A Day in the Juilliard Life

(Kenneth B. Edwards)

Spend one day observing the dance program at The Juilliard School, and it's obvious how hard the dancers have worked to get there. But even in a studio filled with insane talent, 20-year-old Madi Hicks stands out. A former title-winning comp kid (and 2013 Dance Spirit Cover Model Search finalist!), this junior dances 24/7, and packs as many dance composition classes into her schedule as possible. “I love, love, love to choreograph," she says. “I really want to have my own company some day." In the meantime, she's soaking up all that her elite school and NYC have to offer. So what's it like to attend one of the most prestigious conservatories in the nation? We followed Hicks for a day last spring to find out.

“The teachers really care about our futures and invest in us," says Hicks. “I get so much one-on-one help because the Juilliard dance program is so small. I wouldn't get that in a larger program."


Hicks in the Caf for breakfast (Kenneth B. Edwards)

Madi's Typical Tuesday Schedule

• 8–8:30: Wake up, get ready for the day

• 8:30–8:45: Breakfast, walk to class

• 9–10:15: 19th-Century Art class

• 10:40–12:05: Ballet II class

• 12:15–1:40: Classical Partnering class

• 1:40–2:30: Lunch

• 3:30–8:00: Rehearsals

• Evening: Dinner and downtime

“I set my alarm for 8 am and get to Caf, the cafeteria, for breakfast by 8:30, before my 9 am academic class." Her usual morning fuel? “An egg-and-cheese breakfast sandwich on a croissant with O.J. and coffee."

Hicks' commute to her first class is a short stroll on the Rose Walk, the elevated pathway that runs between the Juilliard facilities and the Residence Hall the students share with kids from School of American Ballet. “We get along well with the SAB kids. We're really close with some of them."

Catching up on some homework (Kenneth B. Edwards)

During a short break, Hicks snacks on a banana (“I'm addicted") and preps for her 10:40 am ballet class.

Once a week, Hicks takes morning ballet with all 24 students in her class year. Twice a week, ballet is split into men's class and pointe for ladies, and on the remaining two days—like today—students from different years are mixed into various levels. Placement in these classes is based on previous training and which teacher the faculty thinks students will benefit most from. “If someone really needs to work on their hip alignment, they put them with a teacher like Alexandra Wells, who's really good with that," Hicks says. “I have Jeff Edwards on Mondays and Tuesdays. I love him. He really focuses on everyone. Though the class gets hard toward the end, I don't feel overwhelmed because he paces it well."

The faculty believes that no two tracks are the same, like no two people are the same," Hicks says. “Everyone's an individual." Though Hicks plans to lead her own troupe some day, she hopes to have a performing career first. Her interests fall between ballet and modern: “The contemporary route seems right for me—something along the lines of Nederlands Dans Theater," she says.

Hicks in Jeff Edwards' ballet class (Kenneth B. Edwards)

Following ballet, Hicks would normally take another dance class, like classical partnering or Graham technique. But today, she heads to a doctor's appointment downtown to take care of a chronic foot injury. “I've had several sprains and my heel bone structurally doesn't sit right, which has caused damage to my tendons," she says. “It's been a persistent problem for years, but the faculty is super-good about accommodating injuries." Juilliard also has physical therapists on staff.

For lunch, Hicks heads back to the Caf for her usual meal: a turkey-and-cheese sandwich, SunChips and another banana. Though most of Hicks' “homework" is rehearsing in the studio, she sometimes uses her lunch break to squeeze in an occasional essay assignment. Juilliard has plenty of quiet nooks with huge windows and comfy chairs to cozy up in. Unsurprisingly, Hicks is equally at home on the floor.

From 3:30–4:30, Hicks rehearses a jazz number with classmate Paige Borowski for an upcoming student workshop. “I was originally choreographing a solo on Paige—it was going to be super-dark, about fears and phobias. But then I found the song 'Shipwrecked,' by To Be Forgotten, and the second I heard it, I knew it was no longer going to be a serious solo." Hicks is one of six students chosen for the competitive “Choreographers and Composers" class next year.

With Paige Borowski rehearsing their jazz number for an upcoming student workshop (Kenneth B. Edwards)

Composition Class 101

All 24 freshman dance students are required to take Dance Composition I. In sophomore year, the number of spots for Dance Composition II is halved to 12, with students being accepted upon faculty recommendation. From this group, the faculty selects only six students, based on their previous work and Comp II projects, for “Choreographers and Composers." In this junior-year class, also known as ChoreoComp, dance majors collaborate with students from the music department to create original work.

Madi and Paige are BFFs! They even went to the Bahamas together for spring break. Some impromptu improvisation on the beach trip helped inspire the workshop piece.

With Paige Borowski rehearsing their jazz number for an upcoming student workshop (Kenneth B. Edwards)

Student Performance Opps 101

Performing opportunities abound at Juilliard. In the fall, there's the New Dances series, in which guest choreographers come in to create work on the students; in the spring, the faculty and/or guest repetiteurs stage repertory, like Cunningham or Graham works, for the Juilliard Dances Repertory series. The ChoreoComp show happens in the fall, and Senior Production rounds out the spring performance schedule. Additionally, there are two student composition workshops per semester. These are informal, mostly for the experience, but can be used by aspiring ChoreoComp students as a selection process. Hicks has created a piece for every single workshop so far.

Dance majors don't get a lot of downtime. Hicks' hectic schedule keeps her in the Lincoln Center neighborhood most days, but on the rare evening she isn't rehearsing, she likes to get out and about in the city. “I've been all over Central Park," she says, and the High Line in Chelsea is another favorite strolling ground. She also sees dance shows with discounted tickets offered to Juilliard students: “Everything from Broadway to Martha Graham to American Ballet Theatre. It's hard since I'm so busy, but I try to go as much as possible. I'm seeing the Martha Graham Dance Company next week." Hicks' most frequent excursion? “Pizza. I'm obsessed."

Photo by Joe Toreno

The coolest place she's ever performed:

I'd have to say the Super Bowl. The field was so cool, and Katy Perry was right there. And there were so many eyes—definitely the most eyes I've ever performed for!


Something she's constantly working on:

My feet. I'm flat-footed, so I'm always hearing, 'Point your toes!' And I'm like, 'I am!'


Signature look:

My hair! That, and a pair of leggings with a T-shirt or tank top.


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