With his reedy, praying-mantis-like body, Billy Barry isn’t someone you’d pick out on the street as a dancer. But get him onstage and you’ll understand why the 22-year-old Juilliard alum earned a spot in Israel’s prestigious Batsheva Ensemble. Billy has something larger than technique: He’s an intimately arresting, delightfully odd performer who seems to speak his own mysterious language. In other words, he’s an alien—the coolest alien you’ve ever seen.
A native New Yorker, Billy first discovered dance at a local studio near his hometown on Long Island. Serious ballet training at the Eglevsky Ballet soon followed, and as a teen, he enrolled at Manhattan’s Professional Performing Arts School. While at PPAS, he began to hear the siren call of Juilliard. “I just knew it was where I belonged,” he says. The feeling wasn’t immediately mutual: Billy was waitlisted when he applied to Juilliard his senior year. Suddenly unsure of his future, he auditioned for the European tour of West Side Story and was cast as Baby John. But before he could jump on the West Side bandwagon, Juilliard called: He’d made the final cut.
At Juilliard, Billy was a standout from the beginning. “First you notice him because he’s so striking physically—then you see that he has this extraordinary imagination,” says Lawrence Rhodes, director of Juilliard’s Dance Division. And it was at Juilliard that Billy first met Batsheva director Ohad Naharin, who set excerpts from his works MAX and Three on the students during Billy’s sophomore year. In Naharin’s Gaga technique, which emphasizes image-based improvisation, Billy found a home. “Ohad added this extra ingredient to my dancing,” he says. “I stopped obsessing about technique. If you hang on to technique, you may be beautiful to watch, but you won’t be very exciting. And I’d much rather be exciting than beautiful.”
During his senior year at Juilliard, Billy had another dream-come-true moment: Naharin asked him to join the Batsheva Ensemble. Two months after graduation, Billy moved to Tel Aviv to begin working with the company. “It’s amazing—it’s a job that feels nothing like work,” he says. “It’s just playtime.”
Birthday: September 23, 1989
Dance idol: Martha Graham
Three words that describe your dancing: Spastic, off-kilter, quirky
Three words that describe your personality: Flamboyant, loud, chatty
Hidden talent: “I can make this goose-honk noise. The problem is if I cough or laugh really loud, that noise just happens, usually at some inappropriate moment.”
Who would play you in a movie: Dakota Fanning
Advice for DS readers: “See all kinds of dance—even if you’re not familiar with the company performing. I’d never heard of Batsheva before Juilliard!”
It's time to get your pirouette on! From September 5th to September 30th, we're hosting a contest to find out who's the best turner of them all.
Put together your most impressive turning combo. Post a video online. Share your turns with us and thousands of other dancers around the world. And if our editors think you're the top turner, you'll win a fabulous prize.
All of 18-year-old Kaylin Maggard's dreams—from scoring the title of National Senior Outstanding Dancer at New York City Dance Alliance Nationals to winning the 2017 Dance Spirit Cover Model Search—are coming true. And to anyone who knows the gorgeous contemporary dancer, that's no surprise.
From the moment the Dance Spirit staff met Kaylin, it was obvious her humility and talent would take her far. Not only did she go full-out during the photo shoot and class at Broadway Dance Center, but she was always cheering on, laughing with, and supporting her fellow CMS contestants Haley Hartsfield and Michelle Quiner. During the voting period, the social media world was abuzz with praise for her work ethic, positive attitude, and generosity.
Since her CMS trip to NYC, Kaylin's moved from her hometown of Columbia, MO, to the Big Apple for her freshman year at Juilliard, and is busy getting acquainted with the city. As for the future? She's taking it one opportunity at a time, but something tells us we'll be seeing this contemporary queen reach new heights every year.
New York City principal Lauren Lovette has become an icon thanks to her emotional maturity and exceptional musicality. The 26-year-old quickly rose through the ranks after joining the company as an apprentice in 2009, reaching principal status in 2015. A Thousand Oaks, CA, native, Lovette started studying ballet seriously at age 11, at the Cary Ballet Conservatory in Cary, NC. After attending two summer courses at the School of American Ballet, she enrolled as a full-time student in 2006. Last year, she made her choreographic debut with For Clara, her first piece for NYCB. Catch her latest work this month during the company's fall season. —Courtney Bowers
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org for a chance to be featured!
I know I'm not getting good enough dance training from any of my local studios. But I'm not sure I'm ready to move away to study at a big-name school, either. How do you know when you're ready to leave home to pursue your passion?
Instagram star Kylie Shea has built a following of nearly 170,000 with her playful workout videos, which combine traditional fitness activities, like jumping rope or running on the treadmill, with pointe shoes and sassy choreography. Shea's effortless cool-girl-next-door vibe and solid ballet technique make her vids totally irresistible.
Now Shea's using her platform to address the body image issues that tend to plague dancers. In a poignant video, she sheds her clothes and tugs at her skin. The caption explains her relationship with her body and the pressure she feels to maintain a certain aesthetic as a dancer.
Physical discomfort is inevitable when you're spending tons of hours in the studio every day, but some pain shouldn't be suffered through. "Dancing through pain can make an injury worse and lead to more time away from dance," says Dr. Joel Brenner, medical director of dance medicine at Children's Hospital of The King's Daughters in Norfolk, VA. "Failing to rest and recover when you're in serious pain could even lead to the point where you're unable to dance in the future."
That may sound scary, but there's good news: If you take precautions and listen to your body, many injuries can be stopped in their tracks. The first step? Knowing what's normal—and what's not.
Think about it: How often do you see a ballet pas de deux for two women? Almost never, right? Sometimes, choreographers will forgo the traditional danseur-ballerina pas to make a duet for two guys, since they can lift and partner each other easily. But a dance for two ballerinas is a rare thing.
That's part of what makes "Duet," a new video by director Andrew Margetson featuring Royal Ballet beauties Yasmin Naghdi and Beatriz Stix-Brunell, so compelling.