Be the Next Face of Dance Spirit!
Cover Model Search winner Hayden Hopkins on our October 2013 cover!
Each year, Dance Spirit features some major celebrities on our covers. Recently, we've had Mia Michaels, Simrin Player, the founding members of Shaping Sound, Jakob Karr and all 10 of Beyoncé's backup dancers.
In the midst of all the heavy-hitters, we also feature one not-yet-but-sure-to-be famous dancer: you!
We think you've got what it takes to command the cover of Dance Spirit. So why not go for it?
This is your last chance to enter the 2014 Cover Model Search competition—the deadline is December 31! All you have to do is click here, spend two seconds creating an account, and then upload your best solo video to the Cover Model Search competition. If we love you, we'll be in touch.
Not convinced yet? That's crazy. Here are some thoughts from last year's winner, Hayden Hopkins:
"My favorite part of the experience was the professional photo shoot with the other finalists. We had so much fun with hair and makeup and in wardrobe."
Yup, if you're picked as a finalist, we fly you to NYC in the spring, take you to a Broadway show and to dance classes at the famous Broadway Dance Center, and get you in front of a professional dance photographer for a super-fun photo shoot.
"Since being featured in DS, I've been contacted by so many dancers who tell me they've been inspired by me and can relate to my story. I've also been recognized by choreographers who have seen me dance before, but told me that since reading my article, they've gained more insight to my personality."
See? You can inspire people and become famous.
"Don't be intimidated to enter. All the past winners have been very different, so you never know what the editors will be looking for. Submit something you're proud of and that shows versatility and great technique."
What she said.
Much of Janelle Ginestra's career has been about helping others shine. She's dedicated herself to supporting and cheerleading her partner, WilldaBeast Adams; the emerging talents in their dance company, ImmaBEAST; and the countless dancers she inspires at master classes and conventions. Her YouTube channel has become a launching pad for young talents like "Fraternal Twins" Larsen Thompson and Taylor Hatala, thanks to viral videos featuring Ginestra's creative vision.
But Ginestra's a skyrocketing success in her own right—an in-demand choreographer, a social media influencer, and a dance entrepreneur, building a legacy one eight-count at a time. It's time for her turn in the spotlight. And she's more than ready. "I want to be a legend in whatever I do," she says. We'd argue that she already is.
Daphne Lee is a queen, and not just in the "OMG Girl Boss Alert" sense of the word. She's an actual queen—a beauty queen. Crowned Miss Black USA in August, she's been doing double duty as she continues to dance with the Memphis based dance company, Collage Dance Collective. Lee's new title has given her the means to encourage other black girls and boys to pursue their dreams, while also pursuing dreams of her own. The scholarship money awarded with the pageant title will assist her as she earns a Masters of Fine Arts degree at Hollins University.
When a choreographer finds a composer whose music truly inspires her, it can feel like a match made in dance heaven. Some choreographers work with the same composers so frequently that they become known for their partnerships. New York City Ballet soloist and resident choreographer Justin Peck, for example, has tapped composer Sufjan Stevens numerous times (last spring, the two premiered The Decalogue at NYCB, to rave reviews); L.A. Dance Project's Benjamin Millepied's working relationship with composer Nico Muhly has spanned a decade and two continents; and when tap dancer Michelle Dorrance premiered the first-ever Works & Process Rotunda Project, a site-specific work for New York City's Guggenheim Museum, last year, percussionist Nicholas Van Young was by her side as an equal partner. Successful collaborations require compatibility between artists, direct and honest communication, and flexible, open minds. But when the stars align, working with a composer can be extremely rewarding.
For ballerinas, it's the dream role to end all dream roles: Odette/Odile in Swan Lake, the type of part dancers spend years preparing for and whole careers perfecting. And it's a role that New York City Ballet principal Tiler Peck never thought she'd dance. Though Peck is one of the world's preeminent ballerinas, her short stature made Odette/Odile, typically performed by longer, leggier dancers, seem (almost literally) out of reach.
Then—surprise!—her name popped up on the cast list for NYCB's fall season run of Swan Lake.
Lani Dickinson's power, grace, and raw presence make her a standout with AXIS Dance Company, whose mission is to change the face of dance and disability by featuring a mix of disabled and non-disabled performers. Born in China, Dickinson was adopted by an American couple and started dancing at 8 in Towson, MD. She attended the Boston Ballet School for two summers, studied at the Idyllwild Arts Academy for the last two years of high school, and graduated with a dance degree from Alonzo King LINES Ballet's BFA program with Dominican University of California. In 2015, she joined AXIS and won a Princess Grace Award. Catch her this month during AXIS Dance Company's 30th-anniversary season—and read on for The Dirt!