We Can't Get Enough of "The Ballet Cook Book"
Anyone who follows enough dancers on Instagram knows that we love to cook (and, like all good Insta users, to post pretty pictures of the delicious things we make). But dancer-chefs were a thing long before the internets. And there's no better evidence of that than Balanchine ballerina Tanaquil Le Clercq's delightful Ballet Cook Book, which turns 50 years old this year.
Le Clercq was a gorgeous, leggy dancer (and Balanchine's fourth wife), whose career ended tragically when she contracted polio at age 27 and was paralyzed from the waist down. But polio couldn't silence her creative voice. In 1967, she published The Ballet Cook Book, a huge collection of recipes from ballet luminaries, interspersed with Le Clercq's witty commentary. There's Balanchine's sweet kasha and choreographer Frederick Ashton's bread pudding and dancer Jacques d'Amboise's "blender Bearnaise." It's seriously fabulous.
Le Clercq and d'Amboise at a signing for "The Ballet Cook Book" (Martha Swope for Dance Magazine)
Last weekend, Works & Process at the Guggenheim Museum put on a program celebrating The Ballet Cook Book's 50th birthday, with a panel that included d'Amboise, fellow New York City Ballet legend Allegra Kent, current NYCB foodies Adrian Danchig-Waring and Jared Angle, and food scholar Meryl Rosofsky. In between the dancers' fantastic food stories—like the time Allegra tried to bring 40 pounds of California ice cream home in her suitcase—we saw excerpts from ballets touched on in The Ballet Cook Book, including a reconstruction of "Gluttony" from Balanchine's The Seven Deadly Sins. There was also footage of Le Clercq, dancing Mr. B's Western Symphony and Jerome Robbins' Afternoon of a Faun. It was a beautiful celebration of food, dance, and Le Clercq herself.
Unfortunately, since The Ballet Cook Book has been out of print for a while, copies are hard to come by (unless you have $1,100 lying around). But some of the book is excerpted in Robert Gottlieb's Reading Dance, including this gem from Mr. B about "a true cook's"—or dancer's—"qualifications":
"No matter what he does, he must not rush, yet he must not be late, and the finished product must be exquisite. You need patience, and finally you have to appease your public's appetite. Besides this...the whole must be pretty and there must be a lot of it."
By the way: If you're obsessed with dancer-chefs, get excited for our February issue!
Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
When we think of a dancer who's broken barriers, American Ballet Theatre principal Misty Copeland tends to be the name that comes to mind. And though Copeland has been a crucial advocate for equality in the world of ballet, Raven Wilkinson—a mentor of Copeland's—is considered one of the original pioneers of the movement.
In 1955, Wilkinson became the first African American to dance with the renowned Ballet Russe de Monte Carlo. Her fortitude in the face of bigotry and hate cemented her legacy. Now, with the release of the new children's book Trailblazer: The Story of Ballerina Raven Wilkinson, a new generation of dancers will be inspired by her tale of overcoming obstacles to achieve a dream.
The book details Wilkinson's life, from her experience as a young dancer training in Harlem, to her run-ins with the Ku Klux Klan while on tour with Ballet Russe, to her later ballet career in Europe. "There were times where my heart really hurt because of the situations I had to deal with," she says. "But I always had faith that I was made to be a dancer and that I was gonna dance."
Dance Spirit spoke with Wilkinson to discuss the new book and get her take on racial equality within the ballet world.
Postmodern pioneer Trisha Brown redefined how dance is seen and felt. A founding member of Judson Dance Theater, Brown frequently collaborated with other experimental artists like Yvonne Rainer, Merce Cunningham, Twyla Tharp, and Steve Paxton.
She embraced pedestrian movement, pairing everyday gesture with rhythm and fluidity. "It's liquid," says Wendy Perron, who danced with Brown in the '60s and '70s. "Like a river with many tributaries, water coming out of a faucet, or being on a raft and seeing the water move away in different directions." Brown also pushed beyond stages with choreography in fields, museums—even on the sides of buildings.
There's a common misconception that a dancer's body has to be thin. But the truth is that talent knows no body type, and the number on the scale never determines an artist's capabilities. Here are some extraordinary dancers fighting the stereotype of what a dancer "should" look like.
We always love a good halftime performance. And we LIVE for halftime performances involving talented kids. (Fingers and toes crossed that Justin Timberlake follows Missy Elliott's lead and invites some fabulous littles to share his Super Bowl stage.)
So obviously, our hearts completely melted for 5-year-old Tavaris Jones. Tavaris may have just started kindergarten, but during Monday night's game between the Cleveland Cavaliers and Golden State Warriors, the Detroit native danced with the panache of a veteran pro at halftime.