Choreographer's Collage: Joshua Bergasse
Choreographer Joshua Bergasse has been breaking new ground for dance on the small screen on the Broadway-themed TV show “Smash.” Though his success on “Smash” has recently made him a household dance name, Bergasse has been a successful musical theater pro for more than 15 years, touring and performing on Broadway before moving on to choreograph musicals across the country. NYC’s in-the-know dancers have religiously taken his classes at Broadway Dance Center for years, and Bergasse has also taught at major dance conventions including Tremaine and West Coast Dance Explosion.
What inspires Bergasse? Read on to find out.
West Side Story on Broadway (by Joan Marcus)
“My all-time favorite project was performing the original Jerome Robbins choreography while on tour with West Side Story. To this day, when I get stuck while choreographing, I just think about that choreography.”
Pacific Northwest Ballet soloist Lindsi Dec in George Balanchine’s Rubies (by Angela Sterling)
“I like to go to the ballet a lot, especially to see works by George Balanchine or Twyla Tharp. I’m usually story-focused, but at the ballet, I’m so fascinated by the movement quality—the control and strength of the dancers—that I don’t need a story.”
Bergasse (second from left) in a rehearsal scene from “Smash” (Patrick Harbron/NBC)
“Right now I’m most inspired by the dancers in the ‘Smash’ cast. I like nothing better than walking into a studio of fantastic dancers who are staring back at me saying, ‘What are we gonna do?’ “
Jack Cole with Marilyn Monroe (courtesy Dance Magazine Archive)
“I love the ‘golden age’ MGM musicals, like An American in Paris and The Band Wagon, and choreographers from that era, especially Jack Cole. Cole’s choreography is quick, earthy and sexy. He’s a huge inspiration for me, especially on “Smash,” because he was Marilyn Monroe’s choreographer.”
Bergasse, his mom and his Emmy Award
“My mom, Annette, was my dance teacher, and she was really into theater, so that’s where my love for musicals comes from.”
"Glee" (by Eddy Chen/FOX)
"I love that dance is back on TV and in movies. I watch 'So You Think You Can Dance,' 'Dancing with the Stars' and 'Glee.' I want to see more of it!"
Ivy and dancers in “Let’s
Be Bad” (by Will Hart/NBC)
“My favorite number I’ve done on ‘Smash’ is ‘Let’s Be Bad’ for Episode 5 of the first season. It was about Marilyn Monroe losing control but wanting to stay on top, and it mirrored something that was happening with another character, Ivy. When I have a great story to tell, the choreography just flows right out of me.”
Marilyn Monroe in Gentlemen Prefer Blondes (courtesy Twentieth Century Fox Home Entertainment)
“My favorite Marilyn Monroe musical is Gentlemen Prefer Blondes. The production numbers are fantastic.”
“I’m a huge jazz freak. I love Miles Davis, Thelonious Monk, Lillian Hardin Armstrong and John Coltrane. I use their music to calm me down between pieces I’m choreographing.”
Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.
The dancers who take our breath away are the risk-takers, the ones who appear completely fearless onstage. "When you see somebody trying to travel more, go farther, push the limits of their physical abilities, that's always going to be inspiring," says Ballet BC dancer Alexis Fletcher.
But dance training can feel like it's in conflict with that idea. We spend thousands of hours in the studio trying to do steps perfectly, and that pursuit of perfection can make us anxious about taking risks. What if we fail? What if we fall?
Luckily, fearlessness is a mental skill that you can work on, just as you work on your technique. Here's how you can learn to push yourself past your limits.
The 2018 Oscar noms are here. Which is fun and all; we'll never not get excited about a night of glitz and glamor and, when we're lucky, pretty great dancing. But we'd be a heck of a lot more excited if the Academy Awards included a Best Choreography category. And really—why don't they?
Maud Arnold is one of the busiest tap dancers on the planet. As a member of the Syncopated Ladies, Maud—along with her big sis and fellow tapper Chloé Arnold—is on constantly the road for performances, workshops, and master classes. For the average person, that kind of schedule could lead to a serious derailment of healthy habits. But Maud's far from average. Here's how the fit, fierce, flawless tap star stays stage-ready—no matter what time zone she finds herself in.
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Auditioning for summer intensives in person may be the ideal—but for Anna McDowell, a 16-year-old student at Juneau Dance Theatre in Juneau, AK, it's rarely possible. “Living in Alaska, it's difficult to travel to auditions," she says. “It gets way too expensive!" Instead, each year, with help from her teachers and a videographer, she puts together a well-crafted video and submits it to schools around the country. Last year, her high-quality video helped her earn acceptance to nearly every program she applied for. Most summer intensive programs, eager to attract students from far and wide, will accept video auditions from those who can't travel to take class. But major schools look at hundreds of submissions each year, which means video auditioners have just a few minutes—or even seconds—to make a great impression. If you're about to create an audition video, follow these tips from the professionals to put your best digital foot forward.