#FBF: The Danciest Moments in Super Bowl Halftime History
Ah, the Super Bowl halftime show. For dance fans, it's, well, the Super Bowl of live performances. It's the glorious moment when literally hundreds of millions of people see 12 solid minutes of dancers (and, OK, giant musical acts) being amazing.
Of course, not every halftime show is a dancestravaganza. I mean, for what felt like 100 years following 2004's Nipplegate (oh, I so want to hashtag that, but it's FROM A PRE-HASHTAG WORLD, GUYS), the Super Bowl powers that be chose old rock-and-roll headliners, who were less inclined to get their dance on and more inclined to, um, sit at pianos.
But other years? Other years, we got lucky. Other years, we got MJ. Or Britney. Or Madonna. OR BEYONCÉ.
In honor of this Sunday's sure-to-be dance-filled spectacular (Beyyyyyy we're so glad you're back!), we put together a little #FBF list of the danciest moments in Super Bowl halftime history. And it starts in the 90s, which is when the halftime show as we know it really became a thing. (Before that, it was mostly just marching bands, believe it or not.)
1991: New Kids on the Block
OK, yes: There's an awkward Disney "It's a Small World" opening. But push through it, because afterward we get the slickly choreographed beauty of that glorious 90s phenomenon, the boy band:
1993: Michael Jackson
Here's what's most amazing about this performance, which essentially pioneered the modern Super Bowl halftime spectacle: MJ JUST STOOD THERE FOR A SOLID MINUTE. He was so charismatic that that was literally all it took to drive the crowd insane. But then he started dancing, and—I'll shut up now. Just watch him:
2001: Aerosmith, 'N Sync, Britney Spears, Mary J. Blige, Nelly
Can you tell that MTV had started presenting the halftime show at this point? Basically their approach was to take all the people who had top 40 hits and throw them onstage together. Luckily, in 2001, that group included both 'N Sync and Britney, which meant we were in for some solid choreography (THE "BYE BYE BYE" DANCE <3<3<3):
2004: Janet Jackson, Justin Timberlake (et al)
Yeah, Nelly and Kid Rock and the artist then known as Diddy also performed. But this one was all about the dance stylings of Janet and Justin—not to mention the appearance of one infamous, star-adorned nipple (yes, it's in this video, so proceed with school/work-appropriate caution):
2011: The Black Eyed Peas, Usher
Oof, the post-Janet boob years were long, dull and dance-less. (The Who? Bruce Springsteen? Tom Petty? The Rolling Stones? At least Dad was happy.) But then the Black Eyed Peas flew in on their futuristic stripper poles and brought choreography—specifically, choreography of the fluorescent-light-suit variety—back, as did one of our favorite MJ protégés, Usher:
2012: Madonna, Nicki Minaj, M.I.A., Cee-Lo Green
2014: Bruno Mars, Red Hot Chili Peppers
I'll admit it: After the amazingness of 2013's halftime show, I came into this one with low expectations. But Bruno Mars' high-energy, old-school choreography was surprisingly delightful, wasn't it?
2015: Katy Perry, Missy Elliott
So, what dance goodies will BeyBey and Bruno Mars (and, um, Coldplay, I guess) bring us this year? We'll have a full recap right here on Monday morning, of course.
And with that: Go forth into Super Bowl weekend, friends! Enjoy the dancing! Maybe enjoy the football, too, if it's your thing! Definitely enjoy lots of nachos!
Misty Copeland. Her name is synonymous with exquisite artistry and outspoken advocacy. And her visibility has made a huge impact on the ballet world. Ballet's relationship with race has always been strained at best, hostile at worst. But Copeland's persistent message and star quality have finally forced the ballet industry to start talking about racial diversity, inclusivity, and representation. "The rarity of seeing ourselves represented is sad," Copeland says. "The more we see every hue and body shape represented on the stage, the more possibilities young dancers feel they have for themselves."
Last month, we asked why there wasn't a Best Choreography category at the Oscars—and discovered that many of you agreed with us: Choreographers should definitely be acknowledged for their work on the super-dancy movies we can't get enough of.
Now, we're taking matters into our own (jazz) hands.
We've decided to create a Dance Spirit award for the best cinematic choreography of 2017. With your input, we've narrowed the field to four choreographers whose moves lit up some of the best movies of the year. Check out our nominations for best choreography below—and vote for the choreographer you think deserves the honor. We'll announce the winner on Friday, March 2.
Contemporary phenom Christina Ricucci has super-flexible hips, which means she can stretch her legs to unbelievable heights. But when she noticed herself making contorted positions in class, Ricucci realized she was approaching her extensions all wrong. "I went back to the basics in class, squaring my hips and using my turnout," Ricucci says. "I learned to create proper positions, rather than whacked-out versions of them."
Some dancers are so wonky they have a hard time supporting their high legs, while others struggle with limited flexibility. But no matter your facility, you can find a balance of stretch and strength to achieve your fullest range of extension. It's not about how high (or not) your legs can go: It's the quality of the movement, and how you get those legs up, that counts.
Yesterday, the dance community was heartbroken to learn that Jaime Guttenberg and Cara Loughran, both 14-year-old dancers, were among the 17 people killed on Valentine's Day in the shooting at Marjory Stoneman Douglas High School in Parkland, FL.
Once upon a time (until the 2014 Winter Olympics in Sochi concluded, to be exact), figure skaters had to compete to music without words. Before this rule change, a skater faced an automatic point deduction if the music even hinted at vocals. Understandably, there were *a lot* of Olympic programs skated to classical music, and you'd tend to hear the same music selections over and over and over.
There are plenty of current Olympic figure skaters who'd make beautiful dancers (first among them Adam Rippon, whose gorgeously choreographed long program won the internet, if not the gold). But today, as we wait for the women's figure skating competition to crown its new champions, we wanted to throw it back to one of the most beautifully balletic skaters of all time: Sasha Cohen.
The high-flying leaps of grand allegro are meant to be incredibly exciting. But at the end of an intense ballet class, when you're exhausted, it can be hard to give them the attention they deserve. Want to pump up your big jumps? Follow these 10 vital tips from Jennifer Hart, curriculum director and instructor at Ballet Austin.
"Whole, low-fat, or skim?" The question of which milk to drink has gotten a little more complicated lately, with a wide variety of nondairy milks popping up in grocery stores. To find out which ones are worth your milk money, we had registered dietitian Monika Saigal answer some FAQs.