The 2011 Cover Model Search Winner: Queen Kaitlynn
It’s no secret that Kaitlynn Edgar is talented. Her hometown teachers saw Kaitlynn’s potential from the start, and competition directors and judges across the country have awarded her top honors at the regional and national levels. Clearly you saw her talent, too, because you came out in droves to cast your vote for Kaitlynn in this year’s Cover Model Search.
This summer, Kaitlynn danced a solo at New York City Dance Alliance Nationals—a performance signaling the end of her reign as National Outstanding Dancer. But Kaitlynn’s dance journey isn’t ending. It’s just beginning.
Since coming to NYC last April for the Cover Model Search competition, Kaitlynn has been on quite a journey. She auditioned for “So You Think You Can Dance” Season 8, making it all the way to the Green Mile round of competition. She attended prom, graduated high school and was accepted to The Juilliard School. She spent two weeks assisting teachers at NYCDA Nationals and she attended a Complexions Contemporary Ballet workshop led by co-artistic director Desmond Richardson. Now, Kaitlynn can add Dance Spirit cover girl to her impressive list of accomplishments.
We caught up with Kaitlynn as she wrapped up her busy, dance-filled summer and got ready to head to college.
Dance Spirit: You’ve grown up with NYCDA. What was it like going to Nationals for the last time?
Kaitlynn Edgar: It was the best two weeks ever. I became so close with the other Outstanding Dancers from the year before, and I got to spend some time with [fellow CMS finalist] Zoey! I performed my solo for the last time and gave up my title. It was sad, but I’m happy that someone else gets to have that experience now. I know I can always go back to NYCDA—I’m not going to lose my spot in that family.
DS: What was the Complexions workshop like?
KE: The workshop was in Detroit, where I’m from, and I was enrolled in the professional level. We worked a lot with Desmond Richardson, which was exciting. He ran most of our classes. It was just crazy being right next to him. At the end of the workshop, we performed actual Complexions pieces. It was my favorite performance I’ve ever done—my adrenaline was really going the whole time.
DS: What made you decide to attend Juilliard?
KE: It would be stupid for me to give up this opportunity. I’ll get top-notch training while I figure out what I want to do with my dance career. I’m so excited to be living in NYC.
DS: What can you tell us about auditioning for “So You Think You Can Dance”?
KE: Being there is more fun than watching the show on TV! There’s a lot of waiting and a lot of anticipation, though. I didn’t get much feedback whenever I performed and I didn’t know if that was good or bad. When I did get to talk to the judges they told me I was one of the best dancers who auditioned that season—but I got cut the day of the Green Mile. The experience taught me not to give up. Maybe I just wasn’t a good fit for that season. I’m going to go back and audition again next year for sure.
DS: You got a lot of votes in the CMS competition. How’d you get the word out?
KE: My sisters and my studio were really supportive. My teacher promoted the competition by putting a piece of paper in our recital programs telling people to go online and vote, and my sisters created a Facebook event to get people to the website.
DS: Did you get any especially nice words of support?
KE: I can’t thank people enough. One person commented on my page and said, “It’s great to see someone so talented who can also give back and say thank you.” That made me so happy.
DS: How has your dancing changed since coming to NYC in April?
KE: Now that I know my path is leading me through Juilliard, my mindset has changed. I’m more focused on the Juilliard style of dancing, which is so complex. Juilliard dancers have fewer boundaries and work on a deeper level.
DS: What was your favorite part of the CMS experience?
KE: I loved getting closer with Maddie and Zoey. We’ll all be in college in NYC at the same time!
DS: What’s your advice to future CMS hopefuls?
KE: Work hard. Don’t be shy. Be very giving and accept help from others. Let yourself be inspired by the people around you. Stay open and dance with other people. And just go for it!
Why You Voted For Kaitlynn:
“There is a definite spark in Kaitlynn. The second she begins moving you can’t tear your eyes away from her.” —DS reader
“Kaitlynn embodies everything a dancer should be. Watching her dance is like watching a story unfold onstage. You don’t just see it with your eyes—you feel it with your heart.” —DS reader
“She has it all: beauty, artistry, passion, focus, work ethic, talent, technique and a desire to help others.” —DS reader
A Letter From Kaitlynn
I can't even put into words how honored and excited I am to be chosen as the Dance Spirit Cover Model Search winner! Thanks so much to everyone who took the time to vote—it means the world to me. Also, I would like to thank Maddie and Zoey for making the event such a beautiful experience and for being such an inspiration. This opportunity has allowed me to spread the passion I put into my dancing and share my love for the art with an audience that I never would have been able to reach otherwise. I hope this achievement inspires other dancers to follow their dreams even if they may seem impossible. Again, thank you so much and good luck to all of the future CMS finalists!
Taja Riley's bold, full-out presence and unique ability to mix hard-hitting hip hop with smooth, sensual choreography paved the way for her success in the commercial industry. She's danced with music icons like Chris Brown, Janet Jackson, Ne-Yo, Kanye West, 50 Cent, Pitbull, and Bruno Mars, and has assisted with choreography for Britney Spears' Femme Fatale tour, Demi Lovato's Skyscraper tour, and Beyoncé's Mrs. Carter tour. She also appeared in Beyoncé's groundbreaking visual album Lemonade. Raised in Virginia Beach, VA, Riley grew up training at Denise Wall's Dance Energy. Currently, she's on faculty at New York City Dance Alliance, where you can catch her touring the convention circuit. —Courtney Bowers
P!nk, known for her high-flying, acrobatic awards show sets, has literally raised the bar for pop stars everywhere. For her performance at last night's American Music Awards, P!nk decided to break out some flips and tricks ON THE SIDE OF A BUILDING. WHILE FLAWLESSLY SINGING HER FACE OFF. You know, just casually, like you do when you're a full-on goddess.
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We all suffer from Nutcracker fatigue sometimes. After a zillion performances, it's hard not to. But there's nothing to restore your little-kid sense of Nutcracker wonder like a look at the sheer scale of a world-class Nut.
New York City Ballet's iconic production of George Balanchine's The Nutcracker opens on Friday, and for the past week, the company has been Tweeting out some seriously eye-popping #NutcrackerNumbers. The stats cover everything from the number of jingle bells used on each Candy Cane costume (that'd be 144) to the watts of light used in the show's grand finale (ONE. MILLION. WATTS.).
Oh hey there, Hallmark Channel! The producer of all those sweet, homey movies best watched in your PJs with your mom has a super dance-y film on its holiday lineup this season: A Nutcracker Christmas. And the casting is—to use a very Hallmark-y pun—perfectly on pointe.
A Nutcracker Christmas tells the story of a talented professional dancer, Lilly, whose supportive sister dies just as Lilly is about to perform the role of Clara in The Nutcracker with New York City Ballet. (Nit-picky fact-checking: In New York City Ballet's Nutcracker, she's known as Marie and danced by a child, but OK.) Lilly's boyfriend and dance partner, Mark, keeps her from performing in the show, which makes Lilly declare she'll never dance again. Fast-forward a couple of decades, and Lilly's niece, Sadie, is about to dance Clara in a different company's Nutcracker—a company run by, of all people, Mark. And tons of drama ensues.
Yes, it's a whole lot of plot to wrap your head around. But the real story here is that Sadie is played by none other than the phenomenal Sophia Lucia, and the ever-dashing Sascha Radetsky is also involved in the project. (Radetsky's exact role is unclear from the press material, but he seems like a pretty natural fit for Mark, no?) The odds seem good that we'll get the gift of some very high-quality dancing. Merry Christmas to us!
Sophia Lucia showing off those banana feet (via @sophialucia5678)
You can catch A Nutcracker Christmas on December 10 at 8 pm. Get your slippers and hot cocoa ready.
Consistent turns are a must for aspiring professional dancers, but pretty much everyone struggles with pirouettes at some point. Luckily, since we're all beholden to the same rules of physics, there are concrete steps every dancer can take to reach his or her top turning potential. “Three is the new two when it comes to pirouettes, but the secret to turning is technique, not magic," says Bojan Spassoff, president and director of The Rock School for Dance Education in Philadelphia.
Falling out of your doubles? Aspiring to go revolution for revolution with your class's star turner? No matter where you lie on the turning spectrum, our 360-degree guide to pirouettes will help you improve.
One of the most beautiful things social media has brought us is the ability to feel like we're up close and personal behind-the-scenes with all our favorite dancers. And one of our favorite stars to Insta-stalk are actually two casts of 36 scintillatingly synchronized precision dancers. I'm talking, of course, about my mild obsession with the legendary Radio City Rockettes.
Have we mentioned lately how much we love dance dads? Especially ones who show up to their daughter's ballet class sporting a tutu, like Thanh Tran.
You've seen it a million times: A glamorous, toned dancer posts a perfectly styled shot of her colorful smoothie bowl. The caption gushes about how great you'll feel if you eat "clean"—but what does that actually mean? DS asked registered dietitian/nutritionist Rachel Fine and holistic health coach (and founder of The Whole Dancer) Jess Spinner for all of the dirt.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org a chance to be featured!
I'm being bullied by one of the girls at my studio, and it's awful. I've talked to my dance teacher and confronted the bully directly, but it hasn't made a difference. What should I do?