Dance Spirit's Very Official Broadway Show Guide
Virgil "Lil' O" Gadson (center) and Karine Plantadit (right) in After Midnight (photo by Matthew Murphy)
After Midnight: This show is all dance, all the time. There’s no complicated plot—just a ton of tap and a lot of jazz honoring the 1920s Cotton Club scene in Harlem. Hot tip: Get a seat in the balcony to really appreciate all the formations.
Aladdin: You already know the story of Disney’s Aladdin and Princess Jasmine, but we promise it’s even better on Broadway. The sets are lavish, the costumes are exquisite and there’s high-energy dancing from start to finish. (Turn to p. 59 to go behind the curtains at this instant hit.)
The Book of Mormon: Not for the easily offended, this show nevertheless tells a heartwarming tale about two missionaries serving in Uganda. It won Best Musical at the Tony Awards in 2011, thanks in part to flashy tap dancing and Casey Nicholaw’s campy choreography.
(L to R) Beth Johnson Nicely, Paige Faure and Brittany Marcin in Bullets Over Broadway (photo by Paul Kolnik)
Bullets Over Broadway: Woody Allen’s crime-comedy film about a playwright, a mobster and a showgirl during the Roaring Twenties comes to the stage with choreography by Susan Stroman. Expect lots of laughs, high kicks and jaw-dropping sets.
Cabaret: Alan Cumming (as the Emcee) and Michelle Williams (as Sally Bowles) star in this revival that follows the oh-so-scandalous happenings at Berlin’s beloved Kit Kat Klub in pre-World War II Germany.
Rogers + Hammerstein's Cinderella: You know the tale: A beautiful young girl is mistreated by her evil stepmother and stepsisters before sneaking off to the ball and dancing the night away in a pair of glass slippers. But here’s an interesting fact: While the show is a longtime classic, it didn’t make its Broadway debut until 2013.
A Gentleman's Guide to Love and Murder: With 10 Tony Award nominations this year (including Best Musical), this English comedy has become a smash hit. But dancers beware: There’s only one big dance number, choreographed by musical theater vet (but Broadway newcomer) Peggy Hickey.
If/Then: Broadway darling Idina Menzel leads the cast as 40-year-old Elizabeth, a divorcée who moves to NYC from Arizona in pursuit of a fresh start. What she really gets, though, is an adventure in leading parallel lives. The show features choreography by Larry Keigwin.
Gaten Matarazzo as Gavroche (photo by Michael Le Poer Trench)
Les Misérables: If you saw it in movie theaters, you know what to expect from the Broadway revival: an epic, passion-packed story about the French Revolution, brought to life by powerful songs such as “On My Own,” “I Dreamed a Dream” and “One Day More.”
Mamma Mia!: Just because Rocky is at the Winter Garden Theatre doesn’t mean ABBA’s greatest hits in musical form have left Broadway—they’ve just moved around the corner. Come with your family and get your dancing queen on!
Matilda: The Musical: “Even if you’re little, you can do a lot,” the show’s title character sings—and she’s right! The Roald Dahl novel comes to life as Matilda and her mischievous fellow schoolchildren learn how to outsmart their parents—and wicked headmistress Miss Trunchbull.
Mowtown: The Musical: Your parents will love this show, which uses basically all the music from “their generation” to tell the story of Berry Gordy, the man behind the careers of Diana Ross, Stevie Wonder and Michael Jackson. Try not to be embarrassed when they start karaoke-ing from their seats!
Newsies (photo courtesy Disney)
Newsies: The Newsies boys landed themselves a DS cover back in 2012 and have been earning nightly standing ovations ever since. The show features megawatt dancing from start to finish—try to resist the “seize the day” urge to join the boys onstage.
Once: A street musician in Dublin is ready to give up on his dream—but then a beautiful woman takes an interest in his love songs. All the actors in the show are also musicians who play their own instruments onstage.
The Phantom of the Opera: You get all the Broadway staples in this show: a damsel in distress who can really belt a tune, a mysterious admirer, a timeless love story and one especially big dance number (“Masquerade,” which opens the second act). Unsurprisingly, it’s the longest-running show on Broadway.
Pippin (photo by Joan Marcus)
Pippin: In this circusy remake of the 1972 Bob Fosse classic, prince Pippin takes off on a soul-searching journey—and he encounters some memorable characters along the way. High-flying action spices up Chet Walker’s reimagined Fosse choreography, which earned a Tony nomination in 2013.
Rock of Ages: If you love singing along to Journey’s “Don’t Stop Believin’,” you’ll probably love this show. It’s the story of how that small-town girl meets her city boy, and they rock out all along the way.
Rocky: Boxing takes Broadway! The dancing men in gloves are a major highlight of this Steven Hoggett– and Kelly Devine–choreographed show about Rocky Balboa, a down-and-out boxer in Philadelphia. The underdog story will tug at your heartstrings, but once “Eye of the Tiger” starts blasting, you’ll be ready to jump in the ring.
Violet: Sutton Foster (remember her from “Bunheads”?) takes the lead as the show’s title character, a young woman with a disfigured face. Violet believes a televangelist in Oklahoma can heal her, so she hops on a bus and finds true beauty along the way.
Wicked: Get comfortable on the edge of your seat, because that’s where you’ll be perched for most of this popular Broadway production. It’s a prequel to The Wizard of Oz that tells the unusual story of how Elphaba (the Wicked Witch) and Glinda (the Good Witch) became frenemies. Watch out for the flying monkeys!
Well, this brings class videos to a whole new level! Choreographer Phil Wright and dancer Ashley Liai have been together eight-plus years, but she was still in total shock when he proposed to her mid-dance at Millennium Dance Complex earlier this week. Why? Well, the whole thing was unbelievably perfect.
In the dance industry, dancers don't always have a say in what they wear on their bodies. This can get tricky if you're asked to wear something that compromises your own personal values. So what should you do if you find yourself in this sticky situation? We sat down for a Q&A with "Dancing with the Stars" alumn Ashly Costa to answer that very question. Here's what she had to say about the options dancers have surrounding questionable costumes.
The groundwork for Erin Carpenter's company, Nude Barre, began when she was a teenager. At 16, she earned a spot in the residency program at The Kennedy Center in partnership with Dance Theatre of Harlem. "We were required to wear nude—as in, our actual skin tone—tights and shoes," she remembers. Carpenter brought her "sun tan" tights and a pair of pink ballet shoes with her, because that was all she could find. But she wasn't allowed in class because her dancewear didn't match her skin. "I was so embarrassed," she says. "I looked unprepared. I just didn't have the right nudes." Her teacher explained that the dancers dyed their tights and pancaked their shoes.
There are dancers and then there are DANCERS! Whitney Jensen, soloist at Norwegian National Ballet, is the latter. The former Boston Ballet principal can do it all. From contemporary to the classics this prima has the technical talent most bunheads dream about. Need proof? Look no further.
Luis Fonsi and Daddy Yankee's dance inducing hit, "Despacito," is so catchy it should probably come with a disclaimer that warns people of an uncontrollable itch to tap your feet or bob your head. Some might even feel inclined to go all out and break it down. Niana Guerrero is a prime example of "Despacito's" uncanny ability to unleash the red dressed emoji dancer within. 💃🏽 💃🏽