Juliet dancing a variation from Diana and Acteon (pas de deux) at Youth America Grand Prix (VAM Productions)
Juliet Doherty just may have it all: ridiculously long legs, the archiest feet on any given stage, big, beautiful eyes, sky-high leaps and totally controlled turns—plus a starring role at Radio City Music Hall. And she’s smart and super sweet? Yes, 14-year-old Juliet has the kind of dance life most of us only dream of.
Juliet started dancing when she was 3 at her great-grandmother’s studio, Fishback Studio of the Dance, in her hometown of Albuquerque, NM. “I was born into a dancing family,” says Juliet, who trains with her mom. She began with ballet classes, and by the time she was 5 she had added modern, jazz, tap and acrobatics as well. Juliet also made an early name for herself on the competition and convention circuit. “I did my first competition solo when I was 7, and it was a hip-hop number,” she says, giggling. “But then I was like, hmm, maybe this isn’t a fit for me.”
Hip hop wasn’t her forte, but ballet certainly is. In addition to attending competitions such as New York City Dance Alliance, International Dance Challenge and Showstopper, Juliet began competing at Youth America Grand Prix at age 9. “I love attending conventions because you get to learn from and put yourself in front of so many amazing teachers,” she says. “But at YAGP, you get the opportunity to earn scholarships and take a step even further into your future. I love competing with dancers from all over the world.”
In 2009, Juliet traveled to Chicago to audition for the role of Clara in the Radio City Christmas Spectacular. She was cast in the show’s Seattle/Pittsburgh tour in what Juliet calls “the most exciting time of my life!” The next year, she was cast in the Florida/Texas leg of the tour. Finally, in 2011, Juliet landed the role of Clara in the biggest production of all: the NYC show at Radio City Music Hall. “After two years on tour, I was ready for New York,” she says. During the 2011 season, Juliet performed alongside the Radio City Rockettes in two to five shows a day, six days a week.
With such a grueling dance schedule, is Juliet burnt out? Not even close. “I love performing in front of a live audience,” she says. “Someday I want to be in a ballet company like New York City Ballet—those dancers are so inspiring and the Balanchine ballets they perform are gorgeous.” And she’s already taking steps toward her future dance career. “Last year when I went to YAGP, I had some scholarship interest from overseas programs, and I’ve kept in touch with those contacts. I want to research my options overseas and in America—I’m figuring out what will be the best fit for me and where I’ll be most comfortable.”
Birthday: June 10, 1997
Most-played on her iPod: “Breathe Me” by Sia. “But before competitions I love listening to Beyoncé’s I Am...Sasha Fierce album. She’s so confident, and I would love to have that confidence every time I go out and perform.”
Favorite movie: Matilda. “When I was 5, she was my hero. I watched that movie every day growing up.”
Favorite dance step: Saut de chat. “I’m a powerhouse when it comes to leaping.”
Favorite food: Octopus and white rice. “My parents spent time in Japan before I was born, so I was introduced to really good food from other cultures.”
Dance idols: Misty Copeland and Ashley Bouder
Who would play her in a movie? Audrey Hepburn
Dance crush: Daniel Ulbricht. “He has a girlfriend, but don’t worry: He’ll realize soon his true future lies with me…[giggles.]”
Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
When we think of a dancer who's broken barriers, American Ballet Theatre principal Misty Copeland tends to be the name that comes to mind. And though Copeland has been a crucial advocate for equality in the world of ballet, Raven Wilkinson—a mentor of Copeland's—is considered one of the original pioneers of the movement.
In 1955, Wilkinson became the first African American to dance with the renowned Ballet Russe de Monte Carlo. Her fortitude in the face of bigotry and hate cemented her legacy. Now, with the release of the new children's book Trailblazer: The Story of Ballerina Raven Wilkinson, a new generation of dancers will be inspired by her tale of overcoming obstacles to achieve a dream.
The book details Wilkinson's life, from her experience as a young dancer training in Harlem, to her run-ins with the Ku Klux Klan while on tour with Ballet Russe, to her later ballet career in Europe. "There were times where my heart really hurt because of the situations I had to deal with," she says. "But I always had faith that I was made to be a dancer and that I was gonna dance."
Dance Spirit spoke with Wilkinson to discuss the new book and get her take on racial equality within the ballet world.
Postmodern pioneer Trisha Brown redefined how dance is seen and felt. A founding member of Judson Dance Theater, Brown frequently collaborated with other experimental artists like Yvonne Rainer, Merce Cunningham, Twyla Tharp, and Steve Paxton.
She embraced pedestrian movement, pairing everyday gesture with rhythm and fluidity. "It's liquid," says Wendy Perron, who danced with Brown in the '60s and '70s. "Like a river with many tributaries, water coming out of a faucet, or being on a raft and seeing the water move away in different directions." Brown also pushed beyond stages with choreography in fields, museums—even on the sides of buildings.
There's a common misconception that a dancer's body has to be thin. But the truth is that talent knows no body type, and the number on the scale never determines an artist's capabilities. Here are some extraordinary dancers fighting the stereotype of what a dancer "should" look like.
We always love a good halftime performance. And we LIVE for halftime performances involving talented kids. (Fingers and toes crossed that Justin Timberlake follows Missy Elliott's lead and invites some fabulous littles to share his Super Bowl stage.)
So obviously, our hearts completely melted for 5-year-old Tavaris Jones. Tavaris may have just started kindergarten, but during Monday night's game between the Cleveland Cavaliers and Golden State Warriors, the Detroit native danced with the panache of a veteran pro at halftime.