How I Got The Gig: 6 Dancer's Paths to Major, Memorable Jobs
Wondering how people actually book the dance world's most coveted jobs? Cattle-call auditions aren't the only route to a career: Sometimes it's about who you know—or about being in the right place at the right time. Dance Spirit asked six dancers to describe the moments when the stars aligned, allowing them to nab high-profile professional gigs.
The job: Company member, Chloé Arnold's Syncopated Ladies
How she got the gig: “I'd been taking class with Chloé at the Debbie Allen Dance Academy for about two years when she mentioned she was starting this new group—it didn't even have a name yet. I first auditioned to dance with them when I was 14 or 15, but I got cut! That was the push I needed to start taking my training more seriously—I wanted to be a part of the company so much. Over time, Chloé saw my work paying off, and I did my first show with the Syncopated Ladies at the L.A. Tap Festival in 2008."
What she's doing now: In addition to being a Syncopated Lady, Lee dances with Sarah Reich's Tap Music Project and is a regular performer at the Cosmopolitan of Las Vegas' Rose. Rabbit. Lie. supper club.
Job-booking advice: “Be nice to everyone. Tap auditions are rare—it's definitely more about word of mouth. And take class! If I hadn't been in Chloé's class at the right time, I might have missed the Syncopated Ladies train."
The job: Performer, Celebrity Cruises
How he got the gig: “I majored in history in college, but while I was in school I apprenticed with Atlantic City Ballet and took dance-focused electives. Second semester of senior year, I enrolled in a costume-design class. One day, I was daydreaming and started doing a port de bras. My design professor took note—and it turned out she had a side job mending costumes for Celebrity Cruises. She heard from a producer that they needed a male dancer, and reached out to me. I didn't pause to think about it: I filmed some ballet and jazz combos and put the tape in the mail. I got the offer a week later, and was in rehearsals two weeks after graduation!"
What he's doing now: Chester owns TLC Academy of Dance in Absecon, NJ, and works as a freelance performer.
Job-booking advice: “Be versatile. We all have dance styles we gravitate toward, but you can't be afraid to try other things. The more well-rounded you are, the more jobs will be out there for you."
Tim Chester performing in Atlantic City (Suzanne Fiedler, courtesy Chester)
The job: “Dancing with the Stars" pro
How she got the gig: “The 'Dancing with the Stars' producers get to know you based on your competitive credentials. By the time they contact you, they've done their research—they already have a sense of what you can do. When they reached out to me, I'd been performing with the traveling ballroom show Burn the Floor, and the 'DWTS' team had seen me in the production. They just asked me to do an on-camera interview; it was more about testing my personality than my technique. I joined the show's professional troupe for Season 14."
What she's doing now: For the past several seasons, Slater has had celebrity partners on “DWTS."
Job-booking advice: “Be ferocious in your personality. Producers and casting directors want to see confidence and energy."
Emma Slater (courtesy ABC)
The job: Dancer for/assistant to choreographer Marguerite Derricks
How she got the gig: “I'd been assisting Doug Caldwell in his class at the EDGE in L.A. One
day, we were working on a combination at his house, dancing around in his living room, and Marguerite stopped by. I was marking while they talked, and she paused and said, 'Dance for me.' So I did the combination for her, right there. The next day, I got a call offering me a dance role in the movie Fame, which Marguerite was choreographing."
What she's doing now: Esquibel went on to work with Derricks on the TV show “Bunheads," the Broadway musical Wonderland and many other gigs. She's also danced for Taylor Swift and toured with Shaping Sound.
Job-booking advice: “Be prepared at any moment. Every person you meet in the dance industry has something to offer, and could in some capacity help you build a career."
Mallauri Esquibel and Teddy Forance during a Shaping Sound performance (Chris Reilly, courtesy Esquibel)
The job: Swing and dance captain, Broadway's On Your Feet!
How she got the gig: “I'd worked with choreographer Sergio Trujillo on the first and second national tours of Flashdance: The Musical, where I was a swing, then dance captain and finally Sergio's associate choreographer. When Flashdance was over and I was back in NYC, Sergio invited me to audition for On Your Feet! I'd missed the open call because we were still on the road, and I didn't have an agent at the time. Sergio was the one who got me in the room. He said, 'I think this would be a good fit for you, but you'll have to prove that to the rest of the team.' And they ended up hiring me."
What she's doing now: Caruncho is still happily working in On Your Feet!
Job-booking advice: “Share your joy, your passion, your fierceness—whatever is uniquely you. People want to see a human being who will be fun, committed and hardworking in rehearsal. That's how you'll get creative team members to take a chance on you."
Natalie Caruncho backstage at "On Your Feet!" (courtesy Caruncho)
Albert Blaise Cattafi
The job: Company member, Bad Boys of Dance
How he got the gig: “As a teen, I idolized Rasta Thomas. When I was 13, I emailed him,
and he actually wrote back! A few years later, I was at a competition in NYC, and after my solo, Rasta approached me in the hallway. He said, 'I'm getting some guys together to start my own company. If you're interested, I'd love for you to join us.' So, right after graduating high school, I went into rehearsals with the Bad Boys of Dance. Having the opportunity to dance with Rasta—the epitome of what a male soloist should be—at the start of my career was invaluable."
What he's doing now: Cattafi has also danced with Shaping Sound, on “Saturday Night Live" and for musical artists including Kelly Clarkson. He's currently the resident choreographer for Phoenix Ballet in Scottsdale, AZ.
Job-booking advice: “Do your research. Watch videos. If you like a show or company, see if you can take class with people in it. You can control the type of artist you want to be."
Courtesy Albert Blaise Cattafi
Some might say Charlize Glass' fame kicked off with a single three-letter word. In 2014, Beyoncé shared a video of the then–12-year-old dancer performing to "Yoncé" on Instagram, along with a simple caption: "WOW!"
But by that point, the hip-hop mini had already performed at the MTV Video Music Awards and on "The Ellen DeGeneres Show," and won first runner-up with her crew, 8 Flavahz, on "America's Best Dance Crew." And her Queen Bey Insta shout-out wasn't even the pinnacle of her tween career: She earned a spot on The PULSE On Tour as an Elite Protégé for the 2014–2015 season, and performed with Missy Elliott at the Super Bowl XLIX Halftime Show in 2015.
These days, the 16-year-old spends her time touring the country as Brian Friedman's assistant at Radix Dance Convention and blowing up YouTube and Instagram with her class-video cameos. And while the Char Char we fell in love with was a hip-hop cutie pie, the more mature artist we see today is sure to rock the dance world for years to come.
Anyone else still not over the fact that the show "Bunheads" was so cruelly cancelled? Yeah, us too.😭
But as of last Friday, everyone's favorite dance show is now available to stream on Hulu. All 18 episodes of Season 1 are available for the taking. IT'S A HOLIDAY MIRACLE!
If you follow ballet darling Juliet Doherty on Instagram—which you probably do—you already know that the two-time Youth America Grand Prix gold medalist is a self-proclaimed "plant-powered ballerina." Doherty has followed a vegan diet for four years now, and though she never forces her lifestyle on her followers or IRL friends, she does love sharing her daily eats and the plant-based meals and snacks that help her perform at her best. Curious as to what that entails? Here's a day in the life of Juliet's meat-and-dairy-free diet.
Few things are as beautiful as a seamlessly executed grand rond de jambe: There's something majestic about the high arc of the leg from front to side to back (or vice versa). But many pitfalls line the road to effortless grands ronds, especially in the tricky side-to-back and back-to-side transitions. How can you make this difficult step feel as free as it looks?
Love choreographing, but having a hard time finding a place to present your work? It's an all-too-common problem for choreographers everywhere—and especially for younger artists, who tend not to have the kinds of resources their more established peers do.
Enter the Young Choreographer's Festival. Every year, YCF presents works by talented choreographers between the ages of 18 and 25. And it's currently accepting applications for its 2018 event.
For some it's a holiday tradition, for others its an iconic spectacle, but no matter the reason, more than 1 million people will watch the Rockettes perform in the Radio City Christmas Spectacular each year. And though the production has been around since 1933, much of what goes on behind those velvety curtains and intricate sets remains a mystery. To curb our curiosity and find out what ensues when these leggy ladies aren't doling out their sky-high kicks, we got a backstage tour from the legends themselves.
From hair and makeup, to warm-up exercises, and costume quick changes (the fastest quick change in the show is a #mindblowing 75 seconds, by the way) we got a glimpse into the glamorous (and sometimes not so glamorous) world of the Rockettes.
As a tap dancer, you're a student of history—whether you know it or not. Tap technique today is intimately connected to the great hoofers of the past. "Tap is incredibly personal, because all of these individuals have added to the public domain, the pool of steps you draw from," says Brian Seibert, dance critic for The New York Times and author of What the Eye Hears: A History of Tap Dancing. "You're constantly giving shout-outs to dancers who came before you."
It's also important to recognize tap's pioneers because they repeatedly broke down barriers, making tap accessible to everyone. "You don't have to overcome something to be here," says Tony Waag, artistic executive director of the American Tap Dance Foundation. "You're not the first black person or woman, you don't have to carry a certain card or have a particular lineage to succeed at tap. Gregory Hines used to say, 'If you have the shoes, you're in.' "
Come meet the artists who've shaped tap history. Because if you're a tap dancer, they're your family, too.
What's better than a good dance joke? They're corny, they're punny, and they're exactly what you need to get you through long Nutcracker days. These 10 jokes are guaranteed to put a smile on your face—no matter how much your feet are hurting.
"So you Think You Can Dance" Season 14 finalists Lex Ishimoto and Taylor Sieve shocked fans at home (at least the ones who hadn't thoroughly scoured their respective Instagrams) during Episode 14, when choreographer Mia Michaels asked if either of them had ever experienced "the kind of love that takes your breath away." They confessed that, yup, they had—with each other. The two met at The Dance Awards in the summer of 2016, where they were each named Senior Best Dancer, and went on to tour with the convention as assistants. Before long—and long before their "SYTYCD" journey—they became a couple.
Take a look at Dance Spirit's exclusive interview where they dish on everything from their favorite dates to the dance moves that give them all the feels.
There's a surprising twist to Regina Willoughby's last season with Columbia City Ballet: It's also her 18-year-old daughter Melina's first season with the company. Regina, 40, will retire from the stage in March, just as her daughter starts her own career as a trainee. But for this one season, they're sharing the stage together.