Photography by Joe Toreno
It was one of the most emotional moments in one of “So You Think You Can Dance” Season 9’s most emotional routines: Chehon Wespi-Tschopp, 23, leapt across the stage, his face a picture of anguish, to rest his head on a suitcase that represented all the possessions he had left in the world. By the time the dance was over and the judges were wiping away tears, there was no doubt: Ballet dancer Chehon had proven that his passion and performance were every bit as strong as his classical technique.
Still, no one was more surprised than Chehon himself when Cat Deeley announced he was the season’s male winner. “I knew I would be the runner-up, and I was OK with that! I was ready to hug Cyrus [Spencer] and congratulate him,” Chehon says. “When Cat said my name, I was shocked. I didn’t know I had that much support from the viewers.”
It wasn’t an easy road to “SYTYCD” success, but Chehon earned his title as America’s Favorite Guy. Here’s how he made the most of his time in the Top 20—and found a place in America’s hearts. Overcoming a Late Start
Born in Chicago and raised in Australia and Switzerland, Chehon didn’t take his first ballet class until he was 13. “I saw my first ballet performance—Swan Lake,” he says. “Afterward, I tried to do the choreography in my living room. I hit my head and had to go to the hospital—so my parents decided to find me a proper dance school.”
He started at a ballet school in Zurich, and a year later asked his parents about going abroad to study more seriously. After auditioning and being accepted to Germany’s Hamburg Ballet School, the John Cranko School at Stuttgart Ballet and The Royal Ballet School in London, he chose RBS.
“When I got to London, it was a shock,” Chehon says. “I’d never seen so many guys in ballet. I showed up thinking I’d be the next Mikhail Baryshnikov, and it burst my bubble. I had a lot of catching up to do.” But he did catch up, going on to win the 2009 Senior Grand Prix at the American Dance Competition. He was ready to go pro.
Finding a Professional Path
In September 2009, Chehon joined Los Angeles Ballet, where he stayed for two seasons. With LAB, Chehon performed Giselle, The Nutcracker, George Balanchine pieces and works by “SYTYCD” notables Sonya Tayeh and Mandy Moore. “Chehon really matured during his time with us,” says Colleen Neary, co-director of LAB. “When we hired him, he had very good technique, but he didn’t have much performing experience. In those two years, he grew into an artist.”
Working with Tayeh and Moore exposed Chehon to a side of dance he’d never seen. “They opened my eyes,” he says. “From then on, I knew I wanted to move into the commercial world.” He started by taking himself further from his classical comfort zone by joining the national tour of Twyla Tharp’s Come Fly Away. He was on that tour when he took the leap and auditioned for “SYTYCD.”
A “SYTYCD” Journey
Unlike fellow winner Eliana Girard, Chehon wasn’t an early favorite. He struggled in Vegas Week, never having studied anything besides ballet, and in the live shows he had trouble emoting. “Leaving home at a young age meant I had to let go of a lot of friends. I find it hard to open up,” he says. “And I treated the first episodes as a ballet audition, without thinking to bring personality.”
He landed in the bottom three early on, but the judges were quick to save him. “We had so much faith in Chehon,” says judge Mary Murphy. “We wanted everyone to see what we saw.”
After his brush with elimination, Chehon was shaken. “Chehon’s extraordinary, but when we were working on ‘I Will Always Love You,’ his confidence was low,” says choreographer Stacey Tookey. “I’d give him a step and he’d do what I wanted and more—and then he’d ask, ‘Was that okay?’ ” The piece was a triumph for Chehon and partner Witney Carson, but it took a few more weeks for Chehon to truly open up onstage. The week his mom traveled from Switzerland to see the show, he danced a steamy Argentine tango with All-Star Anya Garnis and an emotional solo. The next week, he moved the judges to tears in Tyce Diorio’s suitcase routine. “We’d just seen him make an enormous jump forward,” Murphy says. “Just like that, Chehon stepped into stardom.”
In the Top 4, Chehon’s vulnerable performance in Tookey’s “Leave” with All-Star Allison Holker brought the house down. “On top of the tricks, we finally saw Chehon the artist,” Tookey says.
For Chehon, being on the show “turned everything upside-down,” he says. “I entered the show feeling like I had so much growing to do—but I definitely didn’t expect to win!”
Full name: Chehon Biko Fidelio Wespi-Tschopp
Favorite movies: Star Wars, Avatar, Watchmen—“any epic science fiction”
On his iPod: Ólafur Arnalds, Max Richter, District 78
Non-dance hobbies: “I like going snowboarding whenever I’m home in Switzerland. I love to choreograph and can spend hours listening to new music. I also like to cook!”
Dance idols: Mikhail Baryshnikov, Carlos Acosta
Advice for Dance Spirit readers: “Dance with honesty and find ways to push through negativity. There will always be someone who can do something better than you can, so you have to find a way to make it yours. Also, ‘SYTYCD’ taught me that it’s not always about being perfect. Ultimately, the audience doesn’t connect to perfection—they connect to the passion and love in your movement. Watch everything and everyone—
there’s something to learn from even the most inexperienced dancer.”
Well, this brings class videos to a whole new level! Choreographer Phil Wright and dancer Ashley Liai have been together eight-plus years, but she was still in total shock when he proposed to her mid-dance at Millennium Dance Complex earlier this week. Why? Well, the whole thing was unbelievably perfect.
In the dance industry, dancers don't always have a say in what they wear on their bodies. This can get tricky if you're asked to wear something that compromises your own personal values. So what should you do if you find yourself in this sticky situation? We sat down for a Q&A with "Dancing with the Stars" alumn Ashly Costa to answer that very question. Here's what she had to say about the options dancers have surrounding questionable costumes.
The groundwork for Erin Carpenter's company, Nude Barre, began when she was a teenager. At 16, she earned a spot in the residency program at The Kennedy Center in partnership with Dance Theatre of Harlem. "We were required to wear nude—as in, our actual skin tone—tights and shoes," she remembers. Carpenter brought her "sun tan" tights and a pair of pink ballet shoes with her, because that was all she could find. But she wasn't allowed in class because her dancewear didn't match her skin. "I was so embarrassed," she says. "I looked unprepared. I just didn't have the right nudes." Her teacher explained that the dancers dyed their tights and pancaked their shoes.
There are dancers and then there are DANCERS! Whitney Jensen, soloist at Norwegian National Ballet, is the latter. The former Boston Ballet principal can do it all. From contemporary to the classics this prima has the technical talent most bunheads dream about. Need proof? Look no further.
Luis Fonsi and Daddy Yankee's dance inducing hit, "Despacito," is so catchy it should probably come with a disclaimer that warns people of an uncontrollable itch to tap your feet or bob your head. Some might even feel inclined to go all out and break it down. Niana Guerrero is a prime example of "Despacito's" uncanny ability to unleash the red dressed emoji dancer within. 💃🏽 💃🏽