David Hallberg's Directorial Role

Bad news first: David Hallberg had to cancel his spring season performances with American Ballet Theatre. He had surgery on his foot a few months ago, and apparently jumped back into things a little too quickly—so he's taking the time to make sure his injury heals properly. This is a total bummer for all of us NYC ballet fans, who were looking forward to seeing his perfect technique light up the stage at the Met.

Hallberg flying in one of the Bolshoi's studios (photo by Henry Leutwyler)

Now for the good news: Hallberg is serving as the dance director for the very first Festival of the Desert in Palm Desert, CA, which is happening today! Though he won't dance in the festival, he's helping to bring dance to an area that doesn't usually attract a ton of starpower, and he's doing it with style— New York City Ballet principal Maria Kowroski is slated to dance something by George Balanchine, while American Ballet Theatre principal Veronika Part will dance a more contemporary ballet piece by Lar Lubovich.

Hallberg's cross-cultural ballet career (trained at the Paris Opéra Ballet School, currently dances with ABT and the Bolshoi Ballet) has helped him understand the importance of bringing art to different communities. "I want the Palm Springs area and Southern California to experience extremely high quality art in various disciplines," he told Palm Springs Life magazine. We're all about it—but heal up Hallberg! We want to see you back on the stage, too.

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You've seen it a million times: A glamorous, toned dancer posts a perfectly styled shot of her colorful smoothie bowl. The caption gushes about how great you'll feel if you eat "clean"—but what does that actually mean? DS asked registered dietitian/nutritionist Rachel Fine and holistic health coach (and founder of The Whole Dancer) Jess Spinner for all of the dirt.

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Photo by Travis Kelley, courtesy Kathryn Morgan

In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.comfor a chance to be featured!

Dear Katie,

I'm being bullied by one of the girls at my studio, and it's awful. I've talked to my dance teacher and confronted the bully directly, but it hasn't made a difference. What should I do?

Faith

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(Lucas Chilczuk)

Let's face it—spare time is pretty tough to come by when you're a dancer. You're either rushing to get ready for rehearsal, rushing to rehearsal, a combo of the two, or in rehearsal (or performing, or in class, or at an audition...you get the picture). Well here at DS, we understand the struggle is REAL, which is why we've rounded up our favorite foolproof makeup hacks, approved by resident #LazyGirl when it comes to makeup (spoiler alert: it's me). On to the hacks!

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(Rosalie O'Connor, courtesy BAE)

Consistent turns are a must for aspiring professional dancers, but pretty much everyone struggles with pirouettes at some point. Luckily, since we're all beholden to the same rules of physics, there are concrete steps every dancer can take to reach his or her top turning potential. “Three is the new two when it comes to pirouettes, but the secret to turning is technique, not magic," says Bojan Spassoff, president and director of The Rock School for Dance Education in Philadelphia.

Falling out of your doubles? Aspiring to go revolution for revolution with your class's star turner? No matter where you lie on the turning spectrum, our 360-degree guide to pirouettes will help you improve.

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Parris Goebel and her ReQuest Dance Crew (via Twitter)

Are your moves smooth and sexy like Chloé Arnold's tapping Syncopated Ladies, or is your dancing bubblegum sweet like the girls of Suga N Spice? Behold, the answer:

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Kalea Hidalgo (Photo by 567 Photography, courtesy Stacey Hidalgo)

Kalea (pronounced kah-LAY-uh) Hidalgo knows how to move. Her decisive, dynamic dancing commands the stage: She gobbles up space so confidently it's hard to believe you're watching a mere tween. Unsurprisingly, that presence and power have started turning heads in a serious way. Not only did Talia Favia choreograph one of her solos in 2017, but Kalea also recently signed with Bloc Talent Agency in L.A. and, last summer, placed first overall in the junior contemporary solo category at Radix Nationals.

"When you're out on the dance floor, don't ask for permission—ask for forgiveness."—Kalea Hidalgo
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Swift in her latest "Making of a Song" episode (via Youtube)

Taylor Swift is #blessed in many ways: She's got a great voice, insane song writing skills, and, to quote her new hit single, she's "Gorgeous." She is not, however, blessed in the dance department. But that doesn't stop her from busting out the occasional dance move. In fact, Swift likes to playfully show off her less-than-stellar dancing, be it in her music videos (hello, "Shake It Off") or at music award shows. So we weren't surprised when during the latest episode of her "Making of a Song" series for AT&T, she unveiled a new endearingly awkward maneuver, which she's dubbed the "dolphin body roll"—and it practically had friend and producer Jack Antonoff rolling on the floor!🤣

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Dancer to Dancer
Ray Batten (left) teaching class at Wagner Dance and Arts in Mesa, AZ (courtesy Batten)

You rehearse your group routine to perfection, but when the big performance rolls around, everyone turns into speed demons. It's the runaway-train effect—and it only takes one loud tapper, or zippy turner, to throw the whole group off the music.

While nerves and excitement are partly to blame, the ability to keep to tempo begins in the studio. A well-developed sense of musicality is your best defense against the dreaded speed trap. "When you understand how the steps fit with the music, going too fast won't just feel like rushing," says Jeremy Arnold, lecturer of tap at the University of Texas at Austin. "It'll feel wrong." How can dancers develop that musicality? It all starts with learning to listen.

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Via @Rockettes on Twitter

Look, guys, we know: It is too darn early for holly-jolliness. But the Rockettes appeared on the "Today" show this morning to promote the Radio City Christmas Spectacular, and we can't help it—as soon as we see that iconic kickline, we start daydreaming about sleigh bells and mistletoe and gingerbread lattes.

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