The coolest place she's ever performed:
I'd have to say the Super Bowl. The field was so cool, and Katy Perry was right there. And there were so many eyes—definitely the most eyes I've ever performed for!
Something she's constantly working on:
My feet. I'm flat-footed, so I'm always hearing, 'Point your toes!' And I'm like, 'I am!'
My hair! That, and a pair of leggings with a T-shirt or tank top.
Some might say Charlize Glass' fame kicked off with a single three-letter word. In 2014, Beyoncé shared a video of the then–12-year-old dancer performing to "Yoncé" on Instagram, along with a simple caption: "WOW!"
But by that point, the hip-hop mini had already performed at the MTV Video Music Awards and on "The Ellen DeGeneres Show," and won first runner-up with her crew, 8 Flavahz, on "America's Best Dance Crew." And her Queen Bey Insta shout-out wasn't even the pinnacle of her tween career: She earned a spot on The PULSE On Tour as an Elite Protégé for the 2014–2015 season, and performed with Missy Elliott at the Super Bowl XLIX Halftime Show in 2015.
These days, the 16-year-old spends her time touring the country as Brian Friedman's assistant at Radix Dance Convention and blowing up YouTube and Instagram with her class-video cameos. And while the Char Char we fell in love with was a hip-hop cutie pie, the more mature artist we see today is sure to rock the dance world for years to come.
You rehearse your group routine to perfection, but when the big performance rolls around, everyone turns into speed demons. It's the runaway-train effect—and it only takes one loud tapper, or zippy turner, to throw the whole group off the music.
While nerves and excitement are partly to blame, the ability to keep to tempo begins in the studio. A well-developed sense of musicality is your best defense against the dreaded speed trap. "When you understand how the steps fit with the music, going too fast won't just feel like rushing," says Jeremy Arnold, lecturer of tap at the University of Texas at Austin. "It'll feel wrong." How can dancers develop that musicality? It all starts with learning to listen.
You may already have an idea of what Indian dance looks like: vibrant costumes, exuberant energy, intricate hand gestures, constant level changes—in short, Bollywood dance. For many in the U.S. and beyond, Bollywood is their sole exposure to Indian dance. But this modern, cinematic form never would have made its way to the big screen without centuries of practice in classical Indian dance. The seven classical forms (some argue there are even more) are as varied as tap and ballet, but none bear quite the same influence as the first, bharatanatyam.
When it comes to college, you've got countless options. University or conservatory? BA or BFA? East Coast or West? But there's one potentially game-changing option you probably haven't considered yet: U.S. or international?
The perks of going global are hard to ignore. For one, international programs are often significantly cheaper than domestic ones. "The tuition for schools in Europe tends to be less than half that of U.S. programs," says Nicola Conraths Lange, director of comparative arts and a dance faculty member at Interlochen Arts Academy in Interlochen, MI. What's more, many programs offer a BA, a BFA, or an approximate equivalent in three years rather than four, which not only cuts tuition costs but also gets you into the professional dance world one year sooner.
And international programs will expose you to entirely new cultures, choreographers, and methods of training. "Our classes focus more on becoming thinking, creative movers than on perfecting technique," says Carlene Raibley, an American in her third and final year at London Contemporary Dance School (LCDS). Erica Badgeley, who joined a postgraduate student company at Salzburg Experimental Academy of Dance (SEAD), had a similar experience. "As opposed to the typical U.S. focus on vertical alignment, we learned to be three-dimensional movers, almost like amoebas," she says.
Many dancers forgo the international option because navigating the ins and outs of the application process seems intimidating. And it can be complicated—but it's worth the effort. Here's a breakdown of the process.
Even if you've never been to L.A., you probably have a solid idea of what class at Millennium Dance Complex in North Hollywood is like. You can picture the vibrant red walls; you can feel the waves of dancers feeding off one another's explosive energy. Why? Because you—and millions of other dance fans—have watched countless class videos filmed at the center.
Class videos are a VIP pass, taking dancers and non-dancers alike inside the commercial world's hottest studios. And people are watching them obsessively, sharing them on platforms across the web, helping them rack up tens of millions of views. We turned to some of the industry's key players to find out more about what makes the class video format uniquely appealing.
She's something of a celebrity now. But on the convention floor, Tate McRae never lets the flash of cameras distract her from the choreographer's instruction, from exploring each movement with intention and integrity. While the 13-year-old comp queen—and ballet dancer, and singer-songwriter, and actor, and model—welcomes the recognition and opportunities that have come her way since earning second runner-up on "So You Think You Can Dance: The Next Generation" last year, she doesn't let fame go to her head. "I try never to lose sight of how dance makes me feel," she says. "Ultimately, it's passion and hard work that make each new opportunity so rewarding."