Dance Against Cancer Raised More than $243,000 for the American Cancer Society
"I'm dancing for my mother; performing for a cure." Those were the words that began Dance Against Cancer's 5th annual benefit on Monday night, before New York City Ballet principal Maria Kowroski took center stage. While brief, her performance of George Balanchine's Mozartiana (an excerpt) left barely a dry eye in the theater—including a grieving Kowroski herself.
Alvin Ailey American Dance Theater's rehearsal director Matthew Rushing paid tribute to the late Denise Jefferson (Photo by Cherylynn Tsushima, courtesy Michelle Tabnick Communications)
Kowroski, however, wasn't the only artist onstage whose family had been affected by cancer. Almost all the dancers—more than 50 in total—named a loved one who'd left the world too soon, and to whom they'd dedicate their performance. Dance Against Cancer producers Daniel Ulbricht and Erin Fogarty also have personal ties to the cause. Fogarty's father passed away in 2011 from colon cancer; Ulbricht's mother is living with uterine cancer. And while all the dancers who performed were some of the most incredible in the world, their performances were further heightened by the intention and dedication behind them.
Erin Fogarty and Daniel Ulbricht at Dance Against Cancer (Photo by Kyra Neeley, courtesy Michelle Tabnick Communications)
Not all of the evening was solemn in tone—many of the performances, like NYCB principal Robert Fairchild's rendition of Gene Kelly's Ballin' in the Jack, were a celebration of life and its joys. Futhermore, the benefit was a phenomenal success: Over the last five years, Dance Against Cancer has raised more than $550,000 for the American Cancer Society, and this year alone raised more than $243,000. The money aids in funding Hope Lodges across the country, which provide housing for families receiving outpatient treatment away from home.
Take a look at some more photographs from the event below, and visit Dance Against Cancer's 2015 event page to learn more or make a donation.
NYCB principal Robert Fairchild in Gene Kelly's Ballin in the Jack (Photo by Cherylynn Tsushima, courtesy Michelle Tabnick Communications)
American Ballet Theatre soloist Stella Abrera with former ABT soloist Sascha Radetsky in Antony Tudor's Leaves Are Fading (Photo by Cherylynn Tsushima, courtesy Michelle Tabnick Communications)
NYCB principals Tyler Angle and Tiler Peck in Christopher Wheeldon's This Bitter Earth (Photo by Cherylynn Tsushima, courtesy Michelle Tabnick Communications)
ABT corps member Skylar Brandt with Boston Ballet principal Jeffrey Cirio in Vasily Vainonen's Flames of Paris (Photo by Cherylynn Tsushima, courtesy Michelle Tabnick Communications)
ABT principal Herman Cornejo with Carrie Walsh in Cornejo's Two Sunsets (Photo by Cherylynn Tsushima, courtesy Michelle Tabnick Communications)
Pennsylvania Ballet principal Lauren Fadeley and soloist James Ihde in Wheeldon's Polyphonia (Photo by Cherylynn Tsushima, courtesy Michelle Tabnick Communications)
Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.
The dancers who take our breath away are the risk-takers, the ones who appear completely fearless onstage. "When you see somebody trying to travel more, go farther, push the limits of their physical abilities, that's always going to be inspiring," says Ballet BC dancer Alexis Fletcher.
But dance training can feel like it's in conflict with that idea. We spend thousands of hours in the studio trying to do steps perfectly, and that pursuit of perfection can make us anxious about taking risks. What if we fail? What if we fall?
Luckily, fearlessness is a mental skill that you can work on, just as you work on your technique. Here's how you can learn to push yourself past your limits.
If you're in need of a piece that's both trendy and sophisticated, look no further than this Só Dança crop top. Featuring elegant long sleeves, a high neckline, and a delicate lace trim, it's both classic and contemporary—perfect for everything from that big audition to a long night in the studio. Enter below for your chance to win it!
Auditioning for summer intensives in person may be the ideal—but for Anna McDowell, a 16-year-old student at Juneau Dance Theatre in Juneau, AK, it's rarely possible. “Living in Alaska, it's difficult to travel to auditions," she says. “It gets way too expensive!" Instead, each year, with help from her teachers and a videographer, she puts together a well-crafted video and submits it to schools around the country. Last year, her high-quality video helped her earn acceptance to nearly every program she applied for. Most summer intensive programs, eager to attract students from far and wide, will accept video auditions from those who can't travel to take class. But major schools look at hundreds of submissions each year, which means video auditioners have just a few minutes—or even seconds—to make a great impression. If you're about to create an audition video, follow these tips from the professionals to put your best digital foot forward.
There are zillions of things to think about when choosing a summer program, but here's one you might not have considered: using an intensive as an opportunity to focus on a new style. Maybe you're a tap dancer who's ready to see where else your rhythm and quick feet can serve you, or a contemporary dancer curious about the more traditional roots of your genre. A summer program can be the perfect place to broaden your horizons, giving you the opportunity to make technical and artistic changes that stick throughout the year.
Happy birthday, George Balanchine! The great choreographer and founder of New York City Ballet would have been 114 years old today. Balanchine revolutionized ballet, especially American ballet—and he also had quite a way with words. To celebrate Mr. B's birthday, we rounded up some of our favorite iconic Balanchine quotes.
There's a common misconception that a dancer's body has to be thin. But the truth is that talent knows no body type, and the number on the scale never determines an artist's capabilities. Here are some extraordinary dancers fighting the stereotype of what a dancer "should" look like.