"Dance Moms: The Politics of Dancing" Recap
You had muscles like that at seven years old, right?
It's week two of Asia with the ALDC, and the drama surrounding this little firecracker has just begun. Here are my three most AWKWARD and AWESOME moments from last night's episode:
AWKWARD: Asia vs. Mackenzie. New girl Asia gets on top of the pyramid in her first week. Uh oh, looks like she’s just earned a big fat target on her back. But no, the moms are still ganging up on Mackenzie, claiming that she’s faking her injury. She loves to dance, people. She would not fake this injury! Plus, now she really wants to kick little Asia’s butt. I’m going to assume that, healed or not, Mac will be back next week. Team Mackenzie!
AWESOME: Asia’s solo. This is just so much better than her puppy dance from last week. She’s playing Rosie the Riveter, a tough cookie just like she is. Holy muscles, Batman! This girl is fierce. Everything about the choreography is super cute—and her costume is appropriate! Can I be Team Mackenzie and Team Asia?
AWKWARD: Flaggate (a.k.a. the group number). Asia isn’t doing most of the choreography, but she does get to run across the stage with an American flag. Essentially, Abby’s tacking a young kid on at the end to bring the overall age of the routine down. Isn’t this the same kind of thing we used to make fun of Vivi for in Cathy’s choreography? But the real drama comes when apparently the flag is held up the wrong way onstage. Someone must be blamed! Was it Paige’s fault or Asia’s fault??? We never find out, but I’m going to go with: Who cares? They looked great.
So pretty. And so not deserving of what Abby put her through this week.
AWESOME: Maddie’s solo and Chloe’s solo. My goodness, I love these two. This rivalry isn’t anything new. We spent most of Season 1 wondering if Chloe would ever be triumphant over Maddie (spoiler alert: she was!). After months of no head to head competition, they’re both onstage this week. Yippee! Chloe is elegant and clean and gets second place; Maddie is emotional and striking and gets first. Just goes to show, a little healthy competition goes a long way…
AWKWARD: I spoke too soon. Abby takes this Maddie vs. Chloe thing way too far. She kicks things up a notch by asking everyone (moms and kids) to vote for either Maddie or Chloe after watching them perform. Sigh. This does not seem like a productive activity. Maddie wins the vote by a landslide, leaving Chloe feeling terrible. Best moment: Mom Kelly votes for Paige. Hahaha. In your face, Abby.
AWESOME: Holly’s defense of getting an education. Mom Melissa has decided that Maddie and Mackenzie should be home schooled, and the other moms are not pleased. Yes, sometimes home schooling is the best option, but this is clearly not one of those times, especially with little Mackenzie, who’s too young to have decided whether she even wants a career in dance. Plus, she’d miss her friends! Holly does a remarkable job of explaining the seriousness of pulling kids out of school: “School’s not just about busy work. It’s about: Can you think? Can you be a citizen of the world and think for yourselves?” Yes, Holly! In the end, smart dancers are successful dancers.
And now (drum roll please) the QUOTE OF THE WEEK:
“Asia might be a big deal on the Internet, but so is a dog who can bark his ABCs.” —Mom Christi
A dog who can bark his ABCs!? Where is this dog? Will someone send me a link, please?
Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
When we think of a dancer who's broken barriers, American Ballet Theatre principal Misty Copeland tends to be the name that comes to mind. And though Copeland has been a crucial advocate for equality in the world of ballet, Raven Wilkinson—a mentor of Copeland's—is considered one of the original pioneers of the movement.
In 1955, Wilkinson became the first African American to dance with the renowned Ballet Russe de Monte Carlo. Her fortitude in the face of bigotry and hate cemented her legacy. Now, with the release of the new children's book Trailblazer: The Story of Ballerina Raven Wilkinson, a new generation of dancers will be inspired by her tale of overcoming obstacles to achieve a dream.
The book details Wilkinson's life, from her experience as a young dancer training in Harlem, to her run-ins with the Ku Klux Klan while on tour with Ballet Russe, to her later ballet career in Europe. "There were times where my heart really hurt because of the situations I had to deal with," she says. "But I always had faith that I was made to be a dancer and that I was gonna dance."
Dance Spirit spoke with Wilkinson to discuss the new book and get her take on racial equality within the ballet world.
Postmodern pioneer Trisha Brown redefined how dance is seen and felt. A founding member of Judson Dance Theater, Brown frequently collaborated with other experimental artists like Yvonne Rainer, Merce Cunningham, Twyla Tharp, and Steve Paxton.
She embraced pedestrian movement, pairing everyday gesture with rhythm and fluidity. "It's liquid," says Wendy Perron, who danced with Brown in the '60s and '70s. "Like a river with many tributaries, water coming out of a faucet, or being on a raft and seeing the water move away in different directions." Brown also pushed beyond stages with choreography in fields, museums—even on the sides of buildings.
There's a common misconception that a dancer's body has to be thin. But the truth is that talent knows no body type, and the number on the scale never determines an artist's capabilities. Here are some extraordinary dancers fighting the stereotype of what a dancer "should" look like.
We always love a good halftime performance. And we LIVE for halftime performances involving talented kids. (Fingers and toes crossed that Justin Timberlake follows Missy Elliott's lead and invites some fabulous littles to share his Super Bowl stage.)
So obviously, our hearts completely melted for 5-year-old Tavaris Jones. Tavaris may have just started kindergarten, but during Monday night's game between the Cleveland Cavaliers and Golden State Warriors, the Detroit native danced with the panache of a veteran pro at halftime.