6 Things We Bet You Didn't Know About Dirty Dancing
We celebrated the nation's birthday yesterday, and DS is about to turn 15 (more on that in our September issue), but there's another big birthday happening this year: Dirty Dancing was released 25 years ago this summer!
To honor everyone's favorite '80s-tastic dance film about the '60s, I've compiled a bunch of fun Dirty Dancing facts. Did you know that...
...Val Kilmer was initially offered the role of Johnny, and Sarah Jessica Parker auditioned for the role of Baby?
...many members of the cast have serious dance and theater cred? Kelly Bishop (Marjorie Houseman) originated the role of Sheila in A Chorus Line; Jerry Orbach (Dr. Jake Houseman) started out in Broadway musicals; Jennifer Grey (Frances "Baby" Houseman) is the daughter of Tony- and Oscar-winner Joel Grey; and Patrick Swayze (Johnny Castle) studied at the Joffrey Ballet School and was a replacement Danny Zuko in Grease on Broadway.
...Swayze co-wrote and performed the song "She's Like The Wind"?
...choreographer extraordinaire Doriana Sanchez danced in the film? (Look for her "Letter to My Teenage Self" in our September issue!)
...Swayze really didn't like the line "Nobody puts Baby in the corner"? The director, Emile Ardolino, had to sweet-talk him into saying it.
...rehearsals for the movie always devolved into giant dance parties involving almost every cast member, non-dancers included?
And because it's just necessary, I'll leave you with Johnny and Baby having the "time of their lives." Happy 25th, Dirty Dancing!
Much of Janelle Ginestra's career has been about helping others shine. She's dedicated herself to supporting and cheerleading her partner, WilldaBeast Adams; the emerging talents in their dance company, ImmaBEAST; and the countless dancers she inspires at master classes and conventions. Her YouTube channel has become a launching pad for young talents like "Fraternal Twins" Larsen Thompson and Taylor Hatala, thanks to viral videos featuring Ginestra's creative vision.
But Ginestra's a skyrocketing success in her own right—an in-demand choreographer, a social media influencer, and a dance entrepreneur, building a legacy one eight-count at a time. It's time for her turn in the spotlight. And she's more than ready. "I want to be a legend in whatever I do," she says. We'd argue that she already is.
When a choreographer finds a composer whose music truly inspires her, it can feel like a match made in dance heaven. Some choreographers work with the same composers so frequently that they become known for their partnerships. New York City Ballet soloist and resident choreographer Justin Peck, for example, has tapped composer Sufjan Stevens numerous times (last spring, the two premiered The Decalogue at NYCB, to rave reviews); L.A. Dance Project's Benjamin Millepied's working relationship with composer Nico Muhly has spanned a decade and two continents; and when tap dancer Michelle Dorrance premiered the first-ever Works & Process Rotunda Project, a site-specific work for New York City's Guggenheim Museum, last year, percussionist Nicholas Van Young was by her side as an equal partner. Successful collaborations require compatibility between artists, direct and honest communication, and flexible, open minds. But when the stars align, working with a composer can be extremely rewarding.
For ballerinas, it's the dream role to end all dream roles: Odette/Odile in Swan Lake, the type of part dancers spend years preparing for and whole careers perfecting. And it's a role that New York City Ballet principal Tiler Peck never thought she'd dance. Though Peck is one of the world's preeminent ballerinas, her short stature made Odette/Odile, typically performed by longer, leggier dancers, seem (almost literally) out of reach.
Then—surprise!—her name popped up on the cast list for NYCB's fall season run of Swan Lake.
Lani Dickinson's power, grace, and raw presence make her a standout with AXIS Dance Company, whose mission is to change the face of dance and disability by featuring a mix of disabled and non-disabled performers. Born in China, Dickinson was adopted by an American couple and started dancing at 8 in Towson, MD. She attended the Boston Ballet School for two summers, studied at the Idyllwild Arts Academy for the last two years of high school, and graduated with a dance degree from Alonzo King LINES Ballet's BFA program with Dominican University of California. In 2015, she joined AXIS and won a Princess Grace Award. Catch her this month during AXIS Dance Company's 30th-anniversary season—and read on for The Dirt!
Week five of "Dancing with the Stars" proved to be one of the best weeks of the season so far. (And we're not just saying that because Mickey made a cameo debut on the piano during one of the routines—although that certainly didn't hurt!) Everyone brought their A-game, and with such a fun theme the contestants were able to really let their guards down. There was true sincerity in their dancing that we hadn't seen before. But not all Disney stories end with a "happily ever after," and one couple still had to hang up their dancing shoes.
If there's one week you should watch all the routines of it's undoubtedly this one... But, ICYMI, scroll below for our highlights of the night.