Face Off: Four Pros Share Their Go-To Makeup Routines
There are zillions of makeup goodies out there, and just as many ways to wear them. Rather than spending the rest of your life trying to find that perfect black eyeliner pen, take a cue from these pros, who have streamlined their prep routines to get the job done night after night.
Megan Levinson, Radio City Rockette
“I start by blending liquid foundation on my entire face, and then use concealer under my eyes. Next I apply eye shadow primer on my eyelids and let it dry as I fill in my eyebrows. I mix eye shadows, and always make sure to define the crease of my lid with a dark brown. Then I put on mascara and false lashes. Once my eyes are done, I set my face with powder foundation and apply blush. Finally, and most importantly, I finish off my makeup with the famous Radio City Rockette red lip!"
Megan's Pro Tip
“The Christmas Spectacular Starring the Radio City Rockettes is 90 minutes of non-stop action with athletic choreography and quick changes, so we need our makeup to stay in place," she says. “I always apply Sealed With a Kiss lip seal by Cosmetically Sealed over my lipstick to keep it looking perfect during the whole show. Also, eye shadow primer is life-changing!"
A Few of Megan's Go-To Products
•Urban Decay Eyeshadow Primer Potion and Eyeshadow Palette in Naked
•MAC Russian Red lipstick
(“It's the iconic Rockette color!") and blush in Mocha
•Ardell false eyelashes
Lloyd Knight with his makeup spread (Brigid Pierce, courtesy MGDC)
Lloyd Knight, Martha Graham Dance Company principal
“I begin by moisturizing my face and applying foundation. Then I move on to eye makeup: first shadow, then liner and then mascara.
Depending on what I'm dancing, I like to change up the colors or the boldness of the lines. After my eyes are done, I contour my cheekbones and jawline, apply lipstick to seal the deal and hit the stage!"
Lloyd's Pro Tip
“It's always best to go out into the house to see how much makeup you think you might need," he advises. “Determine how far away the audience will be sitting, and try to see what someone else's stage makeup looks like from the house. You don't want to overdo it, or wear too little."
A Few of Lloyd's Go-To Products
•Make Up For Ever foundation in 180=R530 Brown (“It matches my skin color perfectly!") and black Graphic Liner Pen (“It makes for a really clean and sharp look.")
•Sephora eye shadow in Colorful Sandcastle and Colorful Diamonds Are Forever, and Waterproof Contour Eye Pencils in White, Cocoa and Black
Jenny Driebe in her finished look (courtesy Jenny Driebe)
Jenny Driebe, Cirque du Soleil's Michael Jackson ONE dancer
“Each dancer in Michael Jackson ONE has a specific look created by the amazing makeup artists at Cirque du Soleil. I always begin with a primer base and then apply silver cream
by Make Up For Ever to my lids, brow arch and inner eye. I draw a pink line from the inner corner of my eyebrow down my nose, blend it out over my eye, and blend blue into the outer corner to create a smoky look. Then I apply foundation; contour and blend; set it with translucent powder; brush the excess powder away; and repeat everything with powder eye shadow, contour and blush. I line my eyelids and fill in my brows. Finally, I add glue and silver glitter to my eyelid, and the unique rhinestone appliqué
I wear goes on my cheek."
Jenny's Pro Tip
“This was taught to me by one of the awesome makeup artists from Cirque du Soleil: For a 3-D lip look, apply lip liner and lipstick as usual, using a brush to blend them together. With a thinner brush, apply a line of cream highlight around your lips. Use powder to set it, and voilà! Beautiful 3-D lips that really pop!"
A Few of Jenny's Go-To Products
•Make Up For Ever Star Powder (“It highlights with shimmer.")
•MAC Bone Beige Sculpting Powder (“to enhance bone structure") and False Lashes mascara
Madison Keesler in full stage makeup (courtesy Madison Keesler)
Madison Keesler, San Francisco Ballet corps member
“I always start with face primer and then do my brows. I follow with foundation, concealer and contouring. Then I powder my face with setting powder and 'bake' my T-zone. Baking is when you leave excess powder on your face for a few extra minutes before gently
brushing away the excess—this step is key! Then I prime my eyelids, use different eye shadow colors to define the crease, and use liquid liner on the top and bottom lids. I finish with mascara and lipstick, and any extra blush, highlighting or contouring."
Madison's Pro Tip
“Choosing a lipstick color is very important because it can really change the overall look of your makeup. Also, to get the best brows, do them first! I do brows right after primer because it helps the brow product stick."
A Few of Madison's Go-To Products
•Tarte Clean Slate primer in Poreless
•Cover FX contour kit in P Light Medium
•Laura Mercier Loose Setting Powder in Translucent
Get in, losers. We're going to Broadway.
OK, not losers, actually—more like the bajillion die-hard fans of Tina Fey's 2004 cult hit Mean Girls, who've been wearing pink every Wednesday since a musical adaptation of the film was first teased back in 2013.
Now their world is like a cake filled with rainbows and smiles, because Mean Girls the musical, which had a trial run in Washington, DC, last fall, is set to open at Broadway's August Wilson Theatre April 8. And in a very grool twist, it turns out the show—with direction and choreography by Casey Nicholaw and a book by Fey herself—is delightfully dancey.
Brian Friedman is not only a legend in his own right—he's also worked beside the biggest legends in the business. Growing up a Scottsdale, AZ, comp kid, Friedman was soon dancing behind Michael Jackson, Celine Dion, and Paula Abdul, and as an OG Newsie in the 1992 film. Now he calls the shots: He's choreographed and been creative director for icons like Britney, Cher, Beyoncé, and Mariah. Nominated for five MTV VMAs, two Music Video Production Association Awards, and four American Choreography Awards, Friedman's won an Industry Voice Award for best choreography, and a World of Dance award. Dance Spirit talked to Friedman to find out what inspires him. —Helen Rolfe
A few years ago, 16-year-old Kayla Gonzalez found herself dancing alongside a mean-spirited girl. “She could be so rude," says Gonzalez, who trains at The Dance Zone in Henderson, NV. “It got worse at competitions. She'd make up lies, saying my teammates and I were doing things we weren't. She was always trying to get ahead." Sound familiar? A competitive environment can bring out the very worst in some dancers' personalities. When put in a stressful situation, students can become bossy, overdramatic or downright mean. Here, DS breaks down four toxic types you might encounter, and offers tips on how to respond.
They say there's no "I" in "team"—and nowhere is that truer than the world of college dance teams, where precision reigns, uniformity is key, and a single misstep from any given "I" can cost a group a championship trophy. So it's unsurprising that securing a spot on one of the best dance teams in the country is no easy feat.
Members of these highly athletic teams rehearse for hours every week—on top of academic classes and commitments—and perform at football and basketball games, annual concerts, and nationally televised competitions (hi, ESPN). And "no I" rule notwithstanding, each of these top teams is made up of highly trained, highly technical, highly hard-core individuals, who come together to create a ready-for-victory pack.
These six teams aren't one-off success stories—they're consistently strong, and earn the top spots at major competitions like UDA and NDA nearly every year. Up for the challenge? Here's what to know before you go to auditions.
Let it gooooo! The much-anticipated musical version of Frozen, with choreography by the fabulous Rob Ashford, opens on Broadway tonight. And to get you even more excited about this latest dancy Disney venture, the show's team just released a brand-new trailer—a sneak peek at how they've translated the film's special magic into perhaps-even-more-impressive stage magic.
Dance competitions are where great memories are made. But—between the traveling, the challenging routines, and the bazillion costume changes—they're also the source of many, many #struggles. If you're a comp kid, you'll 100 percent be able to relate to these 10 problems.
Veteran Brooklynettes dancer Asha Singh knows what it takes to get a crowd pumped: This NBA season marks her fifth year on the squad. And as team captain, she's also well-versed in the art of keeping a team looking picture-perfect. An Overland Park, KS, native, she trained in ballet, modern, jazz, hip hop, and tap as a child, and later majored in dance at the University of Missouri. Since then, she's danced with music legends, including Beyoncé and Alicia Keys, and performed in commercials for big brands like ESPN and T-Mobile. Catch her courtside cheering on the Brooklyn Nets—and read on for The Dirt.
Odds are you already know the photography of Omar Z Robles, whose images of dancers in striking natural settings mesmerize his hundreds of thousands of Instagram followers. Recently, Robles paid a visit to his native Puerto Rico for the first time since it was devastated by Hurricane Maria. And the images he captured of its resilient dancers, finding beauty in the ruined landscape, will bring tears to your eyes.
Principal Lloyd Knight has become a true standout in the Martha Graham Dance Company thanks to his compelling presence and dynamic technique. Knight, who performs leading roles in iconic pieces like Appalachian Spring and Embattled Garden, was born in England and raised in Miami, where he trained at the Miami Conservatory and later graduated from New World School of the Arts. He received scholarships to The Ailey School and The Dance Theatre of Harlem School in NYC and joined MGDC in 2005. Catch him onstage with MGDC during its New York City Center season this month. —Courtney Bowers
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org for a chance to be featured!
I'm a hip-hop and jazz dancer, and I want to get involved in the commercial-dance world. I've never studied ballet, but people keep telling me I "have to" take ballet classes if I want to make it professionally. Is that really true? My family has limited money for dance classes, and I have to be careful about how I spend it.