We first heard from beautiful ballerina Keenan Kampa in 2010, when the Washington, D.C. native documented her final year at the Vaganova Academy in St. Petersburg, Russia for us. (It's incredibly rare for an American dancer to study at the iconic school, by the way, which speaks to just how amazing Keenan is.) Then, this past March, she graced our cover, talking about her artistic growth during her first year as a professional dancer at Boston Ballet—and posing for a gorgeous group of fashion photos that blew up our Pinterest page. Shortly afterward, we were thrilled to hear that Keenan was making history as the first American to join the Mariinsky Ballet—her lifelong dream come true.
And this past week she came full circle, making her U.S. debut with the Mariinsky at the Segerstrom Center for the Arts in L.A. The company danced Swan Lake (of course), and Keenan was honored with a demi-soloist part, one of the Big Swans.
Judging by this photo from the performance, it looks like she's grown even more lovely since joining the Mariinsky. (We almost didn't recognize her as a brunette—until we saw those unforgettable feet!). Congratulations, Keenan—we can't wait to see where your fabulous career goes next! And if you haven't experienced Keenan's particular brand of awesome, check out this behind-the-scenes video from her cover shoot:
Well, this brings class videos to a whole new level! Choreographer Phil Wright and dancer Ashley Liai have been together eight-plus years, but she was still in total shock when he proposed to her mid-dance at Millennium Dance Complex earlier this week. Why? Well, the whole thing was unbelievably perfect.
In the dance industry, dancers don't always have a say in what they wear on their bodies. This can get tricky if you're asked to wear something that compromises your own personal values. So what should you do if you find yourself in this sticky situation? We sat down for a Q&A with "Dancing with the Stars" alumn Ashly Costa to answer that very question. Here's what she had to say about the options dancers have surrounding questionable costumes.
The groundwork for Erin Carpenter's company, Nude Barre, began when she was a teenager. At 16, she earned a spot in the residency program at The Kennedy Center in partnership with Dance Theatre of Harlem. "We were required to wear nude—as in, our actual skin tone—tights and shoes," she remembers. Carpenter brought her "sun tan" tights and a pair of pink ballet shoes with her, because that was all she could find. But she wasn't allowed in class because her dancewear didn't match her skin. "I was so embarrassed," she says. "I looked unprepared. I just didn't have the right nudes." Her teacher explained that the dancers dyed their tights and pancaked their shoes.