Highlights from the Dance Magazine Awards
Last night, basically the entire dance world got gussied up and headed to NYC's Ailey Citigroup Theater for the 60th (!) Dance Magazine Awards. How did the DMAs celebrate the big 6-0? By honoring no fewer than SIX incredible artists: Brenda Bufalino, Tony Waag, Larissa Saveliev, Wayne McGregor, Luigi and Misty Copeland. Here are the top highlights from a night that was basically all highlights.
1. We got to see three of the six awardees perform. Tap icons Bufalino and Waag did a little soft-shoeing (and, in Waag's case, singing!) alongside dancers Felipe Galganni and Lynn Schwab in an excerpt from All Blues/Tacit/Latin, a piece originally made for the American Tap Dance Orchestra. And the one and only Copeland took our breath away in Toccare, a ridiculously sexy ballet choreographed by fellow American Ballet Theatre dancer Marcelo Gomes. Odds are, even if you haven't seen the piece live, you know it through incredible photos like this one:
Holy legs, Misty. (photo by Liza Voll)
2. There was a world premiere. Gomes was basically an honorary awardee last night. We saw not only his Toccare, but also a brand-new Gomes ballet, La Mort d'Ophélie, starring ABTers Sarah Lane and Sterling Baca. Made in tribute to Saveliev, it was gently, dreamily melancholy.
3. We were reminded, yet again, of why we're obsessed with Wayne McGregor. Alvin Ailey American Dance Theater's Akua Noni Parker and Jeroboam Bozeman blazed through an excerpt from McGregor's electric Chroma. (You can watch The Royal Ballet perform the same excerpt here—and believe me, you should.) There really is nothing like his wiggly, wacky, wild choreography. Though McGregor couldn't be there in person to accept his award, his beamed-in acceptance speech—an eloquent tribute to all of his collaborators, and a call for support of young artists—showed off the powerful mind behind the magic.
McGregor rehearsing Chroma at Ailey (photo Andrea Mohin/New York Times)
4. The whole audience did Luigi's classic warmup. The man himself is recovering from surgery and was unable to make the ceremony, sadly. But protégé Francis Roach, accepting on Luigi's behalf, got the dancer-filled crowd on their feet to do the first few familiar steps of the Luigi warmup—the perfect tribute to the jazz legend.
Luigi in his prime, behind the Falcon Studios in Hollywood (photo by Edith Jane)
5. Raven Wilkinson made everyone cry. The wonderful Wilkinson, who presented Copeland's award, was the only African-American dancer to perform with the Ballets Russes, and has become a mentor to Copeland. She quoted Eleanor Roosevelt—"The future belongs to those who believe in the beauty of their dreams"—and praised not only the beauty of Copeland's exquisite dancing, but also the beauty of her dream of a colorblind ballet world.
Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.
The dancers who take our breath away are the risk-takers, the ones who appear completely fearless onstage. "When you see somebody trying to travel more, go farther, push the limits of their physical abilities, that's always going to be inspiring," says Ballet BC dancer Alexis Fletcher.
But dance training can feel like it's in conflict with that idea. We spend thousands of hours in the studio trying to do steps perfectly, and that pursuit of perfection can make us anxious about taking risks. What if we fail? What if we fall?
Luckily, fearlessness is a mental skill that you can work on, just as you work on your technique. Here's how you can learn to push yourself past your limits.
The 2018 Oscar noms are here. Which is fun and all; we'll never not get excited about a night of glitz and glamor and, when we're lucky, pretty great dancing. But we'd be a heck of a lot more excited if the Academy Awards included a Best Choreography category. And really—why don't they?
Maud Arnold is one of the busiest tap dancers on the planet. As a member of the Syncopated Ladies, Maud—along with her big sis and fellow tapper Chloé Arnold—is on constantly the road for performances, workshops, and master classes. For the average person, that kind of schedule could lead to a serious derailment of healthy habits. But Maud's far from average. Here's how the fit, fierce, flawless tap star stays stage-ready—no matter what time zone she finds herself in.
If you're in need of a piece that's both trendy and sophisticated, look no further than this Só Dança crop top. Featuring elegant long sleeves, a high neckline, and a delicate lace trim, it's both classic and contemporary—perfect for everything from that big audition to a long night in the studio. Enter below for your chance to win it!
Auditioning for summer intensives in person may be the ideal—but for Anna McDowell, a 16-year-old student at Juneau Dance Theatre in Juneau, AK, it's rarely possible. “Living in Alaska, it's difficult to travel to auditions," she says. “It gets way too expensive!" Instead, each year, with help from her teachers and a videographer, she puts together a well-crafted video and submits it to schools around the country. Last year, her high-quality video helped her earn acceptance to nearly every program she applied for. Most summer intensive programs, eager to attract students from far and wide, will accept video auditions from those who can't travel to take class. But major schools look at hundreds of submissions each year, which means video auditioners have just a few minutes—or even seconds—to make a great impression. If you're about to create an audition video, follow these tips from the professionals to put your best digital foot forward.