Catching Up with Emmy-Nominated "SYTYCD" Choreographer Stacey Tookey
DS: What is your favorite number you've choreographed for "So You Think You Can Dance"?
ST: I like different routines for different reasons, whether it's my experience with the dancers or the reaction from the judges when someone is stretched out of their comfort zone. Sometimes the piece just has special meaning to me. I can narrow it down to three: Mad World (Billy and Ade), Heaven is a place on Earth (Kathryn and Robert) and Bang Bang (Eliana and Alex).
DS: All of us at Dance Spirit are super excited you're starting your own company. What made you decide to do it?
ST: I've been thinking about starting my own dance company for a while and finally decided the time is right. I want to push myself as an artist, continue to grow and take beautiful dancers who inspire me along for the journey. L.A. is such a “gig by gig” type of dance industry, where most dancers do a job for a couple days or a week then it’s over. In my professional dance career, it was my experience working in a company situation that stretched and taught me the most. There is something about sweating in a studio together for 8 hours a day over a long period of time that is so rewarding.
DS: What do you look for when hiring dancers?
ST: Fearlessness, openness, passion and good energy.
DS: What genres do you expect your dancers to have a strong technical base in?
ST: Classical ballet! It's the foundation of dance and the base of my movement. You don't have to have perfect ballet technique or the perfect classical body—just be trained and have an understanding of true classical ballet.
Any genres you can be proficient in will help you as a dancer. The more versatility you have, the more hire-able you are and the more you have to offer. My mom (my teacher) had me study ballet, jazz, lyrical, contemporary, modern, tap, hip hop, musical theater, Scottish highland and baton twirling. I have pulled from every genre in my professional career at some point, and I'm thankful for my diverse training.
DS: How do you define contemporary?
ST: Contemporary dance embodies a vast spectrum of movement and expression that can be interpreted in many ways. I feel like it's a genre that's continually reinventing itself and pushing boundaries. It has roots in classical ballet but is truly about conveying an emotion or story—as subtle or obvious as that may be.
DS: What do you think is the key to great contemporary choreography?
ST: I believe great contemporary choreography will make you feel something. Some of my favorite contemporary performances have left me crying, laughing or sitting in complete silence, not being able to move. You feel it so deeply it leaves an imprint on you as a person. I can recall those feelings and images in an instant because they are so memorable.
DS: If you could choreograph a piece on anyone, who would you choose?
ST: There are so many dancers I would love to work with for so many different reasons. But if I have to pick one, it would be Misty Copeland from American Ballet Theatre.
DS: What are you working on next?
ST: My main focus now that "SYTYCD" is nearly over is my dance company, Still Motion. I have so much work to do to premiere our first show, “Moments Defined” on Nov 9-10 in L.A. at the Nate Holden Theatre.
DS: Who are your favorite up-and-coming dancers right now?
ST: Melanie Moore, Kathryn McCormick and Robert Roldan.
DS: Is there a particular choreographer or dancer that inspires you?
ST: I'm continuously inspired by and in awe of my very good friend, dancer and brilliant choreographer Peter Chu. He is a one-of-a-kind artist, with a driving passion and love for the art of dance.
Congratulations to Dance Spirit's 2017 Cover Model Search finalists: Haley Hartsfield, Kaylin Maggard and Michelle Quiner! One of them will win a spot on Dance Spirit's October 2016 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below.
We also want you to get social! We'll be factoring social media likes and shares into our final tallies. Be sure to show your favorite finalist some love on Facebook, Instagram, and Twitter, sharing their profile pages and using the hashtag #DanceSpiritCMS.
Attention, ladies and gentlemen: We've officially hit Nationals season! And that means it's time to dig through those closets to find the perfect clothes to get you noticed during convention classes. The task can feel totally overwhelming—but we're here to help. Follow our guidelines, and you'll be rocking the dance floor with Travis Wall and making Stacey Tookey yell "GORGEOUS!" in no time.
Oh man. This is getting ROUGH.
Last night marked the second round of head-to-head duels on "World of Dance." Once again, we were feeling real pity for the judges—and it takes a lot for us to pity J. Lo—because we've reached a point in the competition where there aren't any clear winners. Everyone's insanely good. And yesterday's showdowns paired acts that were so unalike, comparing them felt a little unfair.
So, who emerged from these cruel duels victorious?
We've said it before and we'll say it again: dance and film are made for each other. In the past couple of years, ballet companies have used the medium to promote new work, creating "trailers" that give beautiful peeks at upcoming premieres. These short films reach many people who are unable to see the ballets performed live—and they definitely debunk the misconception that ballet is boring. Here are five of our all-time favorites.
Performing on a Broadway stage might seem glamorous, but it comes with one of the most grueling schedules a dancer can face. Maintaining your stamina and energy, warding off injury and keeping the material fresh for eight shows a week is no joke. So how do dancers do it? Dance Spirit talked to ensemble members from some of Broadway's danciest shows to get their survival tips.
This week, we're in the Big Apple: home of Broadway, New York City Ballet, and Dance Spirit HQ! They say if you can make it here, you can make it anywhere. So who made it to The Academy this week? Pretty much everyone—with lots of amazing Vanessa Hudgens one-liners along the way. (We love you, Vanessa!)
You should know Leiomy Maldonado's name, because she's shaped the way you dance. Called the "Wonder Woman of vogue," the trailblazing artist was the first transgender woman to appear on "America's Best Dance Crew," as part of the Vogue Evolution crew. And her signature "Leiomy Lolly" hair flip has inspired everyone from Beyoncé to FKA Twigs to Willow Smith to, odds are good, your own teachers and choreographers. (Smith even asked Maldonado to appear in the video for "Whip My Hair," to show the world how to do the flip properly.)
Now, Maldonado is the star of a new Nike ad celebrating the queer and transgender dancers who form the heart of the voguing community. Directed by Daisy Zhou, the spot is narrated by transgender artist Precious Angel Ramirez, and showcases Maldonado's extraordinary skills, as well as those of several other dancers from the vogue scene.