Hip Hop's Tiniest Talents
The life of a commercial hip-hop dancer can be exhausting—auditions, classes, long video shoots, international tours. But imagine doing all of that when you’re just 10 years old! Over the past few years, the hip-hop world has been inundated with pint-sized hip-hop phenoms. These days, dancers like 11-year-old Taylor Hatala can become YouTube sensations overnight, with millions of views and loyal followings of both children and adults (including, in Taylor’s case, Ellen DeGeneres). How are so many kids thriving in the very grown-up hip-hop world—and how are teachers catering to the younger students swarming their studios? DS talked to some of the industry’s top artists to get the scoop on what it means to be a hip-hop little.
Matt Tayao (center) is the director of mLkids, which gives younger hip-hop dancers an outlet. (Photo by Jino Abad, courtesy mLkids)
Gaining New Visibility
Hip hop, with its powerful, hard-hitting moves that are both fun and physical, has actually been a kid-friendly activity since its inception. “Kids have a lot of emotions, and hip hop really gives them a release,” explains choreographer Will “WilldaBeast” Adams.
But anti-dance stigmas used to keep many young hip-hoppers—especially young boys—out of the public eye. “When I was their age, I was dancing in my room to Michael Jackson…and hiding,” says Matt Tayao, director and choreographer of youth program mLkids. Adams, afraid of being bullied, didn’t start dancing seriously until the age of 18.
Luckily, things have changed in recent years. “Today, dance is everywhere—on dance shows, in movies and on social media,” Adams says. Thanks to the increased exposure, he explains, “dancing has become a cool thing for kids—including boys—to do.” Now, littles are less afraid to share their love of dance. And they have more outlets to show the world what they can do. Today’s 10-year-olds are filming their MJ routines, posting them to their YouTube channels and sharing them on Twitter.
It’s also now totally acceptable for the girls to hit as hard as the boys—forget those old “girls do ballet” stereotypes. Taylor has found a special connection with hip hop’s harder edge. “The music makes me feel really powerful,” she explains. “When we do choreography, sometimes we split into male and female groups, but they’re considered completely equal. I never feel like I’m treated differently.”
Taylor Hatala is just 11—but thanks to YouTube, she's already a star (Photo courtesy the Hatalas)
Keeping Things Kid-Appropriate
Because they want to work with the best dancers and choreographers in the industry, more and more young hip-hoppers are joining professional crews and taking classes geared toward adults. Taylor, for example, is the youngest dancer in Alexander Chung’s crew, NXG. But pro-level hip-hop choreography is frequently provocative. How do littles handle more-mature material?
Very cautiously. Taylor’s mother, Teresa, set ground rules early on for how Taylor would deal with age-inappropriate choreo, and vets all the artists Taylor works with. “It’s a combination of parenting and finding the right mentors,” Teresa says. “We make sure Taylor’s choreographers don’t put her in more mature pieces, and she knows not to repeat certain lyrics.”
Some choreographers have actually created separate crews for their younger students—like Adams’ “LilBeasts”—with choreography specifically designed for children. “I wanted these kids to experience working in a group, and to meet and hang out with other dancers their age,” Adams says. CEO and founder of Movement Lifestyle, Shaun Evaristo, also created mLkids, a separate hip-hop class designed for young dancers—including gifted 11-year-old Joshua “Red” Guerrero, who was featured in the Michael Jackson/Justin Timberlake music video “Love Never Felt So Good.”
Inspiring Their Mentors
It’s no surprise that many hip-hop littles have grown-up role models. (Charismatic Stephen “tWitch” Boss is one of the dancers most admired by young hip-hoppers.) But with more kids making it big in the commercial world, older dancers are also finding inspiration in the younger generation. “These kids are bringing things to the table that have never been done before,” Tayao says. “Their voices haven’t even dropped yet, and they’re already accomplishing unbelievable things.”
Veterans are getting a boost from littles’ optimism and energy, too. “Kids are making people dance full-out again,” Adams says. “They’re fearless. They can do anything.” And that enthusiasm is changing the face of the industry. “Not only are the dancers getting younger, but choreographers are making it big at a younger age, too,” Adams says.
Handling Pressure with Grace
Living in the spotlight can put a lot of pressure on younger dancers. Even at the age of 11, Joshua feels the need to prove himself in class. “If there aren’t a lot of other kids in a hip-hop class, I really have to step up my game,” he says. “You never want to get too proud of yourself.”
But with that pressure comes a lot of inspiration. “Every dance class, I’m encouraged by the other dancers to push harder,” Joshua says. Taylor agrees: “Yes, there’s more competition now, with dancers starting to train at age 5 instead of 15. But competition is just a tool you use to work harder.” And young hip-hop dancers’ hard work is driving the commercial world to bigger and better places.
Get in, losers. We're going to Broadway.
OK, not losers, actually—more like the bajillion die-hard fans of Tina Fey's 2004 cult hit Mean Girls, who've been wearing pink every Wednesday since a musical adaptation of the film was first teased back in 2013.
Now their world is like a cake filled with rainbows and smiles, because Mean Girls the musical, which had a trial run in Washington, DC, last fall, is set to open at Broadway's August Wilson Theatre April 8. And in a very grool twist, it turns out the show—with direction and choreography by Casey Nicholaw and a book by Fey herself—is delightfully dancey.
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Amanda's never let body-shamers discourage her from going after her dreams. She hopes that by breaking the "dancers are skinny" stereotype, she'll give others the courage to highlight their own unique features rather than hiding them or changing them to fit repressive industry standards. She's even started a campaign, #breakingthestereotype, to inspire artists of all shapes, colors, and sizes to dance for themselves.
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