Are you guys familiar with Studio 5 at City Center? It's an excellent series of performances/talks held in one of New York City Center's rehearsal studios. Each event gives you an up-close-and-personal peek at a fantastic artist. And since the project is helmed by former NYCB principal Damian Woetzel, the dancers they bring in tend to be extra fantastic.
On Monday night, Woetzel's guest was ballet superstar David Hallberg. Hallberg performed excerpts from Swan Lake and works by George Balanchine—which, of course, was glorious. But he also discussed his unprecedented status as a principal at both American Ballet Theatre and Russia's Bolshoi Ballet. And boy, did he have some great stories about how that all happened. Here are five highlights.
1) Alexei Ratmansky told him to go to Russia. The day after Hallberg received the offer from the Bolshoi, he grabbed ABT resident choreographer—and former Bolshoi artistic director—Alexei Ratmansky for a coffee. Hallberg was feeling very conflicted about the whole thing, but Ratmansky wasn't. "This is historical," he told Hallberg. "You have to go. It's just too huge."
2) The other Bolshoi dancers are still feeling him out. Hallberg said that while most company members have been welcoming, there's still the occasional uncomfortable moment. "Sometimes I know that people are talking about me—they're pointing at me and gesticulating," he said. "In a sense it probably helps that I don't speak Russian..."
3) In Russia, the center barre is for principals only. During Hallberg's first company classes with the Bolshoi, he tried to stand at one of the barres that lined the walls of the room. "All the dancers around me looked incredibly uncomfortable," he said. "Eventually the teacher took me by the wrist and dragged me to the center barre, where all the other principals were standing. It's kind of crazy."
4) He's pretty bummed that Natalia Osipova left the Bolshoi. One of the things that drew Hallberg to Russia was the partnership he'd developed with then-Bolshoi principal Osipova during her guesting stints at ABT. But just weeks after he joined the Bolshoi, Osipova left it (and joined the Mikhailovsky Ballet). "I actually found that out in an interview, on-camera," he said. "This woman asked me how I felt about the fact that Osipova had left. She was Russian, so I guess I assumed something had been lost in translation." Hallberg will still be able to partner Osipova at ABT, and said that he understood that she "had to do what was right for her." But he was shell-shocked by the announcement.
5) Svetlana Zakharova is his new bestie. Hallberg partners frequently with the leggy prima, and said that she has been "incredibly sweet" to him. "She even sets up massages and chiropractor appointments for me!"
Dancer Yesenia Ayala first caught our eye in the off-Broadway production of Sweet Charity with Sutton Foster earlier this year. So, we were super excited when we found out she was making her Broadway debut in this spring's sweetest new show Charlie and the Chocolate Factory. (Both productions were choreographed by Joshua Bergasse.)
Since the NYC premiere of Alexei Ratmansky's Whipped Cream at American Ballet Theatre's spring gala Monday night, the DS editors haven't stopped talking about its creepy-cute sets and costumes, created by artist Mark Ryden. Well, the obsession is about to get even crazier, because we just heard that Ryden's artwork for the ballet is now on display in not one, but TWO locations in NYC.
Yes, yes, we know: Dancers are athletes as well as artists. But we haven't seen anything hammer home just HOW athletic dancers are quite as well as this video from Self magazine, which features American Ballet Theatre principal/fairy princess Isabella Boylston trying to teach top-level CrossFit enthusiasts ballet.
There's a reason Mia Michaels' nickname is "Mama Mia." The legendary choreographer invests deeply in her dancers, whether they're competitors on "So You Think You Can Dance," members of the Radio City Rockettes, or part of her own elite assistant squad. And now, Michaels is launching a project that aims to give more dancers access to her gifts as a teacher and mentor.
And that's a wrap on "Dancing with the Stars" Season 24, ladies and gents! It's certainly been one for the books. From injuries to shocking eliminations, let's just say Season 24 has had its emotional ups and downs. But despite all that, the season made for some seriously phenom dancing and some killer performances. And as usual, we've loved watching every second of those cha chas, foxtrots, and waltzes.
Let's get right to the exciting stuff, though: Last night's winning couple of "Dancing with the Stars" is...
Nearly 80,000 dance-loving Instagram followers can't be wrong: Quinn Starner is one to watch. And what's just as impressive as the 15-year-old's rabid online following is her ever-growing list of competition accolades. Quinn, who trains at Indiana Ballet Conservatory and Stars Dance Company, been named first runner-up at The Dance Awards for two years in a row (as a junior and a teen); was the 2016 West Coast Dance Explosion Teen National Champion; earned first place in contemporary and third place in the classical division at Youth America Grand Prix Regionals in Pittsburgh last year; has won the Grand Prix Award at ADC|IBC; and was a gold medalist at World Ballet Art Competition Grand Prix. Plus, she made it to the Academy round on last year's "So You Think You Can Dance: The Next Generation," and has performed as Clara in the Radio City Christmas Spectacular. Here's what Quinn has to say about her favorite songs, teachers, and career highlights.