contemporary phenom Christina Ricucci has super-flexible hips, which means she can stretch her legs to unbelievable heights. But when she noticed herself making contorted positions in class, Ricucci realized she was approaching her extensions all wrong. "I went back to the basics in class, squaring my hips and using my turnout," Ricucci says. "I learned to create proper positions, rather than whacked-out versions of them."
Some dancers are so wonky they have a hard time supporting their high legs, while others struggle with limited flexibility. But no matter your facility, you can find a balance of stretch and strength to achieve your fullest range of extension. It's not about how high (or not) your legs can go: It's the quality of the movement, and how you get those legs up, that counts.
Yesterday, the dance community was heartbroken to learn that Jaime Guttenberg and Cara Loughran, both 14-year-old dancers, were among the 17 people killed on Valentine's Day in the shooting at Marjory Stoneman Douglas High School in Parkland, FL.
Once upon a time (until the 2014 Winter Olympics in Sochi concluded, to be exact), figure skaters had to compete to music without words. Before this rule change, a skater faced an automatic point deduction if the music even hinted at vocals. Understandably, there were *a lot* of Olympic programs skated to classical music, and you'd tend to hear the same music selections over and over and over.
There are plenty of current Olympic figure skaters who'd make beautiful dancers (first among them Adam Rippon, whose gorgeously choreographed long program won the internet, if not the gold). But today, as we wait for the women's figure skating competition to crown its new champions, we wanted to throw it back to one of the most beautifully balletic skaters of all time: Sasha Cohen.
The high-flying leaps of grand allegro are meant to be incredibly exciting. But at the end of an intense ballet class, when you're exhausted, it can be hard to give them the attention they deserve. Want to pump up your big jumps? Follow these 10 vital tips from Jennifer Hart, curriculum director and instructor at Ballet Austin.
"Whole, low-fat, or skim?" The question of which milk to drink has gotten a little more complicated lately, with a wide variety of nondairy milks popping up in grocery stores. To find out which ones are worth your milk money, we had registered dietitian Monika Saigal answer some FAQs.