"DWTS" Week 5 Recap: A Little Disney Magic
Yo current "Dancing with the Stars" competitors, we're really happy for you, and we're gonna let you finish, but last night Alfonso Ribeiro and J.T. Church had one of the best "DWTS" opening numbers of ALL TIME.
Seriously: If those two had a spinoff show in which they did nothing but dance their way through magical Disney fairylands, we would totally watch that. (And shoutout to J.T.'s equally adorable partner in crime, Gracyn French.) Thank you, Mandy Moore, for conjuring up this glitter-dusted Disney Night goodness:
On to the actual competition! In a surprise to pretty much nobody, rising favorite Normani Kordei continued her leaderboard domination, thanks to her ferociously fierce paso doblé with Val Chmerkovskiy to Mulan's "I'll Make a Man Out of You." For good measure, the duo was accompanied by Donny Osmond in his very sparkliest blazer, because why not.
Also unsurprising: The consistently excellent Simone Biles earned the second-highest score of the night for her contemporary number to "How Far I'll Go" from Moana. Strong and energetic as her performance was, though, we have to admit that we spent about 30 percent of it dying over singer Auli'i Cravalho, who's straight-up incredible.
While many of the other competitors gave fair-to-decent performances (we were especially into Heather Morris and Alan Bersten's sweet Frozen number), we'd like to use this space to discuss one of the stranger things we've ever seen on television: Nick Viall and Peta Murgatroyd as Not Sexy Pinocchio and Very Sexy Jiminy Cricket, respectively. Somehow it almost...worked? Never underestimate the power of a good pair of lederhosen, friends.
After the parade of Disney delights, Real Housewife Erika Jayne and partner Gleb Savchenko were sent packing—about right, but also a bit of a bummer after their strong Finding Dory-themed waltz. (Any Finding Dory performance that does NOT involve giant fish costumes is a win.) We cheered up quickly, though, when we heard that next week's theme will be Boy Band vs. Girl Group. 'Til then!
One of the most beautiful things social media has brought us is the ability to feel like we're up close and personal behind-the-scenes with all our favorite dancers. And one of our favorite stars to Insta-stalk are actually two casts of 36 scintillatingly synchronized precision dancers. I'm talking, of course, about my mild obsession with the legendary Radio City Rockettes.
Have we mentioned lately how much we love dance dads? Especially ones who show up to their daughter's ballet class sporting a tutu, like Thanh Tran.
You've seen it a million times: A glamorous, toned dancer posts a perfectly styled shot of her colorful smoothie bowl. The caption gushes about how great you'll feel if you eat "clean"—but what does that actually mean? DS asked registered dietitian/nutritionist Rachel Fine and holistic health coach (and founder of The Whole Dancer) Jess Spinner for all of the dirt.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com a chance to be featured!
I'm being bullied by one of the girls at my studio, and it's awful. I've talked to my dance teacher and confronted the bully directly, but it hasn't made a difference. What should I do?
Consistent turns are a must for aspiring professional dancers, but pretty much everyone struggles with pirouettes at some point. Luckily, since we're all beholden to the same rules of physics, there are concrete steps every dancer can take to reach his or her top turning potential. “Three is the new two when it comes to pirouettes, but the secret to turning is technique, not magic," says Bojan Spassoff, president and director of The Rock School for Dance Education in Philadelphia.
Falling out of your doubles? Aspiring to go revolution for revolution with your class's star turner? No matter where you lie on the turning spectrum, our 360-degree guide to pirouettes will help you improve.
You rehearse your group routine to perfection, but when the big performance rolls around, everyone turns into speed demons. It's the runaway-train effect—and it only takes one loud tapper, or zippy turner, to throw the whole group off the music.
While nerves and excitement are partly to blame, the ability to keep to tempo begins in the studio. A well-developed sense of musicality is your best defense against the dreaded speed trap. "When you understand how the steps fit with the music, going too fast won't just feel like rushing," says Jeremy Arnold, lecturer of tap at the University of Texas at Austin. "It'll feel wrong." How can dancers develop that musicality? It all starts with learning to listen.
Bunheads, this one's for you. They say you can tell a Nutcracker by its "Snow" scene—and we fully believe it. There are so many versions with extra goodies—olive branches! Fake snow! Sleds! Choirs! Snow queens!—and each brings a special something to the holiday favorite. But do you know which ballet has what?
You're probably already following your favorite dancers on Instagram, but did you know that you can follow many of their dogs, too? We rounded up some of our favorite dog-centered accounts and hashtags to keep you pawsitively entertained (sorry, we can't help ourselves).
Let's face it—spare time is pretty tough to come by when you're a dancer. You're either rushing to get ready for rehearsal, rushing to rehearsal, a combo of the two, or in rehearsal (or performing, or in class, or at an audition...you get the picture). Well here at DS, we understand the struggle is REAL, which is why we've rounded up our favorite foolproof makeup hacks, approved by resident #LazyGirl when it comes to makeup (spoiler alert: it's me). On to the hacks!
Kalea (pronounced kah-LAY-uh) Hidalgo knows how to move. Her decisive, dynamic dancing commands the stage: She gobbles up space so confidently it's hard to believe you're watching a mere tween. Unsurprisingly, that presence and power have started turning heads in a serious way. Not only did Talia Favia choreograph one of her solos in 2017, but Kalea also recently signed with Bloc Talent Agency in L.A. and, last summer, placed first overall in the junior contemporary solo category at Radix Nationals.
"When you're out on the dance floor, don't ask for permission—ask for forgiveness."—Kalea Hidalgo