"Be open to where life takes you. Follow your instincts."
Mia Michaels may be a household name now, thanks in large part to her role as a judge and choreographer on “So You Think You Can Dance.” But her journey to dance industry fame hasn’t been easy.
Mia was born into a dance family in Coconut Grove, FL. Her dad owned the Joe Michaels Dance Studio—a landmark in Miami for 35 years. But while she had all the dance access you could dream of—including regular trips to NYC to take classes—she discovered early on that she wasn’t built to be a professional ballerina. “Dance came naturally to me, and I was so passionate about it,” Mia says. “But I fought my body type. It was always a problem. People would say, ‘She’s so good, but her body…’ It pushed me to start creating movement—if I couldn’t be a dancer, I’d make my own world of dance. My body was a blessing and a curse.” By the time she was 8, Mia was creating shows for the kids in her neighborhood. “I was already yelling at people,” she jokes. “I’d say, ‘You have rehearsal now! Just come!’ ”
As a teenager, Mia choreographed for the teen company at her dad’s studio. The dancers performed her work at competitions, and Mia made a name for herself by bending the rules and often getting disqualified (she didn’t adhere to time limits, for example).
At the same time, Mia was trying to build her career in NYC, but “I was a no-name,” she says. She couldn’t get hired as a teacher, so she took a job cleaning toilets at NYC’s Broadway Dance Center. “The city wasn’t having me yet,” she says. Her break finally came when Frank Hatchett called her to sub a class at BDC. After that, the studio kept bringing her back to teach. She formed a company, RAW, which lasted for two years, and served as the creative director of The PULSE On Tour with Brian Friedman.
Then Madonna called. “I was set to be a concert dance choreographer,” Mia says. “Then this other world opened up: the commercial world.” Mia was hired to choreograph Madonna’s Drowned world tour, but she didn’t enjoy the experience. “It was my first big job, and I was like, ‘If this is what being on top is like, I don’t want it,’ ” she says. “I was disheartened.” But Mia’s next job turned out to be her favorite: choreographing Celine Dion’s A New Day show in Las Vegas. From there, her career took off: Nigel Lythgoe, executive producer of “SYTYCD,” saw Dion’s show and loved it so much he hired Mia. (She has since won three Emmy Awards for her work on “SYTYCD.”)
Last year, Mia was both on the big screen (playing Olivia in Step Up Revolution) and working behind it (as choreographer for the film Rock of Ages). While Mia rocked her onscreen role, she was “terrified to read for the part,” and says Tom Cruise and Adam Shankman—whom she worked with on Rock of Ages—“made me do it.”
Now Mia is on faculty with JUMP, and her career is about to explode again. She’s creating a TV show for choreographers, and she’s working with the Joffrey Ballet School’s summer intensive to host a Mia Michaels Summer Intensive in L.A. this year.
In the meantime, “I’m on a mission to create an empire,” Mia says. She wants to direct and choreograph original Broadway musicals and feature films, and she wants to someday have a live touring stage show of a her own. “It’s time,” she says.
It's time to get your pirouette on! From September 5th to September 30th, we're hosting a contest to find out who's the best turner of them all.
Put together your most impressive turning combo. Post a video online. Share your turns with us and thousands of other dancers around the world. And if our editors think you're the top turner, you'll win a fabulous prize.
All of 18-year-old Kaylin Maggard's dreams—from scoring the title of National Senior Outstanding Dancer at New York City Dance Alliance Nationals to winning the 2017 Dance Spirit Cover Model Search—are coming true. And to anyone who knows the gorgeous contemporary dancer, that's no surprise.
From the moment the Dance Spirit staff met Kaylin, it was obvious her humility and talent would take her far. Not only did she go full-out during the photo shoot and class at Broadway Dance Center, but she was always cheering on, laughing with, and supporting her fellow CMS contestants Haley Hartsfield and Michelle Quiner. During the voting period, the social media world was abuzz with praise for her work ethic, positive attitude, and generosity.
Since her CMS trip to NYC, Kaylin's moved from her hometown of Columbia, MO, to the Big Apple for her freshman year at Juilliard, and is busy getting acquainted with the city. As for the future? She's taking it one opportunity at a time, but something tells us we'll be seeing this contemporary queen reach new heights every year.
New York City principal Lauren Lovette has become an icon thanks to her emotional maturity and exceptional musicality. The 26-year-old quickly rose through the ranks after joining the company as an apprentice in 2009, reaching principal status in 2015. A Thousand Oaks, CA, native, Lovette started studying ballet seriously at age 11, at the Cary Ballet Conservatory in Cary, NC. After attending two summer courses at the School of American Ballet, she enrolled as a full-time student in 2006. Last year, she made her choreographic debut with For Clara, her first piece for NYCB. Catch her latest work this month during the company's fall season. —Courtney Bowers
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com for a chance to be featured!
I know I'm not getting good enough dance training from any of my local studios. But I'm not sure I'm ready to move away to study at a big-name school, either. How do you know when you're ready to leave home to pursue your passion?
Instagram star Kylie Shea has built a following of nearly 170,000 with her playful workout videos, which combine traditional fitness activities, like jumping rope or running on the treadmill, with pointe shoes and sassy choreography. Shea's effortless cool-girl-next-door vibe and solid ballet technique make her vids totally irresistible.
Now Shea's using her platform to address the body image issues that tend to plague dancers. In a poignant video, she sheds her clothes and tugs at her skin. The caption explains her relationship with her body and the pressure she feels to maintain a certain aesthetic as a dancer.
Physical discomfort is inevitable when you're spending tons of hours in the studio every day, but some pain shouldn't be suffered through. "Dancing through pain can make an injury worse and lead to more time away from dance," says Dr. Joel Brenner, medical director of dance medicine at Children's Hospital of The King's Daughters in Norfolk, VA. "Failing to rest and recover when you're in serious pain could even lead to the point where you're unable to dance in the future."
That may sound scary, but there's good news: If you take precautions and listen to your body, many injuries can be stopped in their tracks. The first step? Knowing what's normal—and what's not.
Think about it: How often do you see a ballet pas de deux for two women? Almost never, right? Sometimes, choreographers will forgo the traditional danseur-ballerina pas to make a duet for two guys, since they can lift and partner each other easily. But a dance for two ballerinas is a rare thing.
That's part of what makes "Duet," a new video by director Andrew Margetson featuring Royal Ballet beauties Yasmin Naghdi and Beatriz Stix-Brunell, so compelling.