"Dance Moms: No Room for Rotten Apples" Recap
Poor Nick always gets the worst costumes...
My thoughts on this week’s episode are best summed up by a tweet from the one-and-only Abby Lee Miller: “Snore snore bring on #ALDC!” With another hour filled with Candy Apples and "Abby's Ultimate Dance Competition" drama, we didn’t even catch a glimpse inside the walls of the Abby Lee Dance Company. Here are my top three AWESOME and AWKWARD moments from this week.
AWKWARD: Instead of seeing Abby’s infamous pyramid, we’re introduced to Cathy’s “apple tree.” Different from her previous ranking system, each dancer’s face was represented by an apple on the tree—the higher the branch, the higher the ranking. Curiously enough, Nick was the tree-topper because of his noted stellar performance the week prior. Thanks to my Twitter research, I learned that Nick had a solo that we didn’t get to see—and that solo received the highest score of the whole competition!
AWESOME: Anthony standing his ground. From the start, I’ve thought Anthony and Cathy were a bit of an odd duo, in terms of both dance background and personality. In recent weeks, we’ve seen the two clash, but this time, Anthony wasn’t playing any games. He proudly rattled off his accomplishments—working with Beyoncé, Rihanna and more—and topped it of by calling Cathy’s comebacks corny. She responded to the situation by carefully weighing her options; after shelling out for a choreographer as coveted as Anthony, she wondered if she could have better spent the money on some new designer handbags. “Great choreographer, or new Louis?”
AWKWARD: Bunny cataloguing. I didn’t even know that was a thing, but apparently, it’s one of Cathy’s two favorite pastimes (the second being spending time with Vivi). Lucky for her, she was able to combine her two passions when she and Vivi took inventory of each statue and figurine of a bunny in their home as “one hoppy family.” Then, Cathy brought a real live bunny to the competition for luck. Whatever works!
AWESOME: Hadley and Nick’s duet. Although the clip of Abby calling Hadley road kill has somehow made its way into every recent episode of “Dance Moms,” Hadley certainly has improved since her "AUDC" days. The two did a contemporary tribal-themed duet, which was impressively technical and entertaining. With a difficult headpiece that caused a pre-performance mini-meltdown, Hadley wiped her tears and measured up to front-runner Nick. First place!
AWKWARD: This week’s Candy Apples group dance seemed eerily familiar to me—a sassy character jazz routine set to music by a theatrical cross-dresser, elaborately costumed and ending with a death drop. No, this isn’t ALDC's "My Pumps" (which, might I add, is my favorite group dance in the show’s history), but rather, “So Chic.” Similar in style from the start, I noticed parallels between the two numbers from the second it began…but was floored (no pun intended) by the ending pose. I can’t help but wonder how Shangela feels about all of this.
Check out this video of "My Pumps" and compare for yourself:
See what I mean?
AWESOME: Maddie’s solo. Although we barely got to see any ALDC this week, this glimmer of familiarity was much appreciated. A guest performance on a taping of "AUDC," Maddie’s routine was flawless as always. Faced with the challenges of dancing with a live musician and adjusting to camera angles, Maddie rose to the occasion and nailed every step. From the looks of it, the "AUDC" judges agreed! And who is that sitting at the judge’s table next to Season 1’s Richy Jackson? None other than Rachelle Rak, the Broadway superstar who guest choreographed for Abby earlier this season. Lucky for us, we’ll get to see more of her (and an encore of Maddie’s performance) within the next few months! (P.S. Is anyone else as curious as I am to see who the "AUDC" contestants will be this year?!?)
QUOTE OF THE WEEK:
“I’m not gonna have no girls lookin' like He-Man.” –Anthony, defending his belief that girls shouldn’t have to do push ups
The coolest place she's ever performed:
I'd have to say the Super Bowl. The field was so cool, and Katy Perry was right there. And there were so many eyes—definitely the most eyes I've ever performed for!
Something she's constantly working on:
My feet. I'm flat-footed, so I'm always hearing, 'Point your toes!' And I'm like, 'I am!'
My hair! That, and a pair of leggings with a T-shirt or tank top.
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
For an aspiring ballerina, there's no more exciting place to be than the ABT Studio Company, the pre-professional arm of American Ballet Theatre. The NYC-based troupe of 16- to 20-year-old dancers trains hard and performs harder, putting on multiple shows over the course of each season. We followed ensemble member Léa Fleytoux, a gifted 18-year-old from Paris, France, on a performance day to get an inside look at what it's like to live the Studio Company life.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org for a chance to be featured!
For a long time, I was the strongest dancer at my studio. But this year there's a new girl in my class who's very talented, and my teacher's attention has definitely shifted to her. I'm trying not to feel jealous or discouraged, but it seems like my whole dance world has changed. Help!
In the dance world, Mandy Moore has long been a go-to name, but in 2017, the success of her choreography for La La Land made the rest of the world stop and take notice. After whirlwind seasons as choreographer and producer on both "Dancing with the Stars" and "So You Think You Can Dance," she capped off the year with two Emmy Award nominations—and her first win. Dance Magazine caught up with her to find out how she's balancing all of her dance projects.
Marzia Memoli may be the Martha Graham Dance Company's newest dancer, but her classical lines and easy grace are already turning heads. Originally from Palermo, Italy, Memoli started studying at age 16 at the Academy of Teatro Carcano in Milan. Later, she attended the Rudra Béjart School in Lausanne, Switzerland, before heading to NYC in 2016 to join MGDC. This month, she'll perform The Rite of Spring in the Martha Graham Studio Series in NYC, and tour with the company in Florida. Read on for the dirt.
The union of dance royalty isn't something we take lightly—especially when it's between legendary hip hopper WilldaBeast Adams and dance phenom Janelle Ginestra. (#RelationshipGoals much?) So when we heard we were invited to their Big Day we sort of lost it. (I mean, what does one wear to the wedding of two dance icons? Better yet, what kind of dance moves does one practice for the reception?) Ok, so we might be getting a little ahead of ourselves, because we'll all be able to watch the wedding from the comfort of our own wifi. In true immaBEAST fashion the dance moguls decided to share their special day with devoted fans by streaming it online.