Are You Guilty?
Let’s face it: Nobody’s perfect. Most dancers are guilty of some bad health habit, whether it’s late-night snacking or not taking the time to warm up properly. We asked you about your worst habits and sought easy-to-manage solutions from health professionals. See if your problem made our Top 10 list—and learn what you can do about it.
1. Eating too much sugar
When you’re really hungry and want something quick, it’s easy to reach for a bag of gummy bears or a bar of chocolate. “Sugar is highly addictive,” says Emily Cook Harrison, registered dietician at the Centre for Dance Nutrition in Atlanta. “It gives you a quick rush, but it’s not long-term energy.”
To avoid that 3 pm sugar craving, eat smaller, more frequent meals throughout the day, and don’t go for more than three hours without eating. Instead of candy, grab a piece of fruit. “The fiber will help slow down digestion and make you feel fuller longer,” Harrison says.
2. Not warming up
Dancing with cold muscles can increase your chance of injury. “Warming up increases blood flow to all muscles in the body, which makes them more pliable,” says Julie Green, physical therapist for Pennsylvania Ballet. “Walk, jog in place or do some leg swings to increase circulation.” Allow yourself at least 10 to 15 minutes to do warm-up exercises before class, and do an extra barre if you have a big break during the day.
3. Not cooling down
It might be tempting to just fall over after running a marathon routine, but you should keep moving at a slower pace to give your body time to regulate itself. Take a walk around the studio or in the hallway, mark through some choreography or gently jog in place. “Cooling down is safer for your heart after cardiovascular exercise, rather than drastically bringing your heart rate down and crashing,” Green says.
4. Not drinking enough water
The first sign of dehydration isn’t thirst but fatigue and poor balance. “Before you feel thirsty, you’ve already lost one to two liters of fluid,” Harrison says. “You see a difference in muscles’ ability to fire.” (Take note if you feel sluggish or are unable to attack your choreography.) To prevent muscle cramping, keep a water bottle in your dance bag and take a few sips during every break. Avoid drinking too many sports drinks in place of water, since you’ll get more calories and sugar than you may need. Caffeinated beverages also lead to fluid loss, so give up that afternoon Coke or cup of coffee.
5. Late-night snacking
Indulging late-night cravings can cause weight gain and water retention, especially if you munch on junk food. Try having a small bowl of cereal, soup, fruit salad or popcorn instead. Foods that are high in fiber and low in calories will make you feel full longer. “If you snack because you’re bored, you can distract yourself by writing in a journal or finding another activity,” Harrison says. “But if you need to refuel after a long day of dancing, go ahead and eat something healthy. Your metabolism doesn’t shut down at a certain hour. You’re burning calories even in your sleep.” Just try to make smart choices.
Leaving makeup on overnight can clog pores and cause breakouts. It can also irritate your eyes and make them look bloodshot in the morning. If you’re too tired to take your makeup off before bed, try doing it earlier in the night. Set your cleanser next to the sink so you’ll see it when you use the bathroom, or get into the habit of washing your face when you get into your pajamas or after you brush your teeth.
7. Not taking time off for an injury
It’s hard to take a break from dancing, even for an injury. But if you push through pain and ignore the warning signs, you’ll only make it worse. “The body is amazing at finding ways to compensate for pain,” Green says. “But you could develop poor technique or cause another injury.” Always see a doctor and follow his or her plan for recovery. You’ll feel better in the long run—and dance better, too.
8. Not getting enough sleep
Lack of sleep affects everything from mood to energy to food cravings. “People who don’t get adequate sleep—an hour or two fewer than what they really need—have a much harder time achieving a healthy body weight in the long term,” Harrison says. Being tired also makes you forgetful, easily distracted and impatient. Try to fall asleep at the same time each night. Establishing a routine will help set your internal clock and ensure you get the 8 to 10 hours you need.
You might think sitting in a split for an hour is a good idea, but it’s not. Too much stretching can actually cause injury. “Your muscles get longer when you stretch, and that means they get weaker,” Green says. “If you don’t incorporate strength training as well, you’ll set yourself up for an injury.” Go ahead and practice your splits, but follow them with some bridges (lie on your back with your feet flat on the ground and your knees bent, then use your hamstrings to lift your seat off the ground) or other exercises to strengthen your hamstrings.
10. Taking too many anti-inflammatories
When your body hurts, it’s easy to pop a few anti-inflammatories and forget about the pain. But you could be masking a serious problem and increasing your chance for injury. “Long-term anti-inflammatory use can also lead to stomach bleeding and stomach ulcers,” Green says. Talk to a doctor about how much you actually need. Try icing, taping, massage and acupuncture as alternative ways to reduce pain. You might find that a combination approach works best for you.
Much of Janelle Ginestra's career has been about helping others shine. She's dedicated herself to supporting and cheerleading her partner, WilldaBeast Adams; the emerging talents in their dance company, ImmaBEAST; and the countless dancers she inspires at master classes and conventions. Her YouTube channel has become a launching pad for young talents like "Fraternal Twins" Larsen Thompson and Taylor Hatala, thanks to viral videos featuring Ginestra's creative vision.
But Ginestra's a skyrocketing success in her own right—an in-demand choreographer, a social media influencer, and a dance entrepreneur, building a legacy one eight-count at a time. It's time for her turn in the spotlight. And she's more than ready. "I want to be a legend in whatever I do," she says. We'd argue that she already is.
For more on choosing whether to compete or not, click here.
I started dance classes at a young age. By the time I was 3, I was training at The Dance Club, and I grew up there. I started with the basics—ballet and jazz—and eventually added tap, tumbling, contemporary, and hip hop.
Early on, I did compete. I remember my first time: I did a trio at a small local competition, and it got first place. The trophy was as tall as I was, and I loved it. I attended conventions as a mini, and had the opportunity to take classes from Travis Wall, Sonya Tayeh, Andy Pellick, and Joey Dowling-Fakhrieh. There was so much variety—I was in awe.
For more on choosing whether to compete or not, click here.
My mom was a dancer growing up, and she went on to become a dance teacher, so I've really grown up in the studio. I started classes when I was 2, and by the time I was 9, I was training at The Dance Club and knew I wanted to dedicate all my time to dance.
Daphne Lee is a queen, and not just in the "OMG Girl Boss Alert" sense of the word. She's an actual queen—a beauty queen. Crowned Miss Black USA in August, she's been doing double duty as she continues to dance with the Memphis based dance company, Collage Dance Collective. Lee's new title has given her the means to encourage other black girls and boys to pursue their dreams, while also pursuing dreams of her own. The scholarship money awarded with the pageant title will assist her as she earns a Masters of Fine Arts degree at Hollins University.
When a choreographer finds a composer whose music truly inspires her, it can feel like a match made in dance heaven. Some choreographers work with the same composers so frequently that they become known for their partnerships. New York City Ballet soloist and resident choreographer Justin Peck, for example, has tapped composer Sufjan Stevens numerous times (last spring, the two premiered The Decalogue at NYCB, to rave reviews); L.A. Dance Project's Benjamin Millepied's working relationship with composer Nico Muhly has spanned a decade and two continents; and when tap dancer Michelle Dorrance premiered the first-ever Works & Process Rotunda Project, a site-specific work for New York City's Guggenheim Museum, last year, percussionist Nicholas Van Young was by her side as an equal partner. Successful collaborations require compatibility between artists, direct and honest communication, and flexible, open minds. But when the stars align, working with a composer can be extremely rewarding.
For ballerinas, it's the dream role to end all dream roles: Odette/Odile in Swan Lake, the type of part dancers spend years preparing for and whole careers perfecting. And it's a role that New York City Ballet principal Tiler Peck never thought she'd dance. Though Peck is one of the world's preeminent ballerinas, her short stature made Odette/Odile, typically performed by longer, leggier dancers, seem (almost literally) out of reach.
Then—surprise!—her name popped up on the cast list for NYCB's fall season run of Swan Lake.