Cutting Footloose at the 2014 Dance Awards
Dance Spirit's January cover girl, Sophia Lucia, on the red carpet before the Dance Awards in NYC (photo via @sophialucia5678)
Chock full of utterly amazing dance talent, silly jokes and wild choreography, the 2014 Dance Awards closed out its NYC event last night at the Hammerstein Ballroom. The three-and-a-half-hour celebration really had it all—from spectacular Mini performances to archival footage of a young, tap dancing Gil Stroming to awards for seemingly every category known to dancerkind. The Dance Spirit editors certainly had a blast. Here are my top five highlights of the evening:
1. The Mini and Junior Male Best Dancers. Mini Brady Farrar from Stars Dance Studio stole my heart with his solo "You." And later in the evening, Junior winner Findlay McConnell from Elite Danceworx (the big winner of the night!) brought the house down with his performance of "Dance with Me." Seriously, you need to watch these guys, stat.
And here's Findlay (the picture is a little blurry, but just know his facial expressions are perfect):
2. DanceMakers of Atlanta's "Take Me Out." This routine was fierce at New York City Dance Alliance Nationals a week ago, and it was even fiercer onstage last night. These teens aren't only amazing performers, but each dancer also brings something of herself to the choreography—all while maintaining perfect synchronicity with her peers. Moreover, these girls are versatile, going from style to style with ease. Case in point? Senior Brianne Sellars won the title of Best Dancer for her contemporary solo "Movement"—a total departure from the hard-hitting moves in "Take Me Out." Here's Brianne in "Movement," which also earned a 1st runner up title for Senior Female Outstanding dancer at NYCDA Nationals:
3. Dance Town's "Ballroom Girls." These Minis can sure move those hips! I can hear Mary Murphy screaming in the distance as she hands out Hot Tamale Train tickets. Watch these little firecrackers go:
4. Sophia Lucia's "All This to Say." Dance Spirit's January cover girl—who was crowned Junior Female Best Dancer—did not disappoint last night. With extensions, emotions and moves like these (choreographed by none other than Stacey Tookey), it's pretty easy to see why she's insta-famous. One thing we can all take away from this rising star's stellar performance? Wearing two shoes—or none at all!—can help mask a serious case of one-sidedness, unlike the one-shoe approach in this clip:
5. The Kenny Wormald as
Kevin Bacon Ren McCormick–inspired opening number. Gosh darn it, I just love a good Footloose throwback. And what's better than one Footloose number? Two! Mandy Moore and Nick Lazzarini's crowd-pumping choreography for both the opening and closing routines left the night on such a high note. Take a look at the Footloose footage from the 2014 Dance Awards in Las Vegas. It will surely motivate you to tackle the rest of your day.
Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
When we think of a dancer who's broken barriers, American Ballet Theatre principal Misty Copeland tends to be the name that comes to mind. And though Copeland has been a crucial advocate for equality in the world of ballet, Raven Wilkinson—a mentor of Copeland's—is considered one of the original pioneers of the movement.
In 1955, Wilkinson became the first African American to dance with the renowned Ballet Russe de Monte Carlo. Her fortitude in the face of bigotry and hate cemented her legacy. Now, with the release of the new children's book Trailblazer: The Story of Ballerina Raven Wilkinson, a new generation of dancers will be inspired by her tale of overcoming obstacles to achieve a dream.
The book details Wilkinson's life, from her experience as a young dancer training in Harlem, to her run-ins with the Ku Klux Klan while on tour with Ballet Russe, to her later ballet career in Europe. "There were times where my heart really hurt because of the situations I had to deal with," she says. "But I always had faith that I was made to be a dancer and that I was gonna dance."
Dance Spirit spoke with Wilkinson to discuss the new book and get her take on racial equality within the ballet world.
Postmodern pioneer Trisha Brown redefined how dance is seen and felt. A founding member of Judson Dance Theater, Brown frequently collaborated with other experimental artists like Yvonne Rainer, Merce Cunningham, Twyla Tharp, and Steve Paxton.
She embraced pedestrian movement, pairing everyday gesture with rhythm and fluidity. "It's liquid," says Wendy Perron, who danced with Brown in the '60s and '70s. "Like a river with many tributaries, water coming out of a faucet, or being on a raft and seeing the water move away in different directions." Brown also pushed beyond stages with choreography in fields, museums—even on the sides of buildings.
There's a common misconception that a dancer's body has to be thin. But the truth is that talent knows no body type, and the number on the scale never determines an artist's capabilities. Here are some extraordinary dancers fighting the stereotype of what a dancer "should" look like.
We always love a good halftime performance. And we LIVE for halftime performances involving talented kids. (Fingers and toes crossed that Justin Timberlake follows Missy Elliott's lead and invites some fabulous littles to share his Super Bowl stage.)
So obviously, our hearts completely melted for 5-year-old Tavaris Jones. Tavaris may have just started kindergarten, but during Monday night's game between the Cleveland Cavaliers and Golden State Warriors, the Detroit native danced with the panache of a veteran pro at halftime.