Catching Up with Emmy-Nominated "SYTYCD" Choreographer Stacey Tookey
DS: What is your favorite number you've choreographed for "So You Think You Can Dance"?
ST: I like different routines for different reasons, whether it's my experience with the dancers or the reaction from the judges when someone is stretched out of their comfort zone. Sometimes the piece just has special meaning to me. I can narrow it down to three: Mad World (Billy and Ade), Heaven is a place on Earth (Kathryn and Robert) and Bang Bang (Eliana and Alex).
DS: All of us at Dance Spirit are super excited you're starting your own company. What made you decide to do it?
ST: I've been thinking about starting my own dance company for a while and finally decided the time is right. I want to push myself as an artist, continue to grow and take beautiful dancers who inspire me along for the journey. L.A. is such a “gig by gig” type of dance industry, where most dancers do a job for a couple days or a week then it’s over. In my professional dance career, it was my experience working in a company situation that stretched and taught me the most. There is something about sweating in a studio together for 8 hours a day over a long period of time that is so rewarding.
DS: What do you look for when hiring dancers?
ST: Fearlessness, openness, passion and good energy.
DS: What genres do you expect your dancers to have a strong technical base in?
ST: Classical ballet! It's the foundation of dance and the base of my movement. You don't have to have perfect ballet technique or the perfect classical body—just be trained and have an understanding of true classical ballet.
Any genres you can be proficient in will help you as a dancer. The more versatility you have, the more hire-able you are and the more you have to offer. My mom (my teacher) had me study ballet, jazz, lyrical, contemporary, modern, tap, hip hop, musical theater, Scottish highland and baton twirling. I have pulled from every genre in my professional career at some point, and I'm thankful for my diverse training.
DS: How do you define contemporary?
ST: Contemporary dance embodies a vast spectrum of movement and expression that can be interpreted in many ways. I feel like it's a genre that's continually reinventing itself and pushing boundaries. It has roots in classical ballet but is truly about conveying an emotion or story—as subtle or obvious as that may be.
DS: What do you think is the key to great contemporary choreography?
ST: I believe great contemporary choreography will make you feel something. Some of my favorite contemporary performances have left me crying, laughing or sitting in complete silence, not being able to move. You feel it so deeply it leaves an imprint on you as a person. I can recall those feelings and images in an instant because they are so memorable.
DS: If you could choreograph a piece on anyone, who would you choose?
ST: There are so many dancers I would love to work with for so many different reasons. But if I have to pick one, it would be Misty Copeland from American Ballet Theatre.
DS: What are you working on next?
ST: My main focus now that "SYTYCD" is nearly over is my dance company, Still Motion. I have so much work to do to premiere our first show, “Moments Defined” on Nov 9-10 in L.A. at the Nate Holden Theatre.
DS: Who are your favorite up-and-coming dancers right now?
ST: Melanie Moore, Kathryn McCormick and Robert Roldan.
DS: Is there a particular choreographer or dancer that inspires you?
ST: I'm continuously inspired by and in awe of my very good friend, dancer and brilliant choreographer Peter Chu. He is a one-of-a-kind artist, with a driving passion and love for the art of dance.
So you Think You Can Dance' Season 14 finalists Lex Ishimoto and Taylor Sieve shocked fans at home (at least the ones who hadn't thoroughly scoured their respective Instagrams) during Episode 14, when choreographer Mia Michaels asked if either of them had ever experienced "the kind of love that takes your breath away." They confessed that, yup, they had—with each other. The two met at The Dance Awards in the summer of 2016, where they were each named Senior Best Dancer, and went on to tour with the convention as assistants. Before long—and long before their "SYTYCD" journey—they became a couple.
Take a look at Dance Spirit's exclusive interview where they dish on everything from their favorite dates to the dance moves that give them all the feels.
There's a surprising twist to Regina Willoughby's last season with Columbia City Ballet: It's also her 18-year-old daughter Melina's first season with the company. Regina, 40, will retire from the stage in March, just as her daughter starts her own career as a trainee. But for this one season, they're sharing the stage together.
You're obsessed with class videos. We're obsessed with class videos. The passion, energy, and talent showcased in these clips, which give us an insider-y peek at the commercial dance world's hottest classes, are totally irresistible.
But at what point does the phenomenon go from being a good thing to a bad thing for dancers and the dance world? Is the focus on filming distracting from the work dancers are supposed to be doing in class? Are overproduced videos presenting a dangerously misleading picture of the dance world? Is the pressure to be a class video star becoming too much for dancers to handle? These are some of the questions A-list dancer and choreographer Ian Eastwood—no stranger to the class video himself—has been asking on Twitter. And they've sparked a lively, important debate.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Yes, we all know dancers are strong. But sometimes it takes a truly epic workout video to remind us JUST HOW INSANELY STRONG they actually are.
Behold, National Ballet of Canada principal Svetlana Lunkina's oh-so-casual pre-class exercise:
Dance Spirit is beyond excited to announce the first round of 2017 Future Star winners! Every year, DS partners with competitions to recognize dancers with exceptional presence and ability. The second round of winners will be featured in our January issue, so stay tuned!
Our favorite drama-filled, dance reality show may have ended this past fall, but "Dance Moms" stars Chloe, Kalani, and Kendall aren't about to let that end their dance careers. In fact, these dancing kweens are taking their moves to a city near you with their Irreplaceables Tour! The girls are going all out for the three-week dance production, which is taking them across the country. And these dazzling dancers aren't just content with showing off their dance skillz—they want to pass along their tips and tricks in a dance workshop where they'll lead fans in stretches and dance routines from the show.
Dance Spirit caught up with Chloe, Kalani, and Kendall to find out what they love about tour life and where they see themselves five years from now.
When most of us think of The Nutcracker, we imagine a growing Christmas tree, dancing mice, and a little girl named Clara (or Marie) traveling to the Land of Sweets. But companies around the world have been reinventing the holiday classic, changing the storyline or adding their own spectacular sets and characters. To get in the Nutcracker spirit this season, check out these out-of-the-box productions.