Christina Perri's "SYTYCD" Fairytale
(photo by Yu Tsai)
You probably remember Stacey Tookey's contemporary piece "Jar of Hearts" on "So You Think You Can Dance" Season 7—partly because of the ultra-gorgeous choreography, and partly because the song's been in your head ever since. (Click here in case you need a refresher.)
At the time, Christina Perri's song "Jar of Hearts"—and Perri herself—were virtually unknown. Cue the best Cinderella story ever: After it played on the show, "Jar of Hearts" was downloaded so much that it made iTunes' Top 20 song chart—that night. Two weeks later, "SYTYCD" invited Perri to play "Jar of Hearts" live (accompanied by Allison Holker and Neil Haskell), and the song took off—hitting number 25 on the Billboard Hot 100 chart and number 1 on Amazon's digital singles list.
Fast-forward four years, and Perri's career has been on a roll. Her newest album, Head or Heart, is available now; she's currently touring with One Republic; and this fall, she'll hit the road with Demi Lovato. Tonight, Perri will perform her latest single "Burning Gold" on "SYTYCD," and Tookey has choreographed a special performance for their four-year reunion.
Dance Spirit spoke with Perri about her second big night on "SYTYCD."
How did Stacey Tookey first find your work?
Keltie Colleen is the fairy godmother in this story. She and I have been friends for a long time—she dated my brother, and when they broke up, we kept hanging out. Up until "SYTYCD," she was one of very few people who had heard my music. She was always supportive and encouraging, and she was actually the one who helped me get a manager by posting a video of us on YouTube back in 2010. Three months after that, I emailed Keltie a song called "Jar of Hearts." I'd just recorded it, I and wanted to show her what I was working on. I asked her to keep it between us, but she immediately emailed Stacey Tookey—they grew up together and were friends—and suggested it for the show. Stacey replied, "How about this week?" I had five days to do a photo shoot and put the song on the internet. It was crazy. The night it debuted on the show, Keltie and I were in the audience. I quit my job as a waitress the next day, flew to NYC and my adventure began!
Billy Bell and Kathryn McCormick in "Jar of Hearts" on "SYTYCD"
(photo Kelsey McNeal/FOX)
What's your relationship with Stacey like?
She realized how much of an impact her work and the show had on my life. When I needed a choreographer for the "Jar of Hearts" video, I asked Stacey to work on it with Keltie and the cast of "SYTYCD" dancers. Since then, Stacey has used more of my songs on the show and we stay pretty close. I always send her champagne and flowers on June 30 (the date I was on the show). I can't wait to come back and perform "Burning Gold" with her choreographing.
What's the best part about choreographers using your music?
It's a magical combination. Dance elevates the emotional level of the song. It makes it into something brand new. I'll hear a song over and over, but when I see someone dance to it, it comes to life. I'm honored when someone dances to my music.
Do you have any advice for DS readers?
Say "yes" to the things that scare you. I was shy and lacked confidence, and there were always so many reasons to say "no"—excuses. But the moment I started saying "yes"—for instance, letting Keltie post that video online, or agreeing to play on TV—all of my dreams started to come true. "Yes" can change your life.
Be sure to watch Christina Perri tonight on "So You Think You Can Dance," and come back tomorrow to read our recap of the Top 10 episode!
Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
When we think of a dancer who's broken barriers, American Ballet Theatre principal Misty Copeland tends to be the name that comes to mind. And though Copeland has been a crucial advocate for equality in the world of ballet, Raven Wilkinson—a mentor of Copeland's—is considered one of the original pioneers of the movement.
In 1955, Wilkinson became the first African American to dance with the renowned Ballet Russe de Monte Carlo. Her fortitude in the face of bigotry and hate cemented her legacy. Now, with the release of the new children's book Trailblazer: The Story of Ballerina Raven Wilkinson, a new generation of dancers will be inspired by her tale of overcoming obstacles to achieve a dream.
The book details Wilkinson's life, from her experience as a young dancer training in Harlem, to her run-ins with the Ku Klux Klan while on tour with Ballet Russe, to her later ballet career in Europe. "There were times where my heart really hurt because of the situations I had to deal with," she says. "But I always had faith that I was made to be a dancer and that I was gonna dance."
Dance Spirit spoke with Wilkinson to discuss the new book and get her take on racial equality within the ballet world.
Postmodern pioneer Trisha Brown redefined how dance is seen and felt. A founding member of Judson Dance Theater, Brown frequently collaborated with other experimental artists like Yvonne Rainer, Merce Cunningham, Twyla Tharp, and Steve Paxton.
She embraced pedestrian movement, pairing everyday gesture with rhythm and fluidity. "It's liquid," says Wendy Perron, who danced with Brown in the '60s and '70s. "Like a river with many tributaries, water coming out of a faucet, or being on a raft and seeing the water move away in different directions." Brown also pushed beyond stages with choreography in fields, museums—even on the sides of buildings.
There's a common misconception that a dancer's body has to be thin. But the truth is that talent knows no body type, and the number on the scale never determines an artist's capabilities. Here are some extraordinary dancers fighting the stereotype of what a dancer "should" look like.
We always love a good halftime performance. And we LIVE for halftime performances involving talented kids. (Fingers and toes crossed that Justin Timberlake follows Missy Elliott's lead and invites some fabulous littles to share his Super Bowl stage.)
So obviously, our hearts completely melted for 5-year-old Tavaris Jones. Tavaris may have just started kindergarten, but during Monday night's game between the Cleveland Cavaliers and Golden State Warriors, the Detroit native danced with the panache of a veteran pro at halftime.