Wheeldon works with Royal Ballet dancers on Alice's Adventures in Wonderland.
Thanks to his innovative pas de deux, skillful use of space and lush musicality, Christopher Wheeldon has become one of the ballet world’s most in-demand choreographers. Born in Somerset, England, Wheeldon trained at The Royal Ballet School before joining The Royal Ballet in 1991. He soon moved to NYC to dance with New York City Ballet, but eventually realized that choreography was his passion, and became NYCB’s first resident choreographer in 2000. Seven years and 16 ballets later, Wheeldon founded his own company, Morphoses, for which he choreographed six more ballets. He left Morphoses in 2010, and his already busy freelance career picked up even more speed. Last spring, he choreographed the hugely popular Alice’s Adventures in Wonderland for The Royal Ballet and The National Ballet of Canada. Today, you can see Wheeldon’s dances performed by nearly every major ballet company in the U.S. —Amy Smith
Just a few words of wisdom, now that I have grown up a bit and have some ballets under my belt. First of all, if a great choreographer like Sir Kenneth MacMillan gives you advice, listen. Remember when Sir Kenneth said to practice your craft and take every opportunity you can get? Do it! Oh, and he said not to worry if the ballets aren’t all good. He was right—they won’t be—but that’s OK, because every new ballet, good or bad, holds the key to the next idea, the next good one. It may take three, four or five trips down
the road, but don’t give up. You’ll find it!
Watch other choreographers—how they work, how they translate music into dance—and, as you’re a dancer yourself, see the ballets you dance from the inside out. Feel the music. This will be the key to your choreography as
Finally, be good to your dancers. Allow them the freedom to create with you. Sometimes they’re wrong, but when they’re right it can be magical. Choreography is about collaboration, and dancers are much more than bodies there to be created on. Draw out their personalities in the movement.
Older But Only Marginally Wiser,
Much of Janelle Ginestra's career has been about helping others shine. She's dedicated herself to supporting and cheerleading her partner, WilldaBeast Adams; the emerging talents in their dance company, ImmaBEAST; and the countless dancers she inspires at master classes and conventions. Her YouTube channel has become a launching pad for young talents like "Fraternal Twins" Larsen Thompson and Taylor Hatala, thanks to viral videos featuring Ginestra's creative vision.
But Ginestra's a skyrocketing success in her own right—an in-demand choreographer, a social media influencer, and a dance entrepreneur, building a legacy one eight-count at a time. It's time for her turn in the spotlight. And she's more than ready. "I want to be a legend in whatever I do," she says. We'd argue that she already is.
Week five of "Dancing with the Stars" proved to be one of the best weeks of the season so far. (And we're not just saying that because Mickey made a cameo debut on the piano during one of the routines—although that certainly didn't hurt!) Everyone brought their A-game, and with such a fun theme the contestants were able to really let their guards down. There was true sincerity in their dancing that we hadn't seen before. But not all Disney stories end with a "happily ever after," and one couple still had to hang up their dancing shoes.
If there's one week you should watch all the routines of it's undoubtedly this one... But, ICYMI, scroll below for our highlights of the night.
Almost a month out, Puerto Rico continues to suffer the devastating aftereffects of Hurricane Maria. Many of the island's residents still lack power, clean water, and safe housing. Ballet classes? For Puerto Rican dance students, they must feel like an impossible luxury.
But a dance studio in Florida is working to allow a group of young Puerto Ricans to continue their training. And it needs your help.
Yes, I am a dancer, and yes, I am fat.
There's nothing quite as soul-crushing as the reactions I've received when I've told people I dance. They can range from disbelief to confusion to shock. To many people, it's somehow incomprehensible that a plus-size person like myself could grace a stage. While the body-positive movement has been trucking along at full force over the past few years, it hasn't made much progress in the dance community yet. In fact, the words "body positivity" and "dance" are almost never used together in the same sentence.
Despite that fact, dance is what helped me learn to love my larger frame. In honor of National Body Confidence Day, I wanted to talk about my first time in a studio, and about the tremendous progress I've made since.
If you've ever seen a Janelle Ginestra class video, you know how lit her combos are. What you don't see in those clips is how devoted Ginestra is to her students. We went behind the scenes at one of her sold-out IMMA SPACE classes to see Ginestra in her element, mentoring some of L.A.'s most talented dancers. It was an inspiration feedback loop.
All photos by Joe Toreno.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com for a chance to be featured!
I love ballet, and I've been told that I have a lot of potential. I can see myself dancing professionally one day. But I'm also working toward my black belt in karate—and I'm passionate about that, too. How can I keep up my technique while also making time for the other things I love? Is that even possible?