"Dance Moms: I Know What You Did Last Competition" Recap
What happened this week on "Dance Moms?" Well, Paige and Brooke’s mom Kelli was really angry the whole time, and then Melissa (Maddie and Mackenzie’s mom) tried very hard to suck up to Abby Lee. But as usual, I will skip over all of the silly things that the moms did, and get to what is really awesome about this show: the kids and the dancing. Here are my top five moments.
5. Maddie’s Helen Keller solo. I have to admit, when Abby first described it, I was skeptical. I tend to cringe when little kids do serious solos about things they just don’t understand. But when Maddie got out there and acted her little butt off, I was pleasantly surprised. Sometimes this little winner reminds me why she’s always on top of the pyramid. This was one of those times. I thought she deserved higher than a fourth place title.
4. Nia, the constant underdog, showed us how awesome she can be last week in her duet, so Abby rewarded her with a more mature role that, honestly, may have been a little beyond her technical level. But she embraced it! Though she only placed ninth (a failure in the world of Abby Lee Miller), she really showed that she’s working her way to being one heck of a dancer.
3. Maddie and Chloe’s duet was just really good. Abby even referred to this routine as her secret weapon against the two schools that came to the competition specifically to beat them. Well played, Abby. I dare anyone to find two other kids that can fouetté in unison like that. Phenomenal.
2. Mackenzie’s solo. Yes, it’s true that this girl can do no wrong in my eyes, but I was so proud of her for nailing that solo! Especially after all the pressure Abby put on her—she even threatened to throw little Mac back on stage if she ran off before her dance was over. But apparently having Abby manning the wings only makes her stronger. She remembered every shoulder shimmy and back walkover in that routine. A well deserved first place—plus, her first crown ever! (I might have just cried a little.)
1. What do you mean one kid can’t be on my list twice in a row? Mackenzie has officially nailed the first place spot (for the second week in a row, I might add) by saying this little gem: “I wish Justin Bieber was one of the judges. He’s cute.”
Will Mackenzie ever not make the number one moment on my countdown? My bet’s on no, but check back next week to find out!
It's time to get your pirouette on! From September 5th to September 30th, we're hosting a contest to find out who's the best turner of them all.
Put together your most impressive turning combo. Post a video online. Share your turns with us and thousands of other dancers around the world. And if our editors think you're the top turner, you'll win a fabulous prize.
All of 18-year-old Kaylin Maggard's dreams—from scoring the title of National Senior Outstanding Dancer at New York City Dance Alliance Nationals to winning the 2017 Dance Spirit Cover Model Search—are coming true. And to anyone who knows the gorgeous contemporary dancer, that's no surprise.
From the moment the Dance Spirit staff met Kaylin, it was obvious her humility and talent would take her far. Not only did she go full-out during the photo shoot and class at Broadway Dance Center, but she was always cheering on, laughing with, and supporting her fellow CMS contestants Haley Hartsfield and Michelle Quiner. During the voting period, the social media world was abuzz with praise for her work ethic, positive attitude, and generosity.
Since her CMS trip to NYC, Kaylin's moved from her hometown of Columbia, MO, to the Big Apple for her freshman year at Juilliard, and is busy getting acquainted with the city. As for the future? She's taking it one opportunity at a time, but something tells us we'll be seeing this contemporary queen reach new heights every year.
New York City principal Lauren Lovette has become an icon thanks to her emotional maturity and exceptional musicality. The 26-year-old quickly rose through the ranks after joining the company as an apprentice in 2009, reaching principal status in 2015. A Thousand Oaks, CA, native, Lovette started studying ballet seriously at age 11, at the Cary Ballet Conservatory in Cary, NC. After attending two summer courses at the School of American Ballet, she enrolled as a full-time student in 2006. Last year, she made her choreographic debut with For Clara, her first piece for NYCB. Catch her latest work this month during the company's fall season. —Courtney Bowers
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com for a chance to be featured!
I know I'm not getting good enough dance training from any of my local studios. But I'm not sure I'm ready to move away to study at a big-name school, either. How do you know when you're ready to leave home to pursue your passion?
Instagram star Kylie Shea has built a following of nearly 170,000 with her playful workout videos, which combine traditional fitness activities, like jumping rope or running on the treadmill, with pointe shoes and sassy choreography. Shea's effortless cool-girl-next-door vibe and solid ballet technique make her vids totally irresistible.
Now Shea's using her platform to address the body image issues that tend to plague dancers. In a poignant video, she sheds her clothes and tugs at her skin. The caption explains her relationship with her body and the pressure she feels to maintain a certain aesthetic as a dancer.
Physical discomfort is inevitable when you're spending tons of hours in the studio every day, but some pain shouldn't be suffered through. "Dancing through pain can make an injury worse and lead to more time away from dance," says Dr. Joel Brenner, medical director of dance medicine at Children's Hospital of The King's Daughters in Norfolk, VA. "Failing to rest and recover when you're in serious pain could even lead to the point where you're unable to dance in the future."
That may sound scary, but there's good news: If you take precautions and listen to your body, many injuries can be stopped in their tracks. The first step? Knowing what's normal—and what's not.
Think about it: How often do you see a ballet pas de deux for two women? Almost never, right? Sometimes, choreographers will forgo the traditional danseur-ballerina pas to make a duet for two guys, since they can lift and partner each other easily. But a dance for two ballerinas is a rare thing.
That's part of what makes "Duet," a new video by director Andrew Margetson featuring Royal Ballet beauties Yasmin Naghdi and Beatriz Stix-Brunell, so compelling.