Everyone You're Obsessed with Is in Bieber's "Purpose: The Movement"
I say this publicly and without shame: I, Margaret Fuhrer, a fully-grown woman, spent much of my weekend watching Justin Bieber's "Purpose: The Movement" dance movie on repeat.
Look: I've had my ups and downs with Bieber over the years. We all have. He knows it. But you have to respect this insanely ambitious, insanely dance-y, insanely GOOD new project, which dropped Saturday. Leave it to Bieber to both over-promise and over-deliver on a premise that sounded iffy when it was first announced (dance videos for all 13 of the new album's tracks? Okaaaay) and now just seems brilliant (13 AMAZING DANCE VIDEOS AHHHHHH).
This isn't just a love letter to the Biebs, though. The person we should really be most in awe of right now is Parris Goebel, the genius 24-year-old choreographer who directed the whole thing. In addition to choreographing many of the tracks herself, Goebel pulled in an unbelievable number of dance stars to perform in and create for the various videos. There's a spirit of generosity to the project—she not only wants to show what she can do, but also what the people she admires can do.
Nobody disappoints. And much as we loved the cotton-candy happiness of "Sorry," "Purpose: The Movement" isn't all unicorns and rainbows. Several of the videos are genuinely dark—and genuinely moving.
November cover stars Keone and Mari Madrid create a gently heartbreaking portrait of one-sided love in "Love Yourself":
A fantastic cast of dancers, including our friend Janelle Ginestra, depict a searingly tragic love triangle in "The Feeling":
And that's not even the half of it. ("Sorry" fans, for example, will be happy to know that the lovely ladies of ReQuest and The Royal Family make appearances in several videos.) Check out the full dance movie here.
Also, THANK YOU, Bieber and Goebel, for crediting every single one of the choreographers and dancers featured in the videos. Note to the music industry: Let's make that a habit.
P!nk, known for her high-flying, acrobatic awards show sets, has literally raised the bar for pop stars everywhere. For her performance at last night's American Music Awards, P!nk decided to break out some flips and tricks ON THE SIDE OF A BUILDING. WHILE FLAWLESSLY SINGING HER FACE OFF. You know, just casually, like you do when you're a full-on goddess.
When you think of a dancer, a double leg amputee may not be the first thing that comes to mind. But Eric Graise, who's one of the stars of the upcoming "Step Up: High Water" YouTube Red series, hopes to change that. Graise, whose legs were amputated as a child due to missing fibula bones, will play a character named King in the new dance series, set to debut early next year.
We all suffer from Nutcracker fatigue sometimes. After a zillion performances, it's hard not to. But there's nothing to restore your little-kid sense of Nutcracker wonder like a look at the sheer scale of a world-class Nut.
New York City Ballet's iconic production of George Balanchine's The Nutcracker opens on Friday, and for the past week, the company has been Tweeting out some seriously eye-popping #NutcrackerNumbers. The stats cover everything from the number of jingle bells used on each Candy Cane costume (that'd be 144) to the watts of light used in the show's grand finale (ONE. MILLION. WATTS.).
One of the most beautiful things social media has brought us is the ability to feel like we're up close and personal behind-the-scenes with all our favorite dancers. And one of our favorite stars to Insta-stalk are actually two casts of 36 scintillatingly synchronized precision dancers. I'm talking, of course, about my mild obsession with the legendary Radio City Rockettes.
Consistent turns are a must for aspiring professional dancers, but pretty much everyone struggles with pirouettes at some point. Luckily, since we're all beholden to the same rules of physics, there are concrete steps every dancer can take to reach his or her top turning potential. “Three is the new two when it comes to pirouettes, but the secret to turning is technique, not magic," says Bojan Spassoff, president and director of The Rock School for Dance Education in Philadelphia.
Falling out of your doubles? Aspiring to go revolution for revolution with your class's star turner? No matter where you lie on the turning spectrum, our 360-degree guide to pirouettes will help you improve.
You rehearse your group routine to perfection, but when the big performance rolls around, everyone turns into speed demons. It's the runaway-train effect—and it only takes one loud tapper, or zippy turner, to throw the whole group off the music.
While nerves and excitement are partly to blame, the ability to keep to tempo begins in the studio. A well-developed sense of musicality is your best defense against the dreaded speed trap. "When you understand how the steps fit with the music, going too fast won't just feel like rushing," says Jeremy Arnold, lecturer of tap at the University of Texas at Austin. "It'll feel wrong." How can dancers develop that musicality? It all starts with learning to listen.
Have we mentioned lately how much we love dance dads? Especially ones who show up to their daughter's ballet class sporting a tutu, like Thanh Tran.
You've seen it a million times: A glamorous, toned dancer posts a perfectly styled shot of her colorful smoothie bowl. The caption gushes about how great you'll feel if you eat "clean"—but what does that actually mean? DS asked registered dietitian/nutritionist Rachel Fine and holistic health coach (and founder of The Whole Dancer) Jess Spinner for all of the dirt.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com a chance to be featured!
I'm being bullied by one of the girls at my studio, and it's awful. I've talked to my dance teacher and confronted the bully directly, but it hasn't made a difference. What should I do?
Bunheads, this one's for you. They say you can tell a Nutcracker by its "Snow" scene—and we fully believe it. There are so many versions with extra goodies—olive branches! Fake snow! Sleds! Choirs! Snow queens!—and each brings a special something to the holiday favorite. But do you know which ballet has what?