Choreographer Amy Seiwert Shares What Inspires Her
Amy Seiwert is an important voice for contemporary ballet. Since 1999, her company Amy Seiwert's Imagery has been showing San Francisco audiences just how experimental, passionate, and relevant ballet can be. It's a philosophy Seiwert developed over 19 years dancing with the LA Chamber Ballet, Sacramento Ballet, and Smuin Ballet, and while choreographing on major companies like New York City Ballet (for the New York Choreographic Institute). Next year, Seiwert will become the artistic director of Sacramento Ballet. Catch AXIS Dance Company performing Seiwert's Reflective Surface in October in Oakland, CA—and read on to learn how Seiwert keeps thinking of new ways to look at ballet. —Helen Rolfe
For seven years now, I've worked with my company in a space called Zaccho that's primarily used for aerial dance, so it's got high ceilings, natural light, and enough space that you can be far enough from the dancers to get a sense of the work. There's a fun rumor that the building used to be a mattress factory, and that the Zaccho space is where they made the pillows! It's one of my favorite places to create in the city.
(From top, left to right) Steffi Cheong, Brett Conway, Seiwart, and director Brian Staufenbiel in rehearsal for "Les Enfants Terribles" (photo by Nick Korkos, courtesy Seiwart)
Last May, I choreographed Philip Glass' opera Les Enfants Terribles with the company Opera Parallèle here in San Francisco, where I was lucky to work with a phenomenal dancer I've known a long time, Brett Conway. I first worked with Brett when he was about 18, before he danced for LINES Ballet and Nederlands Dans Theater. He has developed beautifully into a thinking artist.
Conway and Cheong in "Les Enfants Terribles" (photo by Steve Dibartolomeo, courtesy Opera Parallele)
My husband plays the trumpet professionally. He's exposed me to a lot of music that I never knew, like the experimental composer Morton Feldman, and minimalist composers like Terry Riley.
Seiwert takes in the view on a hike (courtesy Seiwert)
I love nature and being outside. Last summer, I would go for 7-mile hikes in the Sierras while listening to the music for my first full-length work, Wandering, on repeat. The piece was to Franz Schubert's Winterreise, gorgeous leider music that explores loss. I fell in love with that kind of music a couple years ago, via fellow choreographer KT Nelson. When I'm staring at redwoods or looking at the ocean, I feel very connected to the earth, to humanity, to everything.
"Wandering" rehearsal (photo by David Desilva, courtesy Seiwert)
A version of this story appeared in the September 2017 issue of Dance Spirit with the title "Choreographer's Collage: Amy Seiwert."
So you Think You Can Dance' Season 14 finalists Lex Ishimoto and Taylor Sieve shocked fans at home (at least the ones who hadn't thoroughly scoured their respective Instagrams) during Episode 14, when choreographer Mia Michaels asked if either of them had ever experienced "the kind of love that takes your breath away." They confessed that, yup, they had—with each other. The two met at The Dance Awards in the summer of 2016, where they were each named Senior Best Dancer, and went on to tour with the convention as assistants. Before long—and long before their "SYTYCD" journey—they became a couple.
Take a look at Dance Spirit's exclusive interview where they dish on everything from their favorite dates to the dance moves that give them all the feels.
There's a surprising twist to Regina Willoughby's last season with Columbia City Ballet: It's also her 18-year-old daughter Melina's first season with the company. Regina, 40, will retire from the stage in March, just as her daughter starts her own career as a trainee. But for this one season, they're sharing the stage together.
You're obsessed with class videos. We're obsessed with class videos. The passion, energy, and talent showcased in these clips, which give us an insider-y peek at the commercial dance world's hottest classes, are totally irresistible.
But at what point does the phenomenon go from being a good thing to a bad thing for dancers and the dance world? Is the focus on filming distracting from the work dancers are supposed to be doing in class? Are overproduced videos presenting a dangerously misleading picture of the dance world? Is the pressure to be a class video star becoming too much for dancers to handle? These are some of the questions A-list dancer and choreographer Ian Eastwood—no stranger to the class video himself—has been asking on Twitter. And they've sparked a lively, important debate.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Yes, we all know dancers are strong. But sometimes it takes a truly epic workout video to remind us JUST HOW INSANELY STRONG they actually are.
Behold, National Ballet of Canada principal Svetlana Lunkina's oh-so-casual pre-class exercise:
Dance Spirit is beyond excited to announce the first round of 2017 Future Star winners! Every year, DS partners with competitions to recognize dancers with exceptional presence and ability. The second round of winners will be featured in our January issue, so stay tuned!
Our favorite drama-filled, dance reality show may have ended this past fall, but "Dance Moms" stars Chloe, Kalani, and Kendall aren't about to let that end their dance careers. In fact, these dancing kweens are taking their moves to a city near you with their Irreplaceables Tour! The girls are going all out for the three-week dance production, which is taking them across the country. And these dazzling dancers aren't just content with showing off their dance skillz—they want to pass along their tips and tricks in a dance workshop where they'll lead fans in stretches and dance routines from the show.
Dance Spirit caught up with Chloe, Kalani, and Kendall to find out what they love about tour life and where they see themselves five years from now.
When most of us think of The Nutcracker, we imagine a growing Christmas tree, dancing mice, and a little girl named Clara (or Marie) traveling to the Land of Sweets. But companies around the world have been reinventing the holiday classic, changing the storyline or adding their own spectacular sets and characters. To get in the Nutcracker spirit this season, check out these out-of-the-box productions.