Happy 15th Birthday, DS!
In honor of Dance Spirit’s 15th birthday, we decided to check in with a few of our favorite past cover stars. They wrote to us about how being on the cover changed their careers. Memories!
“When I was asked to be on the cover, I was thrilled. I felt like I’d finally made it. Looking back, it was only the beginning of my choreography career, and so much has happened since. My work has evolved in a beautiful way, and that cover so many years ago gave me the confidence to chase my destiny. Thank you, Dance Spirit, for believing in me and my dreams!”
October 2006 and March 2011
“Never in my wildest dreams did I believe I would be on the cover of a magazine. When I learned I had won the first Cover Model Search contest—and that so many people had supported me—I got a huge confidence boost. Six years later, I feel blessed to be dancing for my dream company, American Ballet Theatre, where I’m surrounded by inspiration.”
“Dance Spirit was the first cover I’d ever been on, so it opened many doors for me. It made me a recognizable face and name, and gave me the confidence to continue reaching for my dance goals. It humbles me to think I share the cover of this special magazine with so many other inspirational and talented artists.”
“It was extremely humbling and gratifying appearing on the cover—it was my first appearance in any major publication. I felt as if not only I, but tap dance as a genre, had won a victory in the fight for visibility and acknowledgement.”
“I grew up reading Dance Spirit, so it was an honor to be recognized by my community and by such a strong voice in the dance world. Thanks, DS!”
“I remember first appearing in DS in a tiny photo from Nationals—it was the most exciting moment of my life! Then, seeing my “So You Think You Can Dance” cover was the realization of my dream to be a role model and to inspire others as I have been inspired. Being a part of DS has been one of the greatest honors of my life. The magazine will always be an integral part of my journey.”
“I’m grateful to have appeared on the cover of Dance Spirit. The magazine is relevant, influential and, most of all, a lot of fun. Congratulations to the DS staff on reaching this milestone!”
“Being on the cover gave me exposure to a large group of people I might not have reached otherwise. The media attention I received helped document an exciting time in my career.”
“Being on the cover was such an honor. It afforded me the opportunity to reach a huge dance readership beyond the ballet world. The amount of support and encouragement I’ve received has been overwhelming. I’m leaving for Russia with a support system I never imagined.”
“Being able to reach out to younger dancers, to inspire or guide them, is very rewarding. DS does an incredible job staying current with what’s going on in the dance world—and it has the sweetest staff there is. [Editor’s note: We’re blushing!] Being a cover girl is an honor I will always remember and be proud of.”
“My dancer friends from when I was young couldn’t believe it. ‘You’re on the cover of what?!’ was a pretty common response. When you’re a performer, your work is primarily onstage. Since most of my family lives far away, it’s really cool when I get to share what I’m doing with them from miles away. That cover is framed in my living room.”
June 2000 and September 2007
“Dance Spirit reaches a younger generation of dancers as well as seasoned professionals, so being on the cover twice was exciting because that’s what my show, Rock the Ballet, is all about. My wife, Adrienne [Canterna] (a DS cover girl in November 1998), and the Bad Boys of Dance are dedicated to sharing our love for dance around the world, and that’s exactly what DS does. Keep doing what you’re doing, DS—you’re the best!”
“I was over the moon when I learned I’d been selected for the cover! It gave me the boost I needed to believe in myself. It also helped me realize how much support I had from family, teachers and friends who were proud of my achievements.”
“My experience on the cover taught me that you don’t have to be a perfect dancer to be on the cover of a magazine. You just have to be honest and happy with who you are and how you move.”
Much of Janelle Ginestra's career has been about helping others shine. She's dedicated herself to supporting and cheerleading her partner, WilldaBeast Adams; the emerging talents in their dance company, ImmaBEAST; and the countless dancers she inspires at master classes and conventions. Her YouTube channel has become a launching pad for young talents like "Fraternal Twins" Larsen Thompson and Taylor Hatala, thanks to viral videos featuring Ginestra's creative vision.
But Ginestra's a skyrocketing success in her own right—an in-demand choreographer, a social media influencer, and a dance entrepreneur, building a legacy one eight-count at a time. It's time for her turn in the spotlight. And she's more than ready. "I want to be a legend in whatever I do," she says. We'd argue that she already is.
For more on choosing whether to compete or not, click here.
I started dance classes at a young age. By the time I was 3, I was training at The Dance Club, and I grew up there. I started with the basics—ballet and jazz—and eventually added tap, tumbling, contemporary, and hip hop.
Early on, I did compete. I remember my first time: I did a trio at a small local competition, and it got first place. The trophy was as tall as I was, and I loved it. I attended conventions as a mini, and had the opportunity to take classes from Travis Wall, Sonya Tayeh, Andy Pellick, and Joey Dowling-Fakhrieh. There was so much variety—I was in awe.
For more on choosing whether to compete or not, click here.
My mom was a dancer growing up, and she went on to become a dance teacher, so I've really grown up in the studio. I started classes when I was 2, and by the time I was 9, I was training at The Dance Club and knew I wanted to dedicate all my time to dance.
Daphne Lee is a queen, and not just in the "OMG Girl Boss Alert" sense of the word. She's an actual queen—a beauty queen. Crowned Miss Black USA in August, she's been doing double duty as she continues to dance with the Memphis based dance company, Collage Dance Collective. Lee's new title has given her the means to encourage other black girls and boys to pursue their dreams, while also pursuing dreams of her own. The scholarship money awarded with the pageant title will assist her as she earns a Masters of Fine Arts degree at Hollins University.
When a choreographer finds a composer whose music truly inspires her, it can feel like a match made in dance heaven. Some choreographers work with the same composers so frequently that they become known for their partnerships. New York City Ballet soloist and resident choreographer Justin Peck, for example, has tapped composer Sufjan Stevens numerous times (last spring, the two premiered The Decalogue at NYCB, to rave reviews); L.A. Dance Project's Benjamin Millepied's working relationship with composer Nico Muhly has spanned a decade and two continents; and when tap dancer Michelle Dorrance premiered the first-ever Works & Process Rotunda Project, a site-specific work for New York City's Guggenheim Museum, last year, percussionist Nicholas Van Young was by her side as an equal partner. Successful collaborations require compatibility between artists, direct and honest communication, and flexible, open minds. But when the stars align, working with a composer can be extremely rewarding.
For ballerinas, it's the dream role to end all dream roles: Odette/Odile in Swan Lake, the type of part dancers spend years preparing for and whole careers perfecting. And it's a role that New York City Ballet principal Tiler Peck never thought she'd dance. Though Peck is one of the world's preeminent ballerinas, her short stature made Odette/Odile, typically performed by longer, leggier dancers, seem (almost literally) out of reach.
Then—surprise!—her name popped up on the cast list for NYCB's fall season run of Swan Lake.