Dancer to Dancer
Future Star winner Kaitlyn Chapa (photo by Rainbow Dance Media Center, courtesy Jennifer Chapa)

Dance Spirit is beyond excited to announce the first round of 2017 Future Star winners! Every year, DS partners with competitions to recognize dancers with exceptional presence and ability. The second round of winners will be featured in our January issue, so stay tuned!

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How To
Cindy Salgado teaching at New York City Dance Alliance (courtesy NYCDA)

From the excitement of travel to rubbing shoulders with your dance idols, the life of a convention assistant is a whirlwind—and an exciting goal for lots of young dancers. The position has its glamorous moments, but it's also a ton of hard work. Curious about what it takes to earn one of these coveted spots, and what's involved once you do? Dance Spirit spoke with choreographers and assistants to find out what it takes to make it to the stage.

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Competition

It's the best and worst of Nationals 2016! This year's talent, innovation and power—not to mention the costumes and performance quality—blew our minds yet again.

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“I vividly remember my first convention,” says choreographic superstar Brian Friedman. “I was 10 years old and so eager to take every single class—I didn’t want to miss a thing. I couldn’t sleep at all the night before. I had butterflies in my stomach. The fact that I can still remember that exact feeling 30 years later—clearly, going to convention had an impact on me.”

Conventions help breed top dancers in nearly every corner of the dance world, from ballet to ballroom to “So You Think You Can Dance.” From getting the opportunity to train in a plethora of styles to taking advantage of post-class networking, conventions will give you a leg up as you prepare to enter the professional (and crazy-competitive) dance world. But if you’ve never attended a convention, the whole concept can seem daunting. Fear not, convention newbies: We’ve gathered the best tips and advice from our panel of convention pros.

Logan Epstein, student at PACE University, former dancer at Westchester Dance Academy in Mount Kisco, NY

Brian Friedman, creative director of The PULSE on Tour, self-described “100 percent convention kid” growing up

Alyssa Ness, student at Marymount Manhattan College, former National Senior Outstanding Dancer at New York City Dance Alliance

Anne Smith, director of Hollywood Vibe

Students in a DanceMakers Inc. Nationals class (photo courtesy DanceMakers Inc.)

Be prepared for a long day.

“At most conventions, you’ll take 5 to 7 classes per day, and each class is 45 minutes to an hour long. They move pretty fast, and it may be crowded.” —Ness

Dress to impress…

“Your look is important. Your eye goes to the girl with the cool haircut or the guy with the swagged-out outfit. If you can get someone to see you, they’ll stick around to watch you dance.” —Friedman

…and to be remembered.

“I stay in one outfit the whole day, including during scholarship auditions. If you’re competing for a scholarship, one of the judges might have taught a class you were in earlier that day, and may remember you based on what you’re wearing.” —Epstein

Load up your dance bag.

“My bag weighs a ton during conventions! I pack at least two bottles of water, Emergen-

C for extra energy, snacks, Advil for when the soreness kicks in, and all my dance shoes.” —Epstein

Be extra early.

“Get to the ballroom 30 minutes before class starts. Give yourself time to stretch and warm up without feeling rushed. Not all classes will include a full warm-up, so take responsibility for your own body.” —Epstein

Work the entire room.

“Don’t stay in one spot, and avoid surrounding yourself with dancers from your studio—then you’ll dance just like you do at home.” —Friedman

Shhhhhhh!

“Don’t talk during class. Teachers hate it, and it shows you don’t want to be there. If you want to talk to your friends, do it outside the ballroom or at lunch.” —Epstein

Go to every class—especially the ones you’re nervous to try.

“The biggest mistake a dancer can make at convention is skipping class. Don’t

focus on your strengths—focus on your weaknesses.”—Friedman

It’s OK to drop down a level.

“If you can’t keep up with the pace of class, you can always ask your teacher if you can switch levels. You want to get the most out of your experience.” —Smith

Don’t worry so much about being seen.

“Many dancers—including my former self—are so worried about making sure the instructor sees them. If that’s your entire focus, you’re not getting the most out of class. If you’re clearly having fun, you’re a bright light in the room, no matter where you’re standing.” —Friedman

Know you’re not alone.

“Even dancers who have been to a thousand conventions still get nervous. You’re not the only one feeling that way, and you’re definitely not the only first-timer in the room!”—Smith

Be persistent, not perfect.

“No one expects you to be perfect—they just want to see who you are as a dancer and an individual. If you’re completely lost, it’s OK to raise your hand and ask a question. Teachers never mind questions!” —Epstein

Say ‘thank you’!

“There’s usually time after class to thank the teacher and take a photo together, but if he’s running late, don’t bombard him. There will be more opportunities to say ‘hello’ and ‘thank you.’ ” —Epstein

Don’t give up if you can’t keep up.

“I was totally the kid who just couldn’t keep up with the choreography we were learning. But the brain is a muscle. Train yourself at home, take extra classes, watch YouTube tutorials or DVDs and constantly be learning new choreography.” —Friedman

Competition
(Propix)

Competing a solo with your dance studio is a big honor—and responsibility. To make sure your solo is uniquely yours, and to expand your horizons as a performer, you may decide to hire a choreographer who doesn't regularly teach at your studio.

The challenge? The more high-profile the guest, the less time he or she might have to work with you. “People think we set a solo and it's an instant masterpiece," says New York City Dance Alliance faculty member Andy Pellick, who choreographs solos for students across the country. “But it's really up to the student to rehearse and clean the piece and make it her own."

How do you make the most of your time with the choreographer? Dance Spirit asked the experts.

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Choreography
(Propix)

Today, 20-year-old choreographer Emma Bradley spends her days touring with the dance convention NRG Dance Project, making work for students across the U.S. and Australia. But her first choreographic ventures were far more personal: During her junior and senior years of high school, Bradley started creating her own solos for dance competitions. “Making work on my body totally influenced the way I think about and process choreography," she says. “And it set me on a different artistic path than I imagined."

These days, more and more dancers are testing out self-choreographed solos at competitions. It can be risky—you could be going up against seasoned choreographers like Travis Wall—but the potential rewards make it worth taking the chance. “Choreographing your own solo is an invaluable learning experience," says Andrew Winghart, a judge and choreographer for JUMP Dance Convention. “It forces you to look outside of yourself as a dancer, to really analyze your facility and how you can look your best." Tempted to try your hand at self-choreography? Read on to find out more about taking creative control.

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Dance Team

You’re devoted to your dance studio, but you’ve also dreamed of joining your high school’s dance team for as long as you can remember. Worried you won’t be able to balance your commitment to your studio with dance team responsibilities? Don’t stress! Get advice from three dancers who made it work—and the dance team coaches and studio owners who helped them do it.

How do I tell my studio owner I’ve decided to join my high school team, too?

First and foremost, it’s vital you let your studio owner and your dance team coach know you plan to continue dancing with both groups. “Tell your studio owner in person so she doesn’t hear it from someone else and think you were trying to keep it a secret,” says Highlands Ranch High School pom coach Amanda Humphrey. “Be honest—inform her of your future commitments, so she’s aware of your schedule.”

Sarah Gates, a freshman on HRHS pom team and a dancer at Starstruck Academy of Dance in Centennial, CO, says the best approach is to explain to your studio teacher why being involved with your high school team is important to you. “I love dance team because I get to be involved in school and dance with my classmates. It also gives me opportunities to perform more often—which helps boost my performance in studio competitions,” Sarah says.

Chandler Wolfe (right) at USA Spirit Nationals (photo courtesy Chandler Wolfe)

I have a studio performance and a dance team competition scheduled for the same time. What should I do?

“Determine which commitment will be hurt the most by your absence, and try to attend that one,” says Kasia Kerridge, a senior on HRHS pom team and a dancer at Starstruck Academy of Dance and Metropolitan Academy of Dance in Colorado. “And let your teacher or coach know as soon as you discover a conflict.”

You also should realize that your absence could mean getting pulled from a piece. Melenie Reynolds, owner of Impact Dance in Mesa, AZ, currently teaches six dancers who are also involved with their high school pom teams. She says, “If there’s a major conflict, we let the dancer make the choice. If she chooses to miss, it’s her decision to be temporarily—or permanently—replaced in a piece.”

There may be financial penalties to consider, as well. “Our policy is if someone fills in for you at competition, you pay their competition fees,” Reynolds says.

My teammates are upset with me for missing a performance. Help!

“Explain to them why you were absent, and be sure to always give 110 percent when you’re with the team,” says Chandler Wolfe, a junior on Mountain View High School’s Toro pom line and dancer at Impact Dance. Kasia agrees: “If you have to make up classes to prove to your team you can pull your own weight, do that.”

Lisa Holtz Odell, owner of Starstruck Academy of Dance in Colorado, suggests going out of your way to show your commitment to both teams. “In addition to making up every class you miss, meet with another dancer after missing rehearsal to be sure you’re completely caught up.”

Wolfe (front right) competing with her studio, Impact Dance (photo courtesy Chandler Wolfe)

The two-team schedule is so intense. How do I find time for homework, family and friends?

Kasia writes down a plan for her day and checks things off as she goes. Similarly, Chandler uses the calendar on her phone and sets reminders throughout the day so she doesn’t forget anything.

Sarah works on homework anytime she has a spare moment at the studio. “Starstruck has rooms where we can hang out and study between rehearsals,” she says. “I find the busier I am, the more focused I become.”

And your social life? Chandler says time can always be found, even if only a couple minutes. “The best way to make room for your social life is to never procrastinate on your school work,” she says. And don’t forget that your teammates will become some of your best friends—and a huge part of your social life.

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